INTL Open Call 2024-25 Winning Proposals and Proposal Ranking The Juror ListMore info
The five highest ranking proposals were submitted by:
Layla Yamamoto (In the beginning, Womankind was the sun - Weren't we?), Tokyo, Japan
William Contreras Alfonso & Linda Pongutá (Null), Bogotá, Colombia
Isadora Cardoso (TMWYGH: Text Me When You Get Home), Sao Paulo, Brazil
Patricia Watts, Monique Verdin (Plastic, The New Coal), New Orleans, United States
and Lilia Bakanova (We used to be Seaweed), Nukus, Uzbekistan
The International Open Call accepts ideas for group exhibitions to be presented in any city on earth outside New York. The organizers of the four highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming. Dates will be posted as they are determined.
Thank you for submitting a proposal this round. We hope that you will consider doing so again in the future as the jury changes every time and many winners have submitted multiple times.
In the beginning, Womankind was the sun - Weren't we?
Dates TBD
submitted by: Layla Yamamoto
In Tokyo, Japan
This exhibition critiques the Japanese state’s control of women’s bodies and sexuality offering perspectives on the imperialist era, present, and near future sociopolitical landscape.
Null
Dates TBD
submitted by: William Contreras Alfonso & Linda Pongutá
In Cairo, Egypt
Null transforms an abandoned telecom building into a platform for artists to reflect on urban challenges, technology, and communication — offering diverse perspectives on Colombian society’s complex possibilities.
TMWYGH: Text Me When You Get Home
Dates TBD
submitted by: Isadora Cardoso
In Sao Paulo, Brazil
This exhibition highlights the struggles of women’s mobility and safety, interlacing stories from diverse cultures to underscore the themes of identity, survival, and collective strength. "Text Me When You Get Home" spotlights the global sisterhoods created as a form of resilience and resistance.
Plastic, The New Coal
Dates TBD
submitted by: Patricia Watts, Monique Verdin
In New Orleans, United States
Plastic, The New Coal confronts the environmental and health impacts of plastic production, highlighting artists’ responses to its pervasive presence and connections to social justice, Indigenous knowledge, and ecological concerns.
We used to be Seaweed
Dates TBD
submitted by: Lilia Bakanova
In Nukus, Uzbekistan
Creates a dialog between historical and contemporary perspectives of the Aral Sea. Once the worlds 4th largest lake, it has since been depleted to an 8th of it’s size due to irrigation projects.
Rank | ID | Score | Title | Country |
---|---|---|---|---|
1 | 379 | 4.1 | In the beginning, Womankind was the sun - Weren't we? | Tokyo, Japan |
2 | 524 | 3.9836 | Null | Bogotá, Colombia |
3 | 331 | 3.9672 | TMWYGH: Text Me When You Get Home | Sao Paulo, Brazil |
4 | 476 | 3.9194 | Plastic, The New Coal | New Orleans, United States |
5 | 446 | 3.8852 | We used to be seaweeds | Nukus, Uzbekistan |
5 | 375 | 3.8525 | Heartstrings for Bowstrings, Paintbrushes for Arrows | Johannesburg, South Africa |
6 | 78 | 3.85 | VAVY : the Archives of our Lives | Antananarivo, Madagascar |
6 | 112 | 3.85 | City Rebels: Reclaiming Tehran | Tehran, Iran |
7 | 502 | 3.8387 | They Raised a Great Shout, And Down Fell the Walls | London, United Kingdom |
8 | 319 | 3.8361 | Voices of Resilience: Gaza Genocide Graphics | Kuwait City, Kuwait |
9 | 359 | 3.8333 | Do Yourself. 10 Years of the Collective Girls and Queers to the Front in Poland | Warsaw, Poland |
10 | 295 | 3.8167 | Swallow Them, Scatter It, Then Pray for Me | Tokyo, Japan |
11 | 442 | 3.8033 | Smoke Forecast | Neskonlith Indian Reserve, Canada |
12 | 495 | 3.7869 | Sky is Another Word for Belonging | Westminster, United States |
13 | 352 | 3.7705 | WORKING WITHOUT PAPERS, BUT NOT WITHOUT RIGHTS | Vienna, Austria |
14 | 365 | 3.7541 | Backpack | Tijuana, BC., Mexico |
15 | 474 | 3.7458 | Making Prospectopia: Seeking Democracy on Road | New Delhi, India |
16 | 464 | 3.7377 | Electric Currents: Video Islands | Havana, Cuba |
17 | 313 | 3.7333 | From Here and Away | Waterville, United States |
18 | 338 | 3.7288 | Beyond the Fireside: Accra's Contemporary Stories | Accra, Ghana |
19 | 7 | 3.7213 | Bibananiza iki? | Kigali City, Rwanda |
19 | 458 | 3.7213 | Collective Amnesia | Abuja, Nigeria |
20 | 41 | 3.7167 | “Reframing the Present, with a Crooked Lens†| Johannesburg, South Africa |
21 | 126 | 3.7049 | Kokende Liboso Eza Kokoma Te: On Contiguous Narratives and Poetic Cosmologies | Kinsahsa, Congo |
22 | 416 | 3.678 | REPRESENTING VIOLENCE IN MEXICO, A FEMINIST APPROACH | Rome, Italy |
22 | 530 | 3.678 | We Object: Physical Remains of Video Art | Istanbul, Turkey |
23 | 104 | 3.6721 | FOR THE KOLORED GYALS! | Lagos, Nigeria |
24 | 191 | 3.6667 | Other History: Emerging East African Female Artists | Kampala, Uganda |
24 | 534 | 3.6667 | Presence Marked by Absence: Spectral Realism in Colombian Video Art | Bogotá, Colombia |
