RANK |
TITLE |
ID # |
1 |
Tracing Obsolescence |
604 |
2 |
Art in Custody |
553 |
3 |
Peer2Pickle |
112 |
4 |
Object of doubt |
542 |
4 |
Beyond the Pleasure Principle |
163 |
6 |
Zoextropy: The posthuman beauty |
314 |
6 |
I have no voice but I must scream |
449 |
6 |
The True Stories Project |
210 |
9 |
Cultural Watchdogs |
609 |
10 |
Embedded Algorithms |
389 |
11 |
She's a Knockout |
406 |
11 |
Beyond the Veil |
134 |
11 |
Un/ratify: Rogue Stories (of Science) From the Modern South |
192 |
14 |
Wear Your Heart |
465 |
14 |
A Part of Me |
249 |
14 |
How to become an animal? |
565 |
14 |
Performing the Barrier |
582 |
18 |
Escape the Concrete Jungle |
279 |
18 |
(Un)Familiar |
593 |
18 |
Of thee I sing: Drawing the Diaspora |
360 |
18 |
Unarming Silence |
381 |
18 |
Knoking down walls. The freedom proyect. |
216 |
23 |
Access Intimacy |
263 |
23 |
Punctured Pasts and Parallel Realities |
312 |
23 |
In Praise of Idleness |
600 |
23 |
Border Triptych |
577 |
23 |
YOU CAN SEE SYRIA FROM HERE |
597 |
23 |
Archeologists of the Odds and Ends |
382 |
23 |
What Belongs to Us |
458 |
30 |
You Don't Need Eyes To See, You Need Vision |
296 |
31 |
Behind Bamboo curtain. Critical art in post-socialist Laos. |
420 |
31 |
Groundings |
262 |
31 |
Kairos: From Kiribati Out |
269 |
31 |
S.H.T.F. (Safe Room) |
525 |
31 |
The Everlasting City of Last Things |
282 |
31 |
Past Due |
547 |
31 |
The breast is a magnet for excitement, pride, and shame |
190 |
31 |
Bastards of the sun |
471 |
39 |
In Good Health |
258 |
39 |
Neither here nor there |
596 |
39 |
Transformation as Survival |
559 |
39 |
Rewind. Erase. Rewrite - Strategies for Re-examining History |
361 |
39 |
The Structure of Secrecy |
429 |
44 |
ALIENS WITH EXTRAORDINARY ABILITIES |
587 |
44 |
Excuse my English |
602 |
44 |
Out of control |
236 |
47 |
DIRT: AFTER LAND ART |
574 |
47 |
Coming Together: Queer NYC |
575 |
49 |
Storefronts: Pulse, Life and Texture of the Lower East Side |
268 |
49 |
Personal Agendas |
271 |
49 |
Emergency Civics Lessons |
310 |
49 |
Languitecture |
373 |
53 |
Dark Paradise |
536 |
53 |
My Future Is Not Your History |
545 |
53 |
The End of More |
302 |
53 |
Hidden Silence |
588 |
53 |
In-Between Abroad |
619 |
53 |
TOXIC WHITENESS |
175 |
59 |
Exile: The Land of Non-Belonging |
622 |
59 |
f[r]iction in between |
448 |
59 |
The Measure of Breath |
469 |
59 |
How easy it is to invent a humanity, for anyone at all |
473 |
59 |
Conscious Equilibrium |
489 |
64 |
An Absence of Ruins |
572 |
64 |
Beneath Earth's Shadow |
340 |
64 |
CREATIVITY AS STRENGTHENING YOURSELF |
148 |
64 |
Geography for Revelations |
189 |
64 |
Living in a Potemkin Village |
481 |
64 |
The Eighth Circle |
485 |
70 |
REQUIEM FOR A MAP OF THE SOUTH |
285 |
70 |
Material Instabilities |
552 |
70 |
Those with loaded guns and those who dig. |
614 |
70 |
Sane in Insane Places |
145 |
70 |
Contemporary Art of Chinese Women |
159 |
70 |
the sentence before |
466 |
76 |
Tell Me Some Thing |
281 |
76 |
Cold War Remains |
289 |
76 |
Infinite Selfie |
319 |
76 |
How to Tell a History |
431 |
76 |
Inside the Atomic Bomb |
497 |
76 |
Solitary Gardens |
246 |
82 |
Crossings: Between Memory and Landscape |
293 |
82 |
