NYC Open Call 2023-23 Proposal Ranking JurorsMore info
The five highest ranking proposals are available on the website and were submitted by:
Jeroen Stevens (Welcome Home), Belgium
Yi Cao (If Shadows Could Shine), Netherlands
Fabiola R. Delgado (Build what we hate. Destroy what we love.), United States
Lexington Davis (Fitter, Happier, More Productive), United States
and Bruna Shapira (Fruits of Labor— Reframing Motherhood and Artmaking). Brazil
The NYC Open Call accepts ideas for group exhibitions to be presented at apexart, 291 Church Street, in New York City. The organizers of the five highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming. Dates will be posted as they are determined.
| Rank | ID | Score | Title | Country |
|---|---|---|---|---|
| 1 | 315 | 3.9833 | Welcome Home | Belgium |
| 2 | 286 | 3.9322 | Fitter, Happier, More Productive | Netherlands |
| 3 | 389 | 3.8833 | If Shadows Could Shine | United States |
| 4 | 83 | 3.8814 | Build what we hate. Destroy what we love. | United States |
| 5 | 327 | 3.8644 | Fruits of Labor - Reframing Motherhood and Artmaking | Brazil |
| 6 | 63 | 3.8448 | Hairitage | United States |
| 7 | 383 | 3.8276 | Reza, Give Us a Beat! | United Kingdom |
| 8 | 305 | 3.8167 | Las flores mueren dos veces | Mexico |
| 9 | 162 | 3.8136 | Death Rights | United States |
| 10 | 248 | 3.7833 | Bodenständigkeit 触地 | United States |
| 11 | 202 | 3.7719 | Palmyra: Tug of War, the Agony Multi-Channel audiovisual installation with dance performance | Australia |
| 12 | 76 | 3.7705 | Sapara: transgressing oblivion | Ecuador |
| 13 | 219 | 3.7667 | Scar Tissue | United States |
| 14 | 303 | 3.7627 | On the Other Side of Violence | United States |
| 15 | 50 | 3.7458 | The memory of thread | Ecuador |
| 16 | 375 | 3.7167 | The Amazon’s Bloodstained Beauty | Colombia |
| 17 | 407 | 3.7167 | My Body, My World | United States |
| 18 | 232 | 3.6727 | Fashion for Survival | Mexico |
| 19 | 77 | 3.6721 | Domestic Market | United States |
| 20 | 69 | 3.6667 | Green colonialism and the extractive zone | Sweden |
| 21 | 140 | 3.6667 | Only I can make my tomorrow. Stringing together stories from Honduras. | Costa Rica |
| 22 | 224 | 3.6607 | Remnant traces | Germany |
| 23 | 364 | 3.65 | The streets are ours! Women in street art in Brazil | Brazil |
| 24 | 367 | 3.6458 | ṣiyāḡah (صياغة) | Saudi Arabia |
| 25 | 394 | 3.6379 | Working on Being Softer | Canada |
| 26 | 183 | 3.6296 | Mae hiraeth arna amdanot ti — I miss you | United States |
| 27 | 189 | 3.6296 | Escape Routes | United States |
| 28 | 352 | 3.6296 | Reducing the Distance | Kazakhstan |
| 29 | 278 | 3.6271 | Memories of Tomorrow: Migration and Identity from the Perspective of an Asian City Déjà Disparu | Hong Kong |
| 30 | 68 | 3.6 | Player Piano | United Kingdom |
| 31 | 240 | 3.6 | Hairpieces | United States |
| 32 | 258 | 3.5965 | Encoded Tapestries: AI and Woven Art | United States |
| 33 | 314 | 3.5965 | Gut Reactions: Soft Sculpture Then & Now | United States |