24 | 335 | 3.6667 | Amazonia: The Sapara Universe | Quito, Ecuador |
24 | 47 | 3.6667 | El Contrato Natural | San Juan, Puerto Rico |
24 | 409 | 3.6667 | You forgot that I was a seed (TBC) | Johannesburg, South Africa |
25 | 328 | 3.65 | Contested Landscapes | Montreal, Canada |
25 | 348 | 3.65 | Baba Shop Lagos | Lagos, Nigeria |
26 | 113 | 3.6441 | Progeny of Empire | Brownsville, United States |
27 | 451 | 3.6393 | CANCELLED | Berlin, Germany |
27 | 444 | 3.6393 | I can steer this ship in my wildest dreams | Las Palmas de Gran Canaria, Spain |
28 | 139 | 3.6333 | “A Prison, a Prisoner, and a Prison Guard†| Amman, Jordan |
28 | 439 | 3.6333 | Renaissance Among Us | Kaduna, Nigeria |
28 | 472 | 3.6333 | Urban Indian Ignite | Houston, United States |
29 | 175 | 3.6271 | An Unfinished Farewell | Guangzhou City, China |
30 | 142 | 3.6167 | The Lost River | Lahore, Pakistan |
31 | 546 | 3.6129 | NOT JUST A LANGUAGE | Kampala, Uganda |
32 | 204 | 3.6066 | The sky glows but no one sees the stars | Barcelona, Spain |
33 | 490 | 3.6 | The lost souls of the Tlacuilos | Mexico City, Mexico |
33 | 48 | 3.6 | I Have Become You, and You Me | Los Angeles, United States |
33 | 272 | 3.6 | Melting Pot? | London, United Kingdom |
34 | 378 | 3.5902 | “Ho la stoffa!†| Prato, Italy |
34 | 441 | 3.5902 | Searching for the tropics | Oaxaca de Juarez, Mexico |
34 | 477 | 3.5902 | Solace | Atlanta, United States |
34 | 170 | 3.5902 | Wind Chimes, Gongs and Bells. For whom is this call? | Amsterdam, Netherlands |
34 | 450 | 3.5902 | The Yeehaw Agenda: Alive & Well | San Francisco, United States |
35 | 505 | 3.5667 | JAPAN BLUE: Crafting Indigo Identities | London, United Kingdom |
35 | 538 | 3.5667 | Re(in)surgent Forests | Bogotá, Colombia |
35 | 358 | 3.5667 | Sugarcane Dreams; Unveiling the Legacy of Indentured Labor in Fiji | Suva City, Fiji |
35 | 304 | 3.5667 | Un Tumba Chiu Chiu | Calama, Chile |
36 | 469 | 3.5645 | Nesting Materials | Chicago, United States |
37 | 166 | 3.5574 | ISIRKA: Coming Home | Nairobi, Kenya |
37 | 116 | 3.5574 | Oblique | London, United Kingdom |
37 | 395 | 3.5574 | I See Beauty In You | Nairobi, Kenya |
38 | 132 | 3.55 | No Woman Is An Island | Port of Spain, Trinidad and Tobago |
38 | 134 | 3.55 | Some kind of we | Toronto, Canada |
38 | 334 | 3.55 | STONE BUTCH BLUES | Valencia, Spain |
39 | 105 | 3.5424 | Love is All Around (working title) | Yogyakarta/Bali, Indonesia |
40 | 273 | 3.541 | BELOW THE EARTH, THE ROOTS. | São Paulo, Brazil |
41 | 339 | 3.5405 | Entomofagia: Edible Insects as Ancestral and Future Foods | Mexico City, Mexico |
42 | 224 | 3.5385 | The Women from New York: Transcending Diaspora | Shanghai, China |
42 | 181 | 3.5385 | Fototożsamości. BIPOC image-making of the Self | Warsaw, Poland |
42 | 420 | 3.5385 | TO FLOAT TOWARDS THE BORDERS | Bari, Italy |
43 | 207 | 3.5333 | Hair Styles of Africa | Addis Ababa, Ethiopia |
44 | 462 | 3.5278 | Whispers of Time, Moons | Cairo, Egypt |
45 | 492 | 3.5263 | What in Silence Grows... | Paris, France |
46 | 102 | 3.5246 | We breathe the breath of trees | Larroque, France |
46 | 500 | 3.5246 | Embroidered Memories | Paris, France |
46 | 73 | 3.5246 | Primero Sueño: When Art Dreams of Rebellion | Puebla, Mexico |
47 | 277 | 3.5167 | Eternal Life. | Mar del Plata., Argentina |
47 | 230 | 3.5167 | MTANZO: Art at Home. | Nairobi, Kenya |
48 | 404 | 3.5135 | As it Ebbs and Flows | Atlanta, United States |
49 | 509 | 3.5128 | Transplant Truths | Glasgow, United Kingdom |
50 | 302 | 3.5082 | Power, Play, Pleasure | Lagos, Nigeria |
50 | 468 | 3.5082 | Kema: Healing from Within | Taipei, Taiwan |
51 | 213 | 3.5 | Channelings | Malmö, Sweden |
51 | 110 | 3.5 | obra//orba | Manila, Philippines |
51 | 168 | 3.5 | Power Geometries (Geometrias do Poder) | Rio de Janeiro, Brazil |
51 | 280 | 3.5 | Everywhere, Nowhere, Anywhere | Seoul, Korea, Republic of |
52 | 467 | 3.4918 | Paeans to an Unraveling | Los Angeles, United States |
53 | 137 | 3.4872 | Scotchlite - A Game of Marking, Exposing, Monitoring, and Disciplining | Hongkong, China |
53 | 376 | 3.4865 | Leave The Community Alone | Maranola, Italy |
54 | 321 | 3.4833 | When Birds Fly Over the Crater | Shanghai, China |
54 | 197 | 3.4833 | I'm someone else in the way I'm I | London, United Kingdom |
55 | 543 | 3.4737 | Games in Art/ Art in Games | New Delhi, India |
56 | 411 | 3.4722 | The Underrated Elements: Hip-Hop & Comics | Atlanta, United States |
56 | 158 | 3.4722 | Beyond Sight: A Celebration of Visionary Art | Philadelphia, United States |
56 | 347 | 3.4722 | Moringa | Port-Au-Prince, Haiti |
57 | 79 | 3.4667 | Dadaab Commons | Nairobi, Kenya |
58 | 190 | 3.4615 | Mama's war | Abidjan, Cote Divoire |
59 | 389 | 3.4595 | Non-Natives Narrative | Bangkok, Thailand |
59 | 305 | 3.4595 | TOZOLEYA MWANA WA KAWEMPE! | Kampala, Uganda |
59 | 478 | 3.4595 | THE TRANSCENDENCE OF MEMORIES THROUGH NOURISHMENT | Atlanta, United States |