Digital Institute for Survival |
610 |
82 |
Gateways: exploring water the African diaspora |
621 |
82 |
An All American Icon. On Guns in American Culture |
624 |
82 |
THE MAP AND ITS TERRITORY |
408 |
82 |
Going Home |
439 |
82 |
From Here Onwards |
477 |
82 |
Hunters, killers and other artists |
501 |
90 |
Kuschelkurs |
521 |
90 |
Two men standing |
280 |
90 |
Self-portrait Gallery Ou la fin du social |
353 |
90 |
Doing Absolutely Nothing at all |
437 |
90 |
Sabbath |
438 |
90 |
Witches in the Garden |
467 |
90 |
becoming Mommy |
232 |
97 |
Disappearing Waste: Alchemy and Recontextualization |
543 |
97 |
Art and Rural China: Beyond Theatre of the World |
601 |
97 |
Artist Run Shops in the 1980s, New York City |
169 |
97 |
#whatyouseeiswhatyousee |
440 |
97 |
Outward Gaze |
509 |
102 |
Regulating Intimacy |
613 |
102 |
Let's get (meta)physical |
441 |
102 |
Saturation |
206 |
105 |
By Her Own Movement |
516 |
105 |
Rock You Rock |
264 |
105 |
In No Defense |
585 |
105 |
Moldwarp |
387 |
105 |
Give the Violet More Violence |
464 |
105 |
Fear. Gypsy. Fear |
499 |
111 |
Vertigo: Stacked Livings |
523 |
111 |
How do you displace an image, to replace a body? |
343 |
111 |
Stolen Moments |
396 |
111 |
right after truth |
220 |
111 |
GUN |
235 |
116 |
Things Not Actually Present |
562 |
116 |
Matrixial Matrix: The Myth of the Other |
316 |
116 |
NATIVE | IMMIGRANT |
344 |
116 |
TRACE: Wayfinding in Contemporary New Media Art |
102 |
116 |
Beyond the foreshore |
388 |
116 |
The Spinners |
137 |
116 |
THE LAST AMERICAN TABOO |
393 |
116 |
Raise Your Flag [Declare Independence] |
160 |
116 |
The Open Forum |
199 |
125 |
A sense of belonging |
529 |
125 |
Housing as Housing: Architecture Against Real Estate |
535 |
125 |
Social contracts by private law |
122 |
125 |
Rebooting the World |
404 |
125 |
IF YOU ARE MANIPULATED, MANIPULATE BACK! |
208 |
125 |
Fuels |
209 |
125 |
If you have two legs, borrow another pair and run. |
502 |
132 |
Potentially Viral |
558 |
132 |
Language as a Living Thing |
591 |
132 |
The Politics of the Invisible |
608 |
132 |
In: Bodied, The Augmented Self |
125 |
132 |
Unexpected Fibers |
172 |
132 |
BOUNDARIES |
452 |
132 |
A Soft Hard / A Hard Soft |
197 |
132 |
Subversive Play |
200 |
132 |
Women Artists Explore the Cosmos |
457 |
132 |
Between 1 and 0 |
494 |
142 |
Temporary solutions that stay forever |
519 |
142 |
5 CM |
270 |
142 |
Objection |
555 |
142 |
Mediating Distortions: possible nows and laters. |
324 |
142 |
"And We Created You In Pairs." |
584 |
142 |
Note to Selfie |
332 |
142 |
Shushan's hands |
612 |
142 |
A Watch of Women |
121 |
142 |
Rapid Protoypes |
221 |
151 |
Mind the Urban Matter |
266 |
151 |
Erotic Phallacies |
527 |
151 |
IN THE MIDDLE OF THE SHIPWRECK, WE ARE CALLED UPON TO REPAIR THE SHIP |
298 |
151 |
NEWS | Visibility Strategies |
318 |
151 |
Persona Non Grata |
341 |
151 |
Global choreographies: K-Pop as Class-Queering Populism |
615 |
151 |
ESCAPE ROUTE |
141 |
151 |
Post-Future-WWar |
409 |
151 |
A Celebritized Masque |
475 |
151 |
For the record |
511 |
161 |
AND/OR |
347 |
161 |
Reflecting Reality... Experiments in Perception and Interconnectivity |
364 |
163 |