| 34 | 15 | 3.5926 | Maharlika | Philippines |
| 35 | 130 | 3.5714 | LET THE GOOD ONES GO | Serbia |
| 36 | 272 | 3.5714 | Techno-vernacular: a declaration against a global future | France |
| 37 | 348 | 3.5714 | Hubbub of Shadows | Turkey |
| 38 | 400 | 3.5714 | Return to Sender | United States |
| 39 | 144 | 3.5614 | Jin, Jiyan, Azadî / ژن، ژیان، ئازادی | Turkey |
| 40 | 129 | 3.5556 | SEE ME, HEAR ME: Invisible Americans | United States |
| 41 | 283 | 3.5455 | Embody, Entwine | Canada |
| 42 | 255 | 3.5357 | The Feminine Altar of Huarochiri | Peru |
| 43 | 212 | 3.5179 | Spain – dazzling, delightful…dangerous | Spain |
| 44 | 47 | 3.5091 | Roe Rage | United States |
| 45 | 260 | 3.5088 | Illusions Of Choice | United Kingdom |
| 46 | 295 | 3.5088 | Signs of feelings left everywhere | Taiwan |
| 47 | 269 | 3.4727 | FutureCurrents | Australia |
| 48 | 341 | 3.4727 | The Stories We Remade | Switzerland |
| 49 | 369 | 3.4706 | archiva_mutante / mutant_archive: reading the cities in feminine is the new revolution | Mexico |
| 50 | 153 | 3.4643 | Reflexive Imagination - The Sage and Disciples of Video Feedback | Japan |
| 51 | 332 | 3.4643 | What's in a Name? | India |
| 52 | 396 | 3.4464 | Non-Disposable: Cardboard in Contemporary Art | United States |
| 53 | 191 | 3.4444 | MIGRANTS IN DARIEN: HUMAN TRAGEDY | Panama |
| 54 | 206 | 3.4364 | Code Brew | Korea, Republic of |
| 55 | 356 | 3.4364 | An Ecomedial Situation: Art, Ecology, Technology | United States |
| 56 | 307 | 3.4286 | Plowing Snow For A Better World. | Norway |
| 57 | 268 | 3.4211 | Rom-Con. Love, Lies and Online Scam | France |
| 58 | 287 | 3.4211 | Oil and Air | United States |
| 59 | 82 | 3.4182 | I closed my eyes to creation | Canada |
| 60 | 200 | 3.4182 | Where do we go when we create art? | United Kingdom |
| 61 | 299 | 3.4182 | Cabinet of Art-Archaeology | Portugal |
| 62 | 405 | 3.4182 | Price of PEREMOGA /victory/ukr. | Ukraine |
| 63 | 337 | 3.4074 | Battlefield Bodies: a look at ideals and self-pressure | United Kingdom |
| 64 | 386 | 3.4 | Collective Territories: Mining Sustainable Urban Lifestyles | United States |
| 65 | 4 | 3.3962 | Power and Women | United States |
| 66 | 131 | 3.3962 | Colorizing Latin America | United States |
| 67 | 306 | 3.3889 | Lost Sundaland: Re-encounter Animist Beliefs in the Indo-Pacific | United States |
| 68 | 244 | 3.386 | Heirlooms | United States |
| 69 | 110 | 3.3818 | After Tomorrow. Speculating a post-human future | United Kingdom |
| 70 | 381 | 3.3818 | Panorama of Possessions | United States |
| 71 | 154 | 3.375 | Hidden Truths: Animals on the Periphery | United States |
| 72 | 195 | 3.375 | PS: Let’s flourish them, you crip! | Spain |
| 73 | 330 | 3.375 | Environmental Futurism: Art and Social Change | United States |
| 74 | 391 | 3.375 | You May Know The Whole Sack by a Handful (مشت نمونه خروار) | United States |
| 75 | 408 | 3.375 | PLACE/SPACE | United States |
| 76 | 99 | 3.3684 | Art Ful-Feeling (see the sound, hear the image) | Ireland |
