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apexart :: Resisting Paradise :: Marina Reyes Franco
apexart - San Juan, Puerto Rico
Resisting Paradise
organized by Marina Reyes Franco

June 9 - July 6, 2019

:Pública
1057 Ave. Ponce de León, San Juan, Puerto Rico

Wednesday - Saturday 11am - 10pm and by appointment


Opening Reception:
Saturday, June 8, 7-10 pm


Featuring work by:
Deborah Anzinger
Leasho Johnson
Joiri Minaya



Joiri Minaya, Siboney, 2014.


Resources:
digital brochure
brochure pdf
images page
press release (english) pdf
press release (spanish) pdf
checklist pdf
original proposal pdf
Press:
Artishock pdf
Cultured Mag pdf
El Nuevo Dia pdf
Terremoto pdf
RELATED EVENTS:

June 22, 2019, 3:00 - 4:00 pm
Visitas Guiadas con Marina Reyes Franco
Join curator, Marina Reyes Franco, on a tour and discussion of the exhibition, Resisting Paradise.

June 22, 2019, 4:00 - 5:00 pm
WHAT CAN WE DO FOR PORTO RICO
Jorge L. Crespo Armáiz will elaborate on the tropes and the gaze of the tourist, and other elements of colonial discourse.

June 29, 2019, 3:00 - 4:00 pm
Visitas Guiadas con Marina Reyes Franco
Join curator, Marina Reyes Franco, on a tour and discussion of the exhibition, Resisting Paradise.

July 3, 2019, 7:00 - 9:00 pm
Resisting (Fiscal) Paradise
Human rights lawyer Ariadna Godreau Aubert and planner David Carrasquillo to discuss the so-called opportunity zones in Puerto Rico.

July 6, 2019, 3:00 - 4:00 pm
Visitas Guiadas con Marina Reyes Franco
Join curator, Marina Reyes Franco, on a tour and discussion of the exhibition, Resisting Paradise.

July 6, 2019, 7:00 - 9:00 pm
Cierre: Resistencia y contaminación en la música caribeña
Jorge Mundo will lead an auditory tour of Caribbean music, looking at the differences between their messages and the foreigners who adopted the songs.
Resisting Paradise is an exhibition featuring Jamaican and Dominican artists creating work at the intersections of tourism, sexuality, gender, environmental concern, music, and the internet. The exhibition consists of existing and commissioned work resulting from an examination of preconceived notions of paradise, and tourism as a new means of colonization. Through their work in painting, photography, sculpture, video, graphic design, and installation, these artists reference shared histories of invasion, slavery, and economic exploitation of natural resources, and how these forces translate into the commodification of their own bodies in the Western imagining of paradisiacal tourist destinations. The show's title draws inspiration from a book by Bahamian writer Angelique V. Nixon, which discusses the perils of living in such a crafted, imagined paradise, and also the powerful ways in which cultural workers resist and transform those given narratives.

The shared Caribbean experience of the plantation-to-resort economic development model makes evident the transition from slavery to service economy under tourism. The exhibition explores what happens when the tourism economy also applies to bodies—when sex and desire are also a currency. The project of colonialism and empire have left an undeniable mark on culture by shaping the way we relate to ourselves, each other, and to nature itself. Through transgression and appropriation, these artists envision new paradigms of life in the region and its diaspora by challenging preconceived notions of what it means to be Caribbean: a colonial, sexualized subject.


Marina Reyes Franco (b. 1984) is an independent curator living and thinking from San Juan, Puerto Rico. She is co-founder and former director of La Ene, a museum in Buenos Aires, Argentina. Recent projects include: Watch your step / Mind your head, ifa-Galerie Berlin; The 2nd Grand Tropical Biennial in Loíza, Puerto Rico; Calibán, MAC in Santurce, Puerto Rico; C32: Sucursal, MALBA in Buenos Aires, and numerous exhibitions at La Ene. Her research interests include the work of Esteban Valdés, artistic and literary manifestations on the frontier of political action, new museology, and the impact of tourism in cultural production.

apexart’s program supporters past and present include The Andy Warhol Foundation for the Visual Arts, The Buhl Foundation, Bloomberg Philanthropies, The Greenwich Collection Ltd., William Talbott Hillman Foundation/Affirmation Arts Fund, Spencer Brownstone, the Milton and Sally Avery Arts Foundation, the Fifth Floor Foundation, the Consulate General of Israel in New York, the Kenneth A. Cowin Foundation, the Trust for Mutual Understanding, and public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.
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