60 | 38 | 3.459 | When a Pomegranate Falls | Tunis, Tunisia |
60 | 57 | 3.459 | Yes, we are crip! Fictions of normal bodies | Mexico City, Mexico |
60 | 486 | 3.459 | Lesua (for her). | Addis Ababa, Ethiopia |
61 | 262 | 3.4571 | MINE | Mérida, Venezuela |
61 | 463 | 3.4571 | (ENG) CROSSROADS - bridging lineages, legacies and voices // (PT) Pontes entre Heranças - Diálog | Luanda, Angola |
62 | 52 | 3.45 | Igwebuike: Transforming the Commonplace | Lagos, Nigeria |
63 | 324 | 3.4474 | Reflejos de un Mañana / Reflections of Tomorrow | Mexico City, Mexico |
64 | 398 | 3.4444 | Queer Villains | London, United Kingdom |
64 | 133 | 3.4444 | Newsstand of the Future | Rome, Italy |
65 | 503 | 3.4426 | Letters of Disappointment | Bangkok, Thailand |
65 | 250 | 3.4426 | Sòrò Sókè | Lagos, Nigeria |
66 | 10 | 3.4359 | what tie ties ties | San Francisco, United States |
66 | 286 | 3.4359 | Sandi Svara | Solo, Indonesia |
67 | 186 | 3.4359 | Housekeeping vs Homemaking | New Delhi, India |
68 | 251 | 3.4355 | SHHHH...listen | Goa/Bangalore, India |
69 | 143 | 3.4333 | Traversing Borders: Arab Jewish Identity in Contemporary Artistry | London, United Kingdom |
69 | 117 | 3.4333 | American Shrines: Los Angeles Edition | Los Angeles, United States |
69 | 494 | 3.4333 | Rich, famous, artist | Lima, Peru |
70 | 449 | 3.4324 | Falsificando Realidades, Forged Realities | Mexico City, Mexico |
70 | 516 | 3.4324 | Moving the Mortared Line- Deplase liy lan mòtye - كیرØت طخ نواھلا - Moviendo la lÃnea | Miami, United States |
70 | 34 | 3.4324 | ANCIENT ICE – FUTURE FOOD 78°13′N 15°39′E | Spitsbergn, Svalbard, Svalbard and Jan Mayen Islands |
71 | 418 | 3.4262 | Arrows of Laughter and Truth into the Cold Heart of Power: Nigerian Editorial Cartoons (2015-2023) | Lagos, Nigeria |
72 | 285 | 3.4211 | A Seed Planted | London, United Kingdom |
72 | 480 | 3.4211 | Dreams Deferred | Johannesburg, South Africa |
72 | 154 | 3.4211 | Far Beyond the Walls | Carson City, United States |
73 | 212 | 3.4194 | AFRODITA | La Paz, Bolivia |
74 | 521 | 3.4167 | We Are Human: Exploring the Soul of the Southern Black Man | Savannah, United States |
74 | 330 | 3.4167 | Some Bodies to Love | The Hague, Netherlands |
74 | 485 | 3.4167 | Symbiosis in Love | Sonoma County, United States |
74 | 506 | 3.4167 | Can Future Cities Survive Global Warming? | Detroit, United States |
74 | 385 | 3.4167 | ellipsis, folds of memory | Beirut, Lebanon |
75 | 402 | 3.4103 | Homegrown Masters | Riyadh, Saudi Arabia |
76 | 196 | 3.4054 | No freedom after we speak | Prague, Czech Republic |
76 | 282 | 3.4054 | Border Passt | Gorizia + Nova Gorica, Slovenia |
76 | 234 | 3.4054 | Human invasion in the world of stones | Porto, Portugal |
77 | 93 | 3.4 | The Disappearing Faces of Women's Rights | San Francisco, United States |
78 | 435 | 3.3947 | Breaking Bread | Milan, Italy |
78 | 371 | 3.3947 | PARADOX-ical Identities (Exploring the DICHOTOMY of self through immigration) | Auckland, New Zealand |
78 | 369 | 3.3947 | Neighborhood: Multidevice and Locality | Jakarta, Indonesia |
79 | 218 | 3.3934 | Wired Intimacy | Bogotá, Colombia |
79 | 229 | 3.3934 | CARIBE BASTARDO (Bastard Caribbean) | Isla de Margarita, Venezuela |
80 | 265 | 3.3889 | ‘In your dreams / ÙÙŠ اØلامك / Ù…Ú¯Ù‡ خوابشو ببینی' | Dubai, United Arab Emirates |
81 | 535 | 3.3871 | Obsidian | Atlanta, United States |
82 | 436 | 3.3846 | Somos: Past, Present, and Future Collectives of the LGBTQ+ Disobedience at Abya Yala(*) | Los Angeles, United States |
83 | 508 | 3.3833 | Unstable Horizons | Mexico City, Mexico |
83 | 390 | 3.3833 | Taste Me | Seoul, Korea, Republic of |
84 | 217 | 3.3824 | Between forest and desert: stars, boats, people and seeds | Antofagasta, Chile |
85 | 237 | 3.3784 | Hidden in Pane Site | Dublin, Ireland |
85 | 260 | 3.3784 | Sympoetic Systems | Munich, Germany |
86 | 227 | 3.3684 | Across Differences/ The Long Forgetting | Nairobi, Kenya |
86 | 43 | 3.3684 | Motherhood Unveiled | Brasov, Romania |
86 | 487 | 3.3684 | Celestial Bodies | Memphis, United States |
86 | 183 | 3.3684 | Resonances of Earth: Unveiling Sungbo's Eredo - A Journey through Yoruba Culture and Transition | Lagos and NYC, Nigeria |
86 | 248 | 3.3684 | Mirrored Symmetries | Montréal, Canada |
86 | 252 | 3.3684 | KILL WORK; ESCAPE PERFORMANCE; PLAY ALONG W/ LIFE ;) | Naples, Italy |
86 | 171 | 3.3684 | Manual Urbanism: Tools of Material Practice | Mexico City, Mexico |
87 | 399 | 3.3611 | SLPLINTER (LASCAS) | Lisbon, Portugal |
87 | 432 | 3.3611 | Collective Conscience | New Delhi, India |
87 | 501 | 3.3611 | Body, Active-Archive (Corpo arquivo-ativo) | Rio de Janeiro, Brazil |
87 | 498 | 3.3611 | Silly Billies | Norwich, United Kingdom |
88 | 507 | 3.359 | Other Wings | Toronto, Canada |
88 | 161 | 3.359 | Hysterically, yours | Chișinău, Moldova, Republic of |
88 | 401 | 3.359 | Take Care | Kraków, Poland |