| 77 | 233 | 3.3684 | A Particular Kind of Heaven: Ex-Urban Space/Time and Fantasies of Non-Urban Living | United States |
| 78 | 35 | 3.3636 | Women of an Undetermined Age: BLACKSTRACTION | United States |
| 79 | 36 | 3.3571 | I See A Red Door | Brazil |
| 80 | 18 | 3.3519 | (In)-visible Synthesis | United Kingdom |
| 81 | 355 | 3.3519 | Museum of Black Joy | United States |
| 82 | 380 | 3.3519 | Muse-Worthy | United States |
| 83 | 22 | 3.3455 | Twilight Zone | Israel |
| 84 | 64 | 3.3455 | MEGALITH | United Kingdom |
| 85 | 124 | 3.3455 | Drips into Deluges: Leaks in Contemporary Art | United States |
| 86 | 186 | 3.3396 | Documents Made A Difference | United States |
| 87 | 116 | 3.3393 | Structures of a Land (temporary name) | Israel |
| 88 | 325 | 3.3393 | TUMORROW Art Confronts Disease | Italy |
| 89 | 411 | 3.3393 | Does life sound different in the absence of light? | United States |
| 90 | 281 | 3.3333 | When the sun kissed my skin | Netherlands |
| 91 | 79 | 3.3214 | End of Tour | Greece |
| 92 | 60 | 3.3158 | FREE PLAY | Hong Kong |
| 93 | 237 | 3.3148 | Re-Form and Reform: Unlearning American Iconography | United States |
| 94 | 59 | 3.3091 | Contain Your Fear | United States |
| 95 | 165 | 3.3091 | Indiscipline | Brazil |
| 96 | 285 | 3.3036 | Daddy's Dinner | Norway |
| 97 | 316 | 3.3036 | La Lagunilla: trade, art y other curiosities | Mexico |
| 98 | 321 | 3.3036 | All the World’s Memory | United States |
| 99 | 388 | 3.3036 | Alien Bloom | United States |
| 100 | 170 | 3.2982 | Imagined Landscape: Catastrophe along the River Flow | Indonesia |
| 101 | 238 | 3.2982 | ALHAMDU | MUSLIM FUTURISM | United States |
| 102 | 320 | 3.2982 | Groundless Landing | United States |
| 103 | 338 | 3.2982 | all my softest spaces: fat in art | Poland |
| 104 | 125 | 3.2909 | Dance Is My Medicine, Dance Is the Fist | United States |
| 105 | 172 | 3.2909 | Fragments: Art of our siblings | United Kingdom |
| 106 | 254 | 3.2909 | K: of Everyday | Korea, Republic of |
| 107 | 377 | 3.2909 | This is america—and it is not | Guatemala |
| 108 | 203 | 3.2857 | Thought of a woman | Nigeria |
| 109 | 152 | 3.283 | Altar'ed Remembrance | United States |
| 110 | 228 | 3.283 | (Re)Presenting Absence | United States |
| 111 | 73 | 3.2778 | The Emancipation of Everyday Life | Portugal |
| 112 | 94 | 3.2778 | this is a love poem, | France |
| 113 | 226 | 3.2545 | Unexpected Freedom | Israel |
| 114 | 322 | 3.2545 | Release | United States |
| 115 | 201 | 3.25 | Feminine Maximalism: Taking Up Aesthetic Space | United Kingdom |
| 116 | 292 | 3.25 | I am here and everywhere | Germany |
| 117 | 150 | 3.2456 | Second skin: the characters we inhabit | Dominican Republic |
| 118 | 265 | 3.2456 | Soak it Up! | United States |
| 119 | 362 | 3.2407 | MONUMENTAL | United States |
| 120 | 71 | 3.2321 | Regression Progression | United States |
| 121 | 90 | 3.2321 | THE CONTEMPORARY MAGICIAN | Netherlands |
| 122 | 96 | 3.2321 | ¡Queremos pintar! (We want to paint) | Costa Rica |
