Saturday, September 26, 2020, 4:00 pm
In conjunction with Elongated Shadows
Follow-up, individual sessions will be scheduled on September 27 for all participants
In this workshop Kei Ito and Andrew Paul Keiper will lecture on the notion of conceptual, material and site-imposed limitations as creative generators of form and idea, drawing from their body of work to suggest approaches that can benefit participants during this time of universally experienced limitation. On the second day of the workshop, participants will propose projects that incorporate these principles, and receive feedback from Ito and Keiper, as well as the other workshop participants.
Kei Ito is a conceptual photographer working primarily with camera-less image making and installation art. Ito earned his MFA from the Maryland Institute College of Art in 2016, following his BFA from the Rochester Institute of Technology in 2014. Ito’s work addresses issues of deep loss and intergenerational connection as he explores the materiality and experimental processes of photography. His work deals with the trauma and legacy passed down from his late grandfather, a survivor of the atomic bombing of Hiroshima and a later anti-nuclear activist, in relation to current threats of nuclear disaster. Ito’s artworks lead the audience on a journey from grief and remembrance to hope. Through his ritualistic image-making, the audience sees how he grapples with his family’s historical connection to nuclear weapons and power.
Andrew Paul Keiper is a sound artist based in Baltimore, Maryland, where he is faculty in the Animation and Film programs at the Maryland Institute College of Art. His work addresses the legacy of nuclear weaponry, race and white supremacy in Baltimore, and the frontier between sound art and experimental music. Andrew’s art has spanned the gamut from painting and woodworking to video and performance, but currently he primarily produces sound-based art, installation, sound design and scores. His work very often portrays reverberant acoustic spaces and the ways sounds erode when transmitted or recorded. Andrew’s work asks the audience to listen deeply into and through imagined worlds that both resist and open up to our hearing. Andrew received his BFA in painting from the Mason Gross School of the Arts at Rutgers University in 2002 and his MFA from MICA’s Photographic and Electronic Media program in 2016.