Phosphor-essence: An exhibition of Photography, Video, and Sound installations |
313 |
164 |
Drawing a Line: A Matriarchal Landscape of Saudi Culture |
578 |
164 |
Manifestations: sentience of the audible |
362 |
164 |
LOOKING BACK to LOOK FORWARD [reassessment] |
379 |
164 |
The Good State |
130 |
164 |
Soft Territories |
139 |
164 |
Unrest |
433 |
164 |
The Art Facilities of Anti-Terror |
447 |
164 |
Stone Tapes |
476 |
164 |
Exotica: curious, strange, unusual and exotic things |
496 |
164 |
The Artists' Mind Maps |
243 |
174 |
More Happiness Than Allowed By Law |
277 |
174 |
Logistical Paradise |
581 |
174 |
Thus Far |
590 |
174 |
Cero Latitud - Imaginary of the north and south of the rock |
346 |
174 |
The Other Side of Paradise |
398 |
174 |
Mutant Space |
411 |
174 |
Achilles' Heel |
416 |
181 |
Hip Hop beyond Street Art |
259 |
181 |
Involuntary Painting from Around the World |
273 |
181 |
HABITS FALTER |
569 |
181 |
Relative Distance - Family Memoir of the Black Archipelago |
616 |
181 |
Power to see/a |
618 |
181 |
1 = 0,99 |
375 |
181 |
Silo |
421 |
181 |
Uneasy Bodies: Media Images Tripping Over Ourselves |
460 |
181 |
fake lie |
217 |
181 |
WE CARE LTD. Where money and intimacy meet |
495 |
191 |
After After (the Exhibtion) |
554 |
191 |
(Re)Productive Efforts. |
607 |
191 |
Take another route: Environmental psychology and State hegemony |
124 |
191 |
Bodies change when we move |
428 |
191 |
DREAMLANDS//ASSIMILATIONS |
174 |
191 |
Infelicity Conditions |
211 |
197 |
Parasite (Sponger) Gallery - self-organizing community model |
520 |
197 |
Trans-formations... in polluted environments |
274 |
197 |
First Amendment Freedoms: Understand More, Fear Less |
580 |
197 |
Abstract Networks - Systems from Biology, Architecture, Information Technology |
366 |
197 |
BRAT ADWORKS |
380 |
197 |
Autonomy, Groupthink, and the Power of the Deep State |
401 |
197 |
Imaginary Micronations |
410 |
197 |
Look Mama, there is an airplane up in the sky |
170 |
197 |
People Who Hate Contemporary Art |
503 |
206 |
Reliquary of Beasts |
256 |
206 |
Poetics of the Unknown |
311 |
206 |
Puzzle |
371 |
206 |
Porous Assemblages |
415 |
206 |
Anagrams |
461 |
211 |
Untitled exhibition |
508 |
212 |
Latin American video artivist poetry |
267 |
212 |
Quit Playing Games w/ My Heart |
531 |
212 |
Weekend in Bed - the Politics of Staying Still |
276 |
212 |
The Utopia of Fear |
540 |
212 |
moving sands. Apocalypse. |
546 |
212 |
Transient Hole (Variations) |
563 |
212 |
Citizens of the Anthropocene |
564 |
212 |
Sneeze with open eyes |
403 |
212 |
Fire or Freeze |
180 |
212 |
Ways of seeing |
226 |
212 |
We Forget Where We Come From |
228 |
223 |
Orient{ally}; Ethical outrage |
522 |
223 |
AfroSPunk |
598 |
223 |
Settings and Preferences: The New Customizable Reality |
418 |
223 |
Interior Weather |
186 |
223 |
The Invisible Bullet |
443 |
223 |
Homeostasis Lab NY |
229 |
223 |
THREE TO THE THIRD |
242 |
230 |
Outsiders on the Inside |
524 |
230 |
Interplay: Creating New Narratives Through Image, Sound and Sculpture |
560 |
230 |
Gool |
579 |
230 |
Why Won't My Future Love Me |
328 |
230 |
Dance Me Through the Panic |
331 |
230 |
For the cosmos to know itself |
378 |
230 |