| 123 | 273 | 3.2321 | (Sun Glistens) in the Flecks of Long-Dead Plants | Germany |
| 124 | 371 | 3.2321 | ENSEMBLE PIECE! | United States |
| 125 | 357 | 3.2281 | Body sheet: Visions of the sewing pattern in contemporary art | Germany |
| 126 | 358 | 3.2281 | Nontime | United States |
| 127 | 387 | 3.2281 | Graffiti, You've Got Just What I Need: Asserting the Fine Home Furnishings Era of Aerosol Art | United States |
| 128 | 178 | 3.2182 | Space Out | United States |
| 129 | 142 | 3.2143 | Un potrero en un jardÃn | Colombia |
| 130 | 160 | 3.2143 | Let The Art Fly | Switzerland |
| 131 | 342 | 3.2143 | Has the pen or pencil dipped so deep in the blood of the human race as the needle? | Poland |
| 132 | 373 | 3.2143 | UNatural PRocesses | United States |
| 133 | 217 | 3.2105 | Everywhere and Nowhere | United States |
| 134 | 253 | 3.2037 | Imagined Communities | United States |
| 135 | 159 | 3.2 | The emotional twist | Argentina |
| 136 | 86 | 3.1964 | The delirious order of things | Mexico |
| 137 | 291 | 3.1964 | Can you hear me through the machine? | Singapore |
| 138 | 205 | 3.193 | Cry me a river : a poem about the brazilian water crisis | Brazil |
| 139 | 313 | 3.1786 | Do you know me? | Ireland |
| 140 | 101 | 3.1754 | Objects of Agency | United States |
| 141 | 340 | 3.1731 | Empires of Dirt - Exploring the Bog Gothic | Ireland |
| 142 | 259 | 3.1667 | THE F* WORD, WOMEN*S REALITIES | Austria |
| 143 | 263 | 3.1636 | Star's Ejecta | Mexico |
| 144 | 95 | 3.1607 | Contamination | United Kingdom |
| 145 | 214 | 3.1607 | Garden of Eden | Denmark |
| 146 | 415 | 3.1579 | 風土 - When the Wind Touch the Earth | United States |
| 147 | 7 | 3.1538 | Pups Grow Fangs | United States |
| 148 | 81 | 3.1481 | Unsovereign Elements: Geological Poetics and Epistemological Convergences in Caribbean Art | United States |
| 149 | 139 | 3.1481 | RECYCLED: Reconfiguring the discarded | Colombia |
| 150 | 339 | 3.1481 | The Voice of the Fourth Person | Romania |
| 151 | 42 | 3.1455 | My AI Cries To Me ; artificial intelligence experiencing consciousness | United Kingdom |
| 152 | 393 | 3.1455 | Hyper Aesthetic Distopic | United States |
| 153 | 401 | 3.1455 | Books as Objects. | Mexico |
| 154 | 365 | 3.1429 | What I wrote in the blank | France |
| 155 | 221 | 3.1346 | Resistance: The Luddites Among Us | Germany |
| 156 | 225 | 3.1296 | Where are the drums? | Brazil |
| 157 | 334 | 3.1296 | Tell me Your Story, Karlygash | Kazakhstan |
| 158 | 128 | 3.1228 | Fragments of Earth | United Kingdom |
| 159 | 363 | 3.1228 | Waste Works | Germany |
| 160 | 168 | 3.1111 | We Are Data | Australia |
| 161 | 329 | 3.1071 | Quoting out of context | United States |
| 162 | 353 | 3.1071 | Subversive realism in times of new fascist movements | Germany |
| 163 | 346 | 3.0909 | Archeologies from the void, tie up the dust. (ArqueologÃas desde el vacÃo, atar el polvo) | Mexico |
| 164 | 354 | 3.0877 | THE UNIVERSITY _ A PROJECT | United States |
| 165 | 32 | 3.0755 | Elements of life | Mexico |
