Resisting Paradise

curated by Marina Reyes Franco

Joiri Minaya, Siboney, 2014.
Resisting Paradise is an exhibition featuring Jamaican and Dominican artists creating work at the intersections of tourism, sexuality, gender, environmental concern, music, and the internet. The exhibition consists of existing and commissioned work resulting from an examination of preconceived notions of paradise, and tourism as a new means of colonization. Through their work in painting, photography, sculpture, video, graphic design, and installation, these artists reference shared histories of invasion, slavery, and economic exploitation of natural resources, and how these forces translate into the commodification of their own bodies in the Western imagining of paradisiacal tourist destinations. The show's title draws inspiration from a book by Bahamian writer Angelique V. Nixon, which discusses the perils of living in such a crafted, imagined paradise, and also the powerful ways in which cultural workers resist and transform those given narratives.

The shared Caribbean experience of the plantation-to-resort economic development model makes evident the transition from slavery to service economy under tourism. The exhibition explores what happens when the tourism economy also applies to bodies—when sex and desire are also a currency. The project of colonialism and empire have left an undeniable mark on culture by shaping the way we relate to ourselves, each other, and to nature itself. Through transgression and appropriation, these artists envision new paradigms of life in the region and its diaspora by challenging preconceived notions of what it means to be Caribbean: a colonial, sexualized subject.
 
Marina Reyes Franco (b. 1984) is an independent curator living and thinking from San Juan, Puerto Rico. She is co-founder and former director of La Ene, a museum in Buenos Aires, Argentina. Recent projects include: Watch your step / Mind your head, ifa-Galerie Berlin; The 2nd Grand Tropical Biennial in Loíza, Puerto Rico; Calibán, MAC in Santurce, Puerto Rico; C32: Sucursal, MALBA in Buenos Aires, and numerous exhibitions at La Ene. Her research interests include the work of Esteban Valdés, artistic and literary manifestations on the frontier of political action, new museology, and the impact of tourism in cultural production.



Installation Images

Joiri Minaya, #dominicanwomengooglesearch, 2016, Installation view.
 

Joiri Minaya, #dominicanwomengooglesearch, 2016, Installation view.
 

Joiri Minaya, #dominicanwomengooglesearch, 2016, Installation view.
 

Joiri Minaya, #dominicanwomengooglesearch, 2016, Installation view.
 

Resisting Paradise, Installation view.

 

Leasho Johnson, Death of the Soundboy, 2019, Installation view.
 

Leasho Johnson, Death of the Soundboy, 2019, and Joiri Minaya, Container #2 and Container #3, 2016, Installation view.

Deborah Anzinger, Coy, 2016, and The Distraction of Symbolism, 2019, Installation view.
 

Joiri Minaya, Container #2 and Container #3, 2016, Installation view.
 

Opening Images

Brochure Images

Deborah Anzinger, Coy, 2016, Acrylic, styrofoam, Aloe barbadensis, and mirror on canvas, 72 x 54 in

Deborah Anzinger, The Distraction of Symbolism, 2019, Digital video (still)

Deborah Anzinger, The Distraction of Symbolism, 2019, Digital video (still)

Deborah Anzinger, The Distraction of Symbolism, 2019, Digital video (still)

Deborah Anzinger, The Distraction of Symbolism, 2019, Digital video (still)

Leasho Johnson, Death of the Sound boy, 2019, Wallpaper, spray paint, Dimensions variable

Leasho Johnson, Death of the Sound boy, 2019, Wallpaper, spray paint, Dimensions variable

Joiri Minaya, Siboney, 2014, Video, 10 min (still)
 

Joiri Minaya, Siboney, 2014, Video, 10 min (still)
 

Joiri Minaya, Siboney, 2014, Video, 10 min (still)
 

Joiri Minaya, #dominicanwomengooglesearch, 2016, installation view at the Sunroom Project Space at Wave Hill, Bronx, NY. Photo by Stefan Hagen (1)

Joiri Minaya, #dominicanwomengooglesearch, 2016, installation view at the Sunroom Project Space at Wave Hill, Bronx, NY. Photo by Stefan Hagen (2)

Joiri Minaya, #dominicanwomengooglesearch, 2016, installation view at the Sunroom Project Space at Wave Hill, Bronx, NY. Photo by Stefan Hagen (3)

Joiri Minaya, #dominicanwomengooglesearch, 2016, installation view at the Sunroom Project Space at Wave Hill, Bronx, NY. Photo by Stefan Hagen (4)

Joiri Minaya, #dominicanwomengooglesearch, 2016, installation view at the Sunroom Project Space at Wave Hill, Bronx, NY. Photo by Stefan Hagen (5)

Joiri Minaya, Container #2, 2016, pigment print, 40 x 60 in
 

Joiri Minaya, Container #3, 2016, pigment print, 40 x 60 in
 

apexart’s program supporters past and present include the Milton and Sally Avery Arts Foundation, the Buhl Foundation, Bloomberg Philanthropies, Spencer Brownstone, the Kenneth A. Cowin Foundation, Epstein Teicher Philanthropies, The Greenwich Collection Ltd., William Talbott Hillman Foundation/Affirmation Arts Fund, the Fifth Floor Foundation, the Consulate General of Israel in New York, The Puffin Foundation, the Trust for Mutual Understanding, The Andy Warhol Foundation for the Visual Arts, and public funds from the New York City Department of Cultural Affairs in partnership with the City Council, Creative Engagement, supported by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature administered by LMCC, as well as the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.