88 | 531 | 3.359 | SB 846 — Bridging Cultures: An Exhibition of Art from Countries of Concern | Fort Lauderdale, United States |
88 | 417 | 3.359 | Tropical Distancing Effect | Mexico City, Mexico |
89 | 473 | 3.3514 | Enter the void | Copenhagen, Denmark |
89 | 387 | 3.3514 | A Place to Be Naked | Tokyo, Japan |
89 | 354 | 3.3514 | Sacred Shadows | Cairo, Egypt |
89 | 438 | 3.3514 | Women on Extractivism | Mieres, Spain |
90 | 88 | 3.35 | BerührungsPunkte - TouchPoints | Berlin, Germany |
90 | 454 | 3.35 | The Terminal Giant: A dialogue, expose and rethink for a failing state. | Maryland, Nigeria |
91 | 520 | 3.3421 | Speculative Fictions Across Colombian Film History | Bogotá, Colombia |
91 | 256 | 3.3421 | Madrid | Madrid, Spain |
92 | 456 | 3.339 | Radical Catalysis | Kampala, Uganda |
93 | 329 | 3.3333 | SEAWEED SOVEREIGNTY | Coruña, Spain |
93 | 415 | 3.3333 | Ecos de lo invisible (Echos of the Invisible) | Bahía Blanca o Buenos Aires, Argentina |
93 | 271 | 3.3333 | UNCHARTED | Cairo, Egypt |
93 | 303 | 3.3333 | Ustopian Place. Arctic Horror Imaginaries | Paris, France |
93 | 8 | 3.3333 | Feelings are Facts: An Exploration of Sensory Realities | Berlin, Germany |
94 | 4 | 3.3279 | Birdsview | Tunis, Tunisia |
95 | 289 | 3.3243 | No es incertidumbre ni miedo / It is neither incertitude nor fear | Halle, Germany |
95 | 459 | 3.3243 | Φαινόμενον, phainómenon; The Radical Bodies Appearing | Athens, Greece |
95 | 76 | 3.3243 | Sustainable Futures in Kenya | Ndaragwa, Kenya |
95 | 367 | 3.3243 | The Algorithmic Reimagination: questioning and reimagining the ways we live with algorithms | Amsterdam, Netherlands |
96 | 246 | 3.3158 | Korean Avatar: post-racial representation in the post-internet age | Seoul, Korea, Republic of |
96 | 523 | 3.3158 | Becoming Other | Los Angeles, United States |
96 | 70 | 3.3158 | sonic ocular crossing | Richmond, Nothern Cape, South Africa |
96 | 323 | 3.3158 | De-romanticization of Female Pain: 'So after all this, how can I tell you about my scars? | Paris, France |
96 | 89 | 3.3158 | memos on difference (working title) | Lagos, Nigeria |
96 | 529 | 3.3158 | “Nuclear Colonialism: How the Atomic West was Won†| Santa Fe, United States |
97 | 513 | 3.3077 | Deviant Dreamgirls | Portland, United States |
98 | 424 | 3.3056 | The Company We Keep Makes the World We Live In | Vilnius, Latvia |
98 | 333 | 3.3056 | Infrastructure for Disorder | Torre del Mar, Spain |
99 | 488 | 3.3 | Formas de Vivir Esta Casa: Esta Casa Cambia de Forma (Forms of Living This House: This House Changes | San Juan, Puerto Rico |
100 | 13 | 3.2973 | The Mall | Athens, Greece, Greece |
100 | 510 | 3.2973 | Narcissus 404 | Cambridge/Boston, United States |
100 | 364 | 3.2973 | Memoria ¿Marica? transfronteriza / Transfrontier ¿queer? memory | San José, Costa Rica |
100 | 184 | 3.2973 | See Evil | Toronto, Canada |
100 | 443 | 3.2973 | Yo manejo, Dios me guÃa | Hamburg and Berlin, Germany |
100 | 122 | 3.2973 | Concealed in Plain Sight: Transcribing transitional justice data between remembrance and erasure | The Hague, Netherlands |
100 | 426 | 3.2973 | At the table, Am I invited? | Lagos, Nigeria |
101 | 532 | 3.2941 | Bridging Perspectives: A Social Experiment in Artistic Collaboration and Dialogue | Denver, United States |
102 | 544 | 3.2941 | Lo Más Feliz de la Tierra | Tampa, FL, United States |
103 | 326 | 3.2895 | Parrots, Pirates | Paris, France |
103 | 298 | 3.2895 | Let me devour you so I may be transformed through you | Lisbon, Portugal |
103 | 306 | 3.2895 | Modding Memory: Art, Games and Technostalgia | Paris, France |
103 | 466 | 3.2895 | The Garden That Made Satan Cry | Chicago, United States |
104 | 35 | 3.2833 | TRASH TO TREASURE Regenesis: An Art Renaissance Born of Recycling | Sugar Loaf, United States |
105 | 433 | 3.2821 | Resilience and Rebirth: Exploring Detroit's Cultural Landscape | Detroit, United States |
106 | 187 | 3.2787 | Passage Points | London, United Kingdom |
107 | 5 | 3.2703 | Sedentary Bodies: Chair Design in Gendered Metaphors | anywhere, Minneapolis maybe?, United States |
107 | 475 | 3.2703 | Hair Stories | Lagos, Nigeria |
107 | 465 | 3.2703 | Disintegrations | Berlin, Germany |
108 | 382 | 3.2632 | In Rhythm and Reverence: Conversing in Open Space | Palo Alto, United States |
109 | 155 | 3.2564 | Hybrid territories | Chatham, United States |
109 | 460 | 3.2564 | Wisdom of Our Ancestors: Hearing the Shaman's Drum | Istanbul, Turkey |
109 | 128 | 3.2564 | The Addiction is the Message | Brno, Czech Republic |
109 | 391 | 3.2564 | Snow Has Weight Too | London, United Kingdom |
110 | 515 | 3.25 | Digging, Ripping, Grasping, Praying | Paris, France |
110 | 512 | 3.25 | No Brain, No Problem! | Vilnius, Lithuania |
110 | 428 | 3.25 | REST | Chicago, United States |
111 | 94 | 3.2459 | The Banality of Evil: What Will Be the Stories to Tell Others? | Milano, Italy |
112 | 201 | 3.2432 | Transitional Places : Questioning How to situate our Traces | Peccioli, Giua Banchi,Pol McLernon, Italy |