everything is going to be ok.. |
128 |
230 |
Notes for the 8th method |
144 |
230 |
Millenevil: Depictions of evil in contemporary art |
412 |
230 |
Worship in worship in the future |
463 |
230 |
Liquid Excess |
252 |
241 |
In the Air Tonight |
482 |
242 |
Consented Cannibalism |
530 |
242 |
Too Late to Duck and Cover |
541 |
242 |
1001 Senses |
291 |
242 |
To Be Other Than What We Are |
303 |
242 |
What Connects Us |
309 |
242 |
Personal and Collective Traces |
350 |
242 |
Fleshed Out |
606 |
242 |
Crossings Cultures: Belmonte Calabro - Civic Assembly |
136 |
242 |
The Second Skin |
185 |
242 |
A Trajectory of Choice |
468 |
242 |
complicit |
222 |
242 |
A Tribute to "Young Italians": Fifty Years Later |
223 |
242 |
Flood |
490 |
242 |
Center for Undisciplined Research Archive |
506 |
256 |
Faces of Memory |
330 |
257 |
The Richness of Matter (Temporary Name) |
261 |
257 |
Hard Bandages & Soft Sciences |
517 |
257 |
Remote viewing |
322 |
257 |
GET RICH (Humanly) or DIE TRYING (Working) [WORKING TITLE] 2018 |
335 |
257 |
The Transfiguration of the Commonplace |
114 |
257 |
Endgame |
422 |
257 |
The economy of the sandwich |
224 |
264 |
Consumed |
384 |
264 |
Simultaneous Multiplicity of a Body |
405 |
264 |
Holding Soil and Space |
188 |
264 |
The Revolution of the Fairytale |
238 |
264 |
The Cosmos as Pictured by Contemporary Female Artists |
512 |
264 |
I am Sylvia Plath |
265 |
264 |
Thresholds of matter |
275 |
264 |
Are We Safe? |
287 |
264 |
Coven |
548 |
264 |
Taking a knee |
567 |
264 |
RESILIENCE: Force Lab! |
323 |
264 |
Keep Your Tote on the Pulse |
611 |
264 |
Domestic Everyday |
397 |
264 |
From reactive to self-aware |
478 |
264 |
DENSITY MAPS |
479 |
279 |
What a Doll! |
301 |
279 |
LOVE & OTHER FORMS OF PAIN |
427 |
279 |
Abjestification: Humor, Power, Horror |
470 |
279 |
Multicultural Ecology |
239 |
279 |
GOING BEYOND THE MEDIUM: A MEDIATED CULTURE |
599 |
279 |
UNFRAMING THE IMAGE |
191 |
279 |
Between the Color |
254 |
279 |
Performing Animals |
255 |
287 |
Transcodes |
272 |
287 |
Mo(ve)ments. Exploring 60 Years of Everyday Movements. |
539 |
287 |
WOUNDS |
295 |
287 |
Inside the Four Lines |
306 |
287 |
ARTPOCALIPSE |
391 |
287 |
The Age Of Pecarious |
434 |
287 |
Unspoken |
250 |
287 |
Sacred and Profane |
253 |
287 |
SAND-SCORCHED HANDSHAKE |
557 |
287 |
Half-Life |
304 |
287 |
CONFIRM HUMANITY |
103 |
287 |
Seoul is Buffering: Dungeons, Unicorns, Pirates, and Face-Recognition Technology |
626 |
287 |
The Obscene Anthropocene |
377 |
287 |
Some Things are Permanent |
225 |
287 |
Uncertain realities |
491 |
287 |
OUTTHERE |
500 |
303 |
New York Public Sound Works | a series of sonic monuments for the city |
513 |
303 |
To come a day after the show |
528 |
303 |
Relational Exploit |
286 |
303 |
salo de mulher: |
544 |
303 |
Universities of Absurdities |
300 |
303 |
About the invisible |
583 |
303 |
Trumping Trump, Sisters? Laugh! |
586 |
303 |
Publication For Publication |
106 |
303 |
Stacked with the odds |
383 |
303 |
'replica' |
399 |
303 |
Pouring the East |
166 |
303 |
Upwards, Downwards |
196 |
303 |
La nueva republica bananera |
453 |
303 |
The other life of artworks |
201 |
303 |
Mediterranean - not as it once was |
