Guis Sou Me Le Mbao (I Do Not See You at Mbao)

curated by Claude Gomis and Saskia Köbschall

Claude Gomis, I Do Not See You at Mbao, 2016
The exhibition Guis Sou Me Le Mbao (I Do Not See You at Mbao) invites contemporary African artists to commemorate the 1944 massacre of Tirailleurs Sénégalais (African soldiers conscripted for the French army) in the Thiaroye military camp.

The title of the exhibition draws on the Wolof language saying "Guis sou me le mbao" ("I do not see you at Mbao") that was coined in the aftermath of the massacre. The soldiers' families rushed to the nearby village of Mbao where the survivors had found refuge, hoping to see their loved ones. The expression now serves to warn someone that he or she is in great danger. It is one of the traces that reveals the deep trauma caused by the massacre and its brutality that sent shock waves throughout French West Africa. The massacre was a wake-up call to many, that despite the sacrifices West Africans had made for France in both World Wars and countless military interventions on three continents, they had come home to the same colonial brutality, racial injustice, and discrimination.

Guis Sou Me Le Mbao issues a literal warning of the dangers of non-remembrance of the colonial past and the invisibility but severeness of its repercussions in our present through the persistence of colonial epistemologies, social, and economic structures. The project will invite the artists to engage with the community of Thiaroye in order to create site-specific works that will reflect on modes of resistance and means of challenging postcolonial politics of memory.
 

  • artists:
    Pierre Marie Ciss
    Djime Diakite
    Claude Gomis
    Nathalie Mba Bikoro
Claude Gomis is a Dakar-born artist and musician living and working in Brooklyn. He grew up traveling and performing as a dancer and percussionist with his father, Rudy Gomis, from Orchestra Baobab. In his teens, Gomis started creating videos and stadium-sized concert backdrops for musicians like Youssou N’dour, Peter Gabriel, and Positive Black Soul. After completing his studies at the Ecole Nationale des Beaux-Arts de Dakar, Gomis moved to New York to pursue his career, recording and touring with bands like Midnite and Sadao Watanabe. He released two solo albums that blend Senegalese musical traditions with jazz, reggae, Afrobeat, and blues. His paintings and sculptures have been exhibited in solo and group exhibitions in Dakar, New York, and Berlin.
Saskia Köbschall is a Berlin-born cultural manager, curator, and anthropologist. She completed her graduate studies at the New School for Social Research in New York with a Fulbright scholarship and is a grantee of the Alvin Johnson University in Exile Memorial Fellowship. She is the manager of the non-profit art space SAVVY Contemporary Berlin. She has been project coordinator for numerous exhibitions, art and educational projects and curated exhibitions (The Myth of Proportional Response, WAHALA - On Representation, Authenticity, Expectations and Other Inflated Concepts, etc.) and discursive programs (Wir Sind Alle Berliner: 1884-2014) alongside Bonaventure Ndikung and Elena Agudio.




 
apexart’s program supporters past and present include the Milton and Sally Avery Arts Foundation, the Buhl Foundation, Bloomberg Philanthropies, Spencer Brownstone, the Kenneth A. Cowin Foundation, Epstein Teicher Philanthropies, The Greenwich Collection Ltd., William Talbott Hillman Foundation/Affirmation Arts Fund, the Fifth Floor Foundation, the Consulate General of Israel in New York, The Puffin Foundation, the Trust for Mutual Understanding, The Andy Warhol Foundation for the Visual Arts, and public funds from the New York City Department of Cultural Affairs in partnership with the City Council, public funds from Creative Engagement, supported by the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC, funds from NYSCA Electronic Media/Film in Partnership with Wave Farm: Media Arts Assistance Fund, with the support of Governor Andrew Cuomo and the New York State Legislature, as well as the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.