112 | 384 | 3.2432 | Blue Urgency -A Time-Critical Call for Ocean Conservation | Pemuteran, Indonesia |
112 | 46 | 3.2432 | Frontiers | Montevideo, Uruguay |
113 | 174 | 3.2368 | The Emptied Spain | Fuenterrobles, Spain |
113 | 193 | 3.2368 | The Broken Project | Cervignano del Friuli, Italy |
113 | 231 | 3.2368 | Retreat. Rewild. Relate. | Los Angeles (or London, UK), United States |
114 | 146 | 3.2308 | Zemlya [ aspects ] | Kyiv, Ukraine |
114 | 275 | 3.2308 | Uçurum // The Ambition Gap | Istanbul, Turkey |
114 | 131 | 3.2308 | what-if: knotting realms, making worlds | Milano, Italy |
114 | 211 | 3.2308 | Washington, DC | Washington, DC, United States |
114 | 74 | 3.2308 | Chile: Envisioning Egalitarian Diversity | Valparaiso, Chile |
114 | 247 | 3.2308 | Real Deep Ruts | Louisville, United States |
115 | 176 | 3.2295 | Beyond the Headlines: Unveiling Damascus | Reading, United Kingdom, United Kingdom |
116 | 410 | 3.2286 | Decay & Discovery | Accra, Ghana |
116 | 242 | 3.2286 | Our Bodies are still Chained | Bangkok, Thailand |
117 | 526 | 3.2222 | Seated at the Golden Table | Kingston, Jamaica |
117 | 177 | 3.2222 | Trinbago Futurism | Port of Spain, Trinidad and Tobago |
117 | 437 | 3.2222 | Romancing McKay's Marseille | Marseille, France |
118 | 179 | 3.2162 | After Memory | Berlin, Germany |
118 | 24 | 3.2162 | Haruspices | Trento, Italy |
118 | 434 | 3.2162 | Bycatch | Chicago, United States |
119 | 21 | 3.2121 | Transcendent Functions: Altars Redefined | Miami, United States |
Rank | ID | Score | Title | Country |
---|---|---|---|---|
120 | 87 | 3.2105 | Still Echoes in Our Ears | London, United Kingdom |
120 | 307 | 3.2105 | Haptic.Organic.Tectonic.Erotic | Barcelona, Spain |
120 | 312 | 3.2105 | Degenerative Intelligence â — Personal Nostalgia and Aging in the Era of Social Media | Bristol, United Kingdom |
120 | 232 | 3.2105 | The Barn on Berme: WATER | Kerhonkson, United States |
121 | 192 | 3.2059 | You Are A Superstar! | Taipei, Taiwan |
122 | 178 | 3.2051 | 504 The Culture | New Orleans, United States |
123 | 497 | 3.1892 | Look, No Hands | London, United Kingdom |
123 | 344 | 3.1892 | Kagiso Ramoroesi, Lulama Nxele, Gugulethu Mtshali | Johannesburg, Soweto, South Africa |
124 | 147 | 3.1842 | Adrift currents: navigations and incantations in Brazil's territory | São Paulo, Brazil |
124 | 525 | 3.1842 | Lagrange Point | San Francisco, United States |
124 | 278 | 3.1842 | Bad Timekeepers | Toronto, Canada |
124 | 11 | 3.1842 | WHAT THEY WEAR | Chicago, United States |
125 | 202 | 3.1795 | Ephemeral Echoes | Tehran, Iran (Islamic Republic of) |
125 | 423 | 3.1795 | biotechnological futures | Tokyo, Japan |
125 | 353 | 3.1795 | What We Will Talk About When We Talk | Tbilisi, Georgia |
125 | 141 | 3.1795 | Prends soin de toi | Paris, France |
126 | 470 | 3.1714 | Madrid | Madrid, Spain |
126 | 341 | 3.1714 | HOW TO DESTROY THE WORLD FASTER: A reversed eco-narratology | Ä°stanbul, Turkey |
127 | 368 | 3.1667 | Matter Reimagined | Tokyo, Japan |
128 | 499 | 3.1622 | BODIES, FURY:RECLAMATION | London, United Kingdom |
128 | 129 | 3.1622 | Resolution 1481 | Split, Croatia (local name: Hrvatska) |
128 | 92 | 3.1622 | What Now | Hartford, United States |
128 | 22 | 3.1622 | Under Construction | TBC, United States |
128 | 380 | 3.1622 | body & soul | Yokohama, Japan |
128 | 180 | 3.1622 | Washington, DC | Washington DC, United States |
129 | 361 | 3.1579 | For an indomitable domestics | Roma, Italy |
129 | 215 | 3.1579 | Where we stand | Lagos, Nigeria |
130 | 151 | 3.1538 | Bodies as a Method of Queer (Political) Desire | Vienna, Austria |
130 | 240 | 3.1538 | Unmaking Magic | Almaty, Kazakhstan |
130 | 60 | 3.1538 | New York | New York, Germany |
130 | 322 | 3.1538 | Deep Matters: There's No Such Thing! | Ä°stanbul, Turkey |
131 | 100 | 3.1389 | Wisper and Shouts | Delhi, India |
132 | 284 | 3.1351 | Processing Processes | Como, Italy |
132 | 144 | 3.1351 | Transmigration // A full journey from Local to Global and back to Local | London (after London it will be relocated to Lisbon), United Kingdom |
132 | 297 | 3.1351 | Don't Deny Desire | Vienna, Austria |
132 | 400 | 3.1351 | Nothing post yet, Nothing has changed | Jakarta, Indonesia |
132 | 12 | 3.1351 | The Poetry Book of the Nerd | Ä°stanbul, Turkey |
133 | 160 | 3.1316 | Hey! Look! There is an African on the Moon | Las Vegas, United States |
133 | 238 | 3.1316 | Dis-enchanting Realities: Challenging the Magical in Latin America | Chicago, United States |
133 | 377 | 3.1316 | Digital Blanket: Radio, Gossip and Echoes | Online or Seoul, Korea, Republic of |
134 | 28 | 3.1282 | THE WAY OF COLOR: Breaking Barriers With Cultural Connections | Sugar Loaf, United States |
134 | 356 | 3.1282 | SeidoBodies | Bogotá, Colombia |
134 | 392 | 3.1282 | Magik City: A Multidisciplinary Exploration into Hip Hop, Cinema and Visual Art | Miami, United States |