510 |
318 |
Beast of Art Burden: Return of the Minotaur in Contemporary Art |
532 |
318 |
LaborPlay |
566 |
318 |
Confronting Meillassoux with the reality of Middle East: An Exploration of Hyper Chaos, the Great Outdoors and Divinology |
365 |
318 |
Collective Voices |
367 |
318 |
Olfactophilia |
627 |
318 |
ONE OF CHINTAN'S BABIES: SANDARBH |
127 |
318 |
"No Work/No Works For/Before Capital" |
152 |
318 |
The dream of Bolivar |
417 |
318 |
Atomic Reflections |
419 |
318 |
Where Three Roads Meet |
426 |
318 |
#peng tings |
212 |
318 |
Redrawing the present |
533 |
318 |
Landscape 3 Ways |
292 |
318 |
They Are Leftovers |
556 |
318 |
Masters of Art and the Two Percent |
339 |
318 |
water wood green flower |
472 |
318 |
How to Build a Wall |
227 |
318 |
Mtani Utani Exhibition |
248 |
336 |
[This Space] |
550 |
336 |
GuessBoxing |
551 |
336 |
Wigstock/Bushwig |
307 |
336 |
Race to the Bottom: Digital Queer Arts |
109 |
336 |
More Than Just Desserts |
445 |
336 |
Lugo |
592 |
336 |
The Old, The Hashtag |
385 |
336 |
Come Closer |
150 |
344 |
NextGen |
561 |
344 |
What Can Be Done With An Egg? |
317 |
344 |
Art in the Age of Worry |
334 |
344 |
DESIGN-N-N-N-N |
605 |
344 |
THE HUT OF THE LOSERS. |
352 |
344 |
Tom Thumb of America |
424 |
344 |
Resistance |
233 |
344 |
The Virtual Class |
244 |
344 |
The Spirits of Benin |
245 |
344 |
Tales of the Ancient African Mythology |
320 |
344 |
impossible child |
325 |
344 |
Cosmic Pain |
617 |
344 |
Self-Encapsulated |
129 |
344 |
Stacks on |
392 |
344 |
A resurrection of the final analog decade by the cyber age. |
395 |
344 |
Emotional Geographies |
430 |
344 |
Marius Hills, Oceanus Procellarum, 14°N, 56°W, Moon |
450 |
361 |
Catastrophia |
278 |
361 |
"I am human and I need to be loved just like everybody else does" [as written by Johnny Marr + Morrissey] |
288 |
361 |
The Land Art Sketchbook |
369 |
361 |
Unnatural Order |
132 |
365 |
Crying in front of a painting |
514 |
365 |
Into Thin Air |
260 |
365 |
Geographies |
518 |
365 |
Burn to build |
526 |
365 |
Taken from the Time Before |
333 |
365 |
Nature's Claim |
104 |
365 |
How Are You Holding Up? |
620 |
365 |
Palimpest |
372 |
365 |
half pigeon |
474 |
365 |
Our Own Gods: Titans of The Modern World |
219 |
375 |
harrow. whales. she died at play, gambolled away |
537 |
376 |
Bridging the folk and contemporary: A case for collaboarative art practice |
486 |
376 |
The Not Yet - Performativity, Inclusion and Change |
538 |
376 |
MONSTERS: Familiar Forms for the Future |
589 |
376 |
At the Roof of the Mouth |
336 |
376 |
Does my identity become a hurdle for myself? |
356 |
376 |
Haven't You Gotten What You Wanted? |
135 |
376 |
Rubber-chew / Clink, adieu |
140 |
376 |
Metaphorically Speaking |
414 |
384 |
Retransformation |
402 |
384 |
le partage du visible (sharing what we see) |
483 |
384 |
NonDegenerate |
504 |
387 |
The Persistence of History |
329 |
387 |
Experimentation of Styles From Figurative Abstraction To Non-Objective Art |
110 |
387 |
Erase for Good |
394 |
387 |
From Solid to Liquid - Volatile Images |
442 |
387 |
Personal Jesus |
195 |
387 |
Gimme (Shelter) |
198 |
387 |
Future Perfect |
202 |
387 |
Get over it |
459 |
387 |