| 166 | 119 | 3.0741 | the text is the message—the message is not the text | United States |
| 167 | 271 | 3.0741 | At the Thresholds of Vulnerability: Networking Care within Digital Life | United States |
| 168 | 204 | 3.0727 | Partial Standpoints | Italy |
| 169 | 236 | 3.0727 | Fuck With/ My Mind | United States |
| 170 | 390 | 3.0727 | All Together Now | India |
| 171 | 318 | 3.0714 | Zurcir el espacio de la caÃda | Mexico |
| 172 | 297 | 3.0702 | Journal of Therolinguistics | United States |
| 173 | 288 | 3.0556 | Who Is The Artist? | United Kingdom |
| 174 | 409 | 3.0556 | Vivir entre el rÃo y el mar (Living between the river and the sea) | Ecuador |
| 175 | 37 | 3.0545 | Love is the force and the fire: A call for communion | United States |
| 176 | 156 | 3.0545 | Fragile mir | Italy |
| 177 | 105 | 3.0536 | Run Away Fast | Brazil |
| Rank | ID | Score | Title | Country |
|---|---|---|---|---|
| 178 | 5 | 3.0526 | Age of AI Avant-Garde | Armenia |
| 179 | 8 | 3.0526 | El Contrato Natural | Puerto Rico |
| 180 | 33 | 3.0377 | TICKET TO INDIA -PARIS IS NOT A CITY NOR INDIA A COUNTRY THEY ARE BOTH EXPERIENCES" | India |
| 181 | 13 | 3.037 | Sow in the fire. | Mexico |
| 182 | 14 | 3.037 | Primary Portraits | United States |
| 183 | 193 | 3.037 | Natural Spillover or Environmental Porn | India |
| 184 | 374 | 3.037 | The Red Line | Egypt |
| 185 | 9 | 3.0364 | Unknown Reverberations أصداء مجهولة | Germany |
| 186 | 149 | 3.0357 | Souvenir's Testimony | Spain |
| 187 | 182 | 3.0357 | The Forest | Cyprus |
| 188 | 185 | 3.0357 | Desire Paths | Mexico |
| 189 | 282 | 3.0357 | SAVING A LOST DREAM: BETWEEN DREAM AND MEMORY | Israel |
| 190 | 382 | 3.0357 | Supernormal Awareness | United States |
| 191 | 331 | 3.0185 | nagging, whispering, buzzing | United States |
| 192 | 84 | 3.0179 | Maricón | Mexico |
| 193 | 416 | 3.0179 | It is not the sea, but the river | Mexico |
| 194 | 10 | 3.0175 | Compulsory Measures | United States |
| 195 | 207 | 3.0175 | Me in You | Brazil |
| 196 | 296 | 3 | Politics of horror and indigestion | Brazil |
| 197 | 412 | 3 | A lamb reflects on existence inside a box with holes. Perspectives of contemporary drawing in Chia | Mexico |
| 198 | 276 | 2.9821 | Nusa/ntara | Hong Kong |
| 199 | 324 | 2.9821 | UN-WAR | United States |
| 200 | 134 | 2.9815 | Sign on the dotted line | Canada |
| 201 | 145 | 2.9643 | Drifting Terranea: Interobjects and Temporal Latencies | Japan |
| 202 | 151 | 2.9643 | A Bronx Show & Tell | United States |
| 203 | 173 | 2.9643 | geo-imaginaries for a resilient Terra | Finland |
| 204 | 252 | 2.9643 | BRINGING A PORTABLE DEVICE TO THE EXHIBITION IS RECOMMENDED | United States |
| 205 | 359 | 2.9643 | Borrowing lies to tell a truth | United Kingdom |
| 206 | 6 | 2.9636 | Капитализам (all must be loved) | Serbia |
| 207 | 410 | 2.9636 | I Miss You So Much: an epistolary romance between old friends, new immigrants, two art students, and | United States |
| 208 | 184 | 2.9474 | Unlearning as a