135 | 185 | 3.1111 | Intrinsic Femininity | Rio de Janeiro, Brazil |
135 | 287 | 3.1111 | Tear Chain (Live Free) | Accra, Ghana |
136 | 366 | 3.1081 | Thinking Like a Mountain | Collective Reflections on Ecologies, Bodies, and Entanglements | Berlin, Germany |
136 | 491 | 3.1081 | How It Is Nowadays | Berkeley or Oakland, United States |
136 | 241 | 3.1081 | Out of Breath | San Francisco / Miami / Charleston, United Kingdom |
137 | 536 | 3.1053 | Katabasis: The Fool's Journey | Houston, United States |
137 | 49 | 3.1053 | CON GUSTO! Witnessing Reality: The Contemporary Colombian Photographer | Bogotá, Colombia |
137 | 301 | 3.1053 | Antwerp | Antwerp, Belgium |
137 | 97 | 3.1053 | Capitalism, All Must Be Loved | Belgrade, Serbia |
138 | 67 | 3.1026 | Color and Pace / Gesture and Shade / Pulse and Length | São Paulo, Brazil |
138 | 40 | 3.1026 | Tumbuh dari Rumah (Homeground) | Yogyakarta, Indonesia |
138 | 111 | 3.1026 | A Natural Museum of History | Tehran, Iran (Islamic Republic of) |
139 | 396 | 3.0833 | The Three Unknowns – deep sea, deep space, deep mind | Budapest, Hungary |
139 | 258 | 3.0833 | Imaginary Tales | Parma, Italy |
140 | 136 | 3.0811 | Who's Rubble Do You Want Me to Water? | Berlin, Germany |
140 | 264 | 3.0811 | Protect me from what I want: the islands of forgotten desires | Frioul-Marseille, France |
141 | 198 | 3.0789 | Work is a process | Puerto Rico, Puerto Rico |
141 | 226 | 3.0789 | All Caps! No Typo! | Brooklyn, United States |
141 | 225 | 3.0769 | The Song Nobody Knows | London, United Kingdom |
141 | 316 | 3.0769 | Home Movies | Berlin, Germany |
142 | 317 | 3.0556 | The Thirsty Ones | Altamura, Italy |
142 | 266 | 3.0556 | Madrid | Madrid, Spain |
143 | 209 | 3.0541 | Penicillium, the next regeneration | Barcelona, Spain |
143 | 427 | 3.0541 | Sunset Island | Amsterdam, Netherlands |
144 | 545 | 3.0526 | It Takes A Village | Atlanta, United States |
145 | 370 | 3.0513 | Collaging the Senses | Portland, United States |
145 | 537 | 3.0513 | My Fursona | Portland, United States |
145 | 493 | 3.0513 | Exploring Violence | Belgrade, Serbia |
146 | 42 | 3.0294 | Expectations | Portland, United States |
147 | 3 | 3.0278 | Just Another Day (Lost) In The Air | Taipei, Taiwan |
148 | 294 | 3.027 | Infrathin Moments: On the Edge of Abyss | Houston, United States |
148 | 51 | 3.027 | Fragrances on the Palette: An Immersion into Olfactory Art | Palma, Spain |
149 | 84 | 3.0256 | Historical Parallels | Wakefield, United States |
149 | 159 | 3.0256 | RUIN ~ lately and often (working title) | Philadelphia, United States |
149 | 393 | 3.0256 | Fossilized sunlight | Doha, Qatar |
149 | 208 | 3.0256 | THE TANGIBLE IMAGINARY The Creation of the Object in Rural Space. | Barquisimeto, Venezuela |
150 | 394 | 3 | Oh, dear future | Kaunas, Lithuania |
150 | 66 | 3 | Potato Project | Berlin, Germany |
150 | 421 | 3 | STREETS ARE TALKING | Boston, United States |
150 | 64 | 3 | Plan 9 From Outer Space - B Series | Elvas, Portugal |
150 | 255 | 3 | Forcefield, Coastline | Istanbul, Turkey |
150 | 50 | 3 | House on Fire | Seoul, Korea, Republic of |
150 | 199 | 3 | To Return the Earth to Earth | Berlin, Germany |
150 | 95 | 3 | Fairy Tells | London, United Kingdom |
150 | 357 | 3 | Collective Self Portrait - I Declare Myself ALIVE, From Pindorama (Auto Retrato Coletivo - Eu Me Dec | São Paulo, Brazil |
150 | 205 | 3 | Unforbidden Rainbowä¸ç¦å½©è™¹: How Chinese Queer Diasporas breathing in Thailand | Chiang Mai, Thailand, Thailand |
151 | 103 | 2.9744 | The Fabric of the City: Global Textiles and the Metropolis | Barcelona, Spain |
152 | 311 | 2.9737 | Postmodern Liminality | Paris, France, Metropolitan |
153 | 388 | 2.973 | Gore Tropicalism | Rio de Janeiro, Brazil |
154 | 27 | 2.9487 | Stockholm | STOCKHOLM, Tanzania, United Republic of |
154 | 72 | 2.9487 | CINEMA 17 | Lisbon, Portugal |
154 | 124 | 2.9487 | COUNTER-SITE | London, United Kingdom |
154 | 519 | 2.9487 | The Bitmap Is Not the Thing Bitmapped | Seoul, Korea, Republic of |
154 | 374 | 2.9487 | Planted out of place | Berlin, Germany |
155 | 325 | 2.9474 | Royal Ontario Museum | Toronto, Canada |
155 | 293 | 2.9474 | Quemando la Mascara Blanca | Burning the White Mask | Santo Domingo, Dominican Republic |
155 | 152 | 2.9474 | The Art Astronaut Exhibition | Douala, Cameroon |
155 | 355 | 2.9474 | Crying in the Parade | Barcelona, Spain |
156 | 274 | 2.9459 | New Journey Through Lenses and Brushes | Edinburgh, United Kingdom |
156 | 245 | 2.9459 | On the Observance of Food and the Table | Seattle, United States |
156 | 119 | 2.9459 | Bad Example | São Paulo, Brazil |
156 | 45 | 2.9459 | VE_NA. The water that flows through us | Venice, Italy |
156 | 422 | 2.9459 | Stockholm | Stockholm, Sweden |
156 | 542 | 2.9459 | Posthuman Playground | Singapore, Singapore |
157 | 257 | 2.9231 | The Passage | London, United Kingdom |
157 | 195 | 2.9231 | Unveiling Whiteness | São Paulo, Brazil |
157 | 448 | 2.9231 | Female mutative states: From Medusa to Chimera | Brussels, Belgium |
158 | 528 | 2.9211 | Democratic painting exhibition | Lima, Peru |
158 | 447 | 2.9211 | “The Sirocco stanza†| Duesseldorf, Germany |
158 | 283 | 2.9211 | Prima Materia/Petra Genetrix | Toronto, Canada |
159 | 457 | 2.9189 | Shifting Paradigms: Consumption Beyond Objects | Tokyo, Japan |
160 | 14 | 2.8974 | Lemon trees and Seashells | Basel, Switzerland |
160 | 541 | 2.8974 | Blessings and abundance | Montreal, Canada |
161 | 408 | 2.8947 | Nowa Amerika - Construction of Reality as an Applied Method | Frankfurt (Oder), Germany |
161 | 169 | 2.8947 | Exploring the Unseen: Painting Red Without Red | islamabad, Pakistan |
162 | 360 | 2.8919 | Deep Time, Temporal Threads | Metz, France |
162 | 223 | 2.8919 | Green, how I want you green (Verde que te quiero verde) | Moyogalpa, Ometepe Island, Nicaragua |
163 | 90 | 2.8889 | Clang Clong | Paris, France |
164 | 363 | 2.8718 | Antwerp | Antwerpen, Belgium |
164 | 350 | 2.8718 | The Teenage Years, And What We'll Become: Celebrations of Kosovo's Sweet Sixteen | Prishtina, Kosovo |
165 | 81 | 2.8684 | ODE to our OCEAN | Miami, United States |
165 | 165 | 2.8684 | ENDLESS SHINE OF HUMAN VIOLENCE | Berlin, Germany |
165 | 445 | 2.8684 | Solaris. MInds of the Others. | Timisoara, Romania |
166 | 156 | 2.8649 | HOW TO GO VIRAL | San Francisco, Brazil |
167 | 30 | 2.8611 | One for One (O4O) | Venice, Italy |
168 | 98 | 2.8462 | EGUFER: A Common Thread Experience | ZlÃn, Czech Republic |
168 | 386 | 2.8462 | Expand the Circle | Lagos, Nigeria |
169 | 68 | 2.8421 | Are the Maasai in the way? | Arusha, Tanzania, United Republic of |
169 | 56 | 2.8421 | Functional Dysfunction | Port of Spain, Trinidad and Tobago |
169 | 489 | 2.8421 | EXTRACTION: an expansive survey of land use through the lens of consumption | Santa Fe, United States |
170 | 17 | 2.8378 | Ctrl+Art+Freedom | Colombo, Sri Lanka |
170 | 214 | 2.8378 | Stockholm | Stockholm, Sweden |
170 | 164 | 2.8378 | Interweaving ENTRE-Ecos | La Quebrada - RÃo Ceballos, Argentina |
171 | 86 | 2.8333 | Guerrilla Cuban Art | Havana, Cuba |
172 | 517 | 2.8286 | Croissant | Valencia, Spain |
173 | 267 | 2.8205 | The Aliens Aren't Coming | Toronto, Canada |
174 | 309 | 2.8158 | COSMETHIC OPERATIONS | Idanha-a-Nova, Portugal |
174 | 310 | 2.8158 | POST-NATION NEW-FOLKLORE An exhibition investigating transnational identities originating from Easte | London, United Kingdom |
174 | 249 | 2.8158 | UNDERGROUND/ UNDERWORLD | Oaxaca de Juarez, Mexico |
174 | 337 | 2.8158 | Bricks and Stones: Bridging Greece and the Netherlands through Architectural Narratives | Athens & Amersfoort (Netherlands), Greece |
174 | 149 | 2.8158 | Echoes of despair | London, United Kingdom |
175 | 412 | 2.8108 | Silence | Barcelona, Spain |
176 | 343 | 2.8056 | Echoes of eternity | Los Angeles, United States |
177 | 25 | 2.7949 | Art calligraphy and eternal dialogue | Dubai, United Arab Emirates |
177 | 429 | 2.7949 | Women are Peace symbols | Sharjah, United Arab Emirates |
178 | 406 | 2.7895 | Take me to where the water meets | Johannesburg, South Africa |
178 | 82 | 2.7895 | Echoes of Identity: A Multidimensional Exploration | Detroit, United States |
179 | 414 | 2.7879 | Daydreaming Worlds: Painting in Virtual Space | Philadelphia, United States |
180 | 455 | 2.7838 | Madrid | Madrid, Spain |
181 | 135 | 2.7778 | Prototypes for Cyborgs | Turin, Italy |
181 | 522 | 2.7778 | Becoming Wild (Again): Affections and Flesh in Planetary Crisis | Mexico City, Mexico |
182 | 342 | 2.7692 | Boys Like Flowers Too | Ideally Los Angeles, Nashville or London UK, United States |
183 | 288 | 2.7632 | Perpetual Transmutation | Mexico City, Mexico |
184 | 362 | 2.7568 | Grant Proposal for "Two Sides, One Coin" | Charlotte, United States |
184 | 300 | 2.7568 | Lagos Market Place Comic Book Exhibition | Lagos, Nigeria |
185 | 481 | 2.75 | Infection | New Jersey, United States |
185 | 206 | 2.75 | AROKO - ENCODED | DALLAS OR AUSTIN, United States |
186 | 15 | 2.7368 | Weaving Mediterranean(s) | Castelbuono, Italy |
186 | 32 | 2.7368 | Cultural Tapestry: Unveiling Diversity in the USA | New Orleans, United States |
187 | 239 | 2.7297 | Exploring Promises and Commitments | Rotterdam, Netherlands |
187 | 514 | 2.7297 | Metamorphosis of Space: Connection and Isolation in Contemporary Society | Chicago, United States |
188 | 138 | 2.7222 | Panarchies | Toronto, Canada |
188 | 37 | 2.7222 | Soccer Smarts: Unraveling the Fabric of American Fandom | Los Angeles, United States |
189 | 33 | 2.7179 | RØMSKOG | Forests in Scandinavia, Switerland, Spain, Norway |
190 | 263 | 2.7105 | POST-DEMOCRACY: A reflection about the future | Berlin, Germany |
191 | 259 | 2.6944 | ¿Y si naciera otra vez? en la misma casa, la misma calle, el mismo pueblo. | Barcelona, Spain |
192 | 453 | 2.6923 | Googlea pan condor | Buenos Aires, Argentina |
192 | 233 | 2.6923 | Against Intertextuality — In Search of New Symbols | Rome, Italy |
193 | 58 | 2.6842 | Humanity in Circles | Púbol, Spain |
194 | 372 | 2.6667 | The Building Blocks | Pittsburgh, United States |
195 | 483 | 2.6571 | New Renaissance ART-ISTS | Milano, Italy |
196 | 413 | 2.6486 | /prompt: A Human Exhibition | Singapore, Singapore |
197 | 351 | 2.641 | Kami | Lisbon, Portugal |
197 | 235 | 2.641 | Tower of Babel | Montreal, Canada |
198 | 220 | 2.6316 | The Earth Project 2 | Frankfurt, Germany |
198 | 243 | 2.6316 | Cloud forest: Between the visible and the invisible. | La Calera, Colombia |
198 | 253 | 2.6316 | Madrid | MADRID, Spain |
199 | 261 | 2.6216 | Presepi | Napoli, Italia, Italy |
199 | 85 | 2.6216 | Intersections of identity: a queer and positive outlook | Kingston, United States |
200 | 254 | 2.6154 | Kalponik Rekha | Imaginary Terrain | Dhaka, Bangladesh |
201 | 539 | 2.6111 | the grit in a line | San Antonio, United States |
202 | 518 | 2.5897 | Interconnection | Zacatecas, Mexico |
203 | 153 | 2.5882 | Art for Healing | Puerto Morelos, Mexico |
204 | 315 | 2.5833 | Magic Mirror | Hydra Island, Greece |
205 | 419 | 2.5641 | Di Dalam | Pontianak, Indonesia |
205 | 20 | 2.5641 | We play, therefore we are! | Zuidlaren, Netherlands |
206 | 383 | 2.5405 | My Back Was A Bridge For You To Cross | Maribor, Slovenia |
206 | 336 | 2.5405 | Nature is Home | Brasilia, Brazil |
206 | 75 | 2.5405 | Politics of Abstraction: The Things We Carry | Leipzig, Germany |
207 | 314 | 2.5263 | Take the Time to be Kind to your Mind | Amsterdam, Netherlands |
207 | 270 | 2.5263 | “Our Earth†| New Windsor, United States |
208 | 431 | 2.5135 | The body of the human and everything else. | santiago, Chile |
209 | 268 | 2.5128 | Death Rituals | Craryville, United States |
210 | 6 | 2.5 | Adventures and misadventures about the landscape | Buenos Aires, Argentina |
210 | 125 | 2.5 | Indomitable Feminine Artistry | ZajeÄar, maybe also Velika Plana and elsewhere (depending on su, Serbia |
211 | 320 | 2.4865 | Eco-Revolution in 2024! | Berlin, Germany |
212 | 346 | 2.4722 | Rest and relaxation | Berlin, Germany |
213 | 279 | 2.4615 | [un]Certain Futures | Santa Fe, United States |
214 | 99 | 2.4474 | When is enough, enough? | Austin, United States |
215 | 425 | 2.4359 | The human canvas - Stories in our skin | Marseille, France |
216 | 63 | 2.4054 | ORION | Mosquera, Cundinamarca, Colombia |
217 | 210 | 2.3947 | Motherhood | Memphis, United States |
218 | 140 | 2.3333 | State? of Emer-gen-cy | Almaty, Kazakhstan |
218 | 496 | 2.3333 | Reconfigured | Philadelphia, United States |
219 | 18 | 2.3243 | Parenthood in a Political Climate | Northampton, United States |
220 | 291 | 2.2821 | Hard Core | Denver, United States |
221 | 80 | 2.2368 | Madrid | Madrid, Spain |
222 | 430 | 2.2222 | Arkship | London, United Kingdom |
223 | 118 | 2.2162 | XXX | São Paulo, Brazil |
224 | 540 | 2.2051 | Love Art Live Art | Chicago, United States |
225 | 77 | 2.1944 | Defiance | London, United Kingdom |
226 | 281 | 2.1818 | Synergetic Joy Masterpieces | London, United Kingdom |
227 | 108 | 2.1622 | Embodying the Unseen: A Multidisciplinary Exhibition | Zagreb, Croatia (local name: Hrvatska) |
228 | 327 | 2.1538 | AN ECOPUNK INTERVENTION | Athens, Greece |
229 | 148 | 2.1053 | Before | During | After | Baltimore, United States |
230 | 127 | 2.1026 | The black woman in me | Abeokuta, Nigeria |
231 | 203 | 2.0811 | Turning the Generational tide | RIGA LATVIA, Latvia |
232 | 471 | 2.0769 | Fragment of a memoir | Los Angeles, United States |
233 | 121 | 2.0541 | Sensory Garden | Boston (flexible on where), United States |
234 | 115 | 2.0286 | This Body is mine | London, United Kingdom |
235 | 236 | 2 | Individuality Complex | Costa Mesa, United States |
235 | 308 | 2 | Inner Outer Herstory | Charlotte, United States |
236 | 62 | 1.9737 | Woman In The Shadow | Miami, United States |
237 | 91 | 1.9474 | ð•¿ð–—ð–Žð–‡ð–†ð–‘ ð–‘ð–Žð–“ð–Šð–†ð–Œð–Š ð–•ð–Šð–†ð–ð–˜ ð–™ð–”ð–šð–Œð– ð– | Prague, Czech Republic |
238 | 511 | 1.9459 | As if (ã‹ã®ã‚ˆã†ã« KANOYOU-NI) | Tokyo, United States |
238 | 69 | 1.9459 | Abstraction, The Needles of the Haystack | Naples, United States |
239 | 36 | 1.8462 | How tall are you? | London, United Kingdom |
240 | 182 | 1.7568 | history and port protection | port protection, United States |
241 | 403 | 1.75 | Beyond tension | London, United Kingdom |
242 | 9 | 1.7027 | Biennial in Resistance | Ditriot, United States |
243 | 19 | 1.6923 | ALL POWER ON EARTH COMES FROM THE SUN | Lexington, United States |
244 | 173 | 1.6216 | Jersey City, United States | |
244 | 340 | 1.6216 | A True Vue of the City | New Orleans, United States |
245 | 29 | 1.5833 | Body Color | Port-Au-Prince, Haiti |
246 | 440 | 1.5556 | Breathing with the Trees | Portland, United States |
247 | 145 | 1.3158 | New York | New York, Ukraine |
248 | 405 | 1.25 | New York | New york, Serbia |