Art Appropriation |
484 |
396 |
The Word in Flight: Transmigratory Art & The Flag of No Nation |
193 |
397 |
e n e r g i a n e g r a |
257 |
397 |
The Kitchen of Desires, food not to eat |
576 |
397 |
MakeSense |
359 |
397 |
THE GOOD SAMARITAN |
623 |
401 |
Energy of time |
327 |
401 |
Este o aquel? En busca del equilibrio. |
345 |
401 |
Less Is More, More or Less |
143 |
401 |
A Walk to Remember |
149 |
405 |
(In)heritance: Shared Spaces |
294 |
405 |
References to the infinite in contemporary art |
349 |
405 |
definite edges/continuum |
184 |
408 |
Sketchlight - Debut or LPWA |
182 |
408 |
HAVE YOU CONSUMED ART TODAY? |
204 |
410 |
Three Activation Strategies |
308 |
410 |
Art and work, a changing relationship in the near future |
569 |
210 |
Open in new tab |
218 |
413 |
True Colours |
116 |
413 |
Louder than Bombs - Silence and Masculinity |
157 |
413 |
Abstraction to make sense of the world |
451 |
416 |
Yesterday, Today and Tomorrow |
299 |
416 |
Syphilitic Tropical-Colonialism |
113 |
416 |
Art as Food as Art |
151 |
419 |
Drawing scenes of the world's future happiness |
297 |
419 |
"and I am the curator of this show"; a thematic exhibition |
178 |
419 |
The Incredible Dr. Matrix |
205 |
422 |
No place to go |
573 |
422 |
MoANA: the Museum of Ambiguous and Negative Art |
374 |
422 |
biennale of lovers / lovers biennale |
400 |
422 |
HORS-SÃRIE |
187 |
422 |
Silent Treatment |
446 |
422 |
What gives fear is not fragile. What is frightening is strength. |
194 |
428 |
Niggers |
283 |
428 |
"Make art not war" or "We have met the enemy and the enemy is us" |
368 |
430 |
A glimpse into the future |
549 |
430 |
Ut Pictura Poësis - Painting through its poetical emotion |
363 |
432 |
Never Give Up...! |
355 |
433 |
Hic et Nunc |
101 |
433 |
glimpse 3000 |
625 |
433 |
Treasured Trash : Untold Stories of the Old & New. |
161 |
433 |
In-Between |
423 |
437 |
A Scratch on the mind |
120 |
438 |
The Administration of Life and Death |
515 |
438 |
The Left-Handed Path |
215 |
440 |
Clean skins envelop us, but they are not our own |
435 |
441 |
Zeus Branch |
158 |
442 |
LANDSLIDES |
534 |
443 |
EROS IS LIFE |
570 |
443 |
Untitled |
413 |
445 |
BODY / BEDEN |
305 |
446 |
Foreign Affairs |
230 |
447 |
Ai |
154 |
448 |
To Catch a Lie |
462 |
449 |
Third generation abstract expressionist-impressionist painters |
138 |
450 |
sur-face |
436 |
451 |
Break the mold |
386 |
452 |
Politics Is Not A Metaphor, Economics Is Not A Metaphor, Art Is Not A Metaphor (Please Say "Thank You" At The End And There |
376 |
453 |
The Impact of Apps on Art as an Artefact |
507 |
454 |
The Limits of Corporality |
133 |
455 |
Artwork from the work Place |
231 |
455 |
Fractal Geometry in Expansion |
240 |
457 |
Doodoo |
123 |
458 |
Sado Maso Masc Mask, Mine Mine Mine Mine |
456 |
458 |
They redacted the anthropocene |
234 |
460 |
"Hot Bodies" a novel by Eva Oddo, Alexandre Camarao & Bernardo Bello |
505 |
461 |
DIGITAL NUDITY & REAL WORLD, Just 10 seconds to make a decision! |
358 |
462 |
how To Become A Bunny Robot? |
168 |
463 |
The future |
162 |
464 |
HEADLINES |
183 |
465 |
Music Therapy |
247 |
466 |
Our Spirit Within |
146 |
467 |
The Dream of a Greater Country |
119 |