Null

curated by William Contreras Alfonso & Linda Pongutá




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  • On view at
    TELECOM Building
    22-54 Carrera 13a Santa Fe, Bogotá 110311 Colombia
    Tues, Fri, and Sat
    1pm - 5:30pm 
    October 5 - November 2, 2024
    Opening: Sat, Oct 5, 13:00

    Online: 
    starting October 5, 2024

Alejandro Salcedo - Ana María Montenegro - María Leguízamo - Matilde Guerrero - William Contreras Alfonso - Néstor Marcelo Gutiérrez - Luisa Roa - Maria Clara Figueroa - APLO + Mano Cambiada - Linda Pongutá - Sebastián Mira - Wilmer Rodriguez - Sebastián Da Silva - Sebastián Lema González - Irene Méndez - Romea Diabla - Laika y Demonia - Jose Pablo Nikease
In the center of the Colombian capital, a building that was previously a symbol of progress and prosperity is now abandoned. It was built to host the offices of the state telecommunications company, TELECOM, and its modern infrastructure was once admired as a promise of a brighter future for the country. Now the building is empty, its facilities are a shameful monument to the mismanagement of our nation’s money. The company went bankrupt in 2003 due to government corruption. The TELECOM building is a symbol of Bogota’s downtown economic difficulties, usually masked by gentrification projects.

Our project summons 13 artists to take over three floors of the abandoned building., Working there, each artist will intervene the edifice with the elements that are already in place and formulate an artistic reflection. Working in various techniques, the collective is unified by their approaches to the same subject: modern human interconnectivity.

The title of the exhibition, “Null”, comes from a term used in telecommunications meaning a misspoint, a false data input or a programming mistake. This project tries to reevaluate mistakes and system errors as a starting point for brand new ideas and possibilities for the future, believing in people’s connection as its key.
 
Linda Pongutá and William Contreras Alfonso live in Bogotá, interested in collective work, urban spaces and industrial ruins as a workspace. Their reflection on tactile thinking, spirituality and work ethics in art are present in their most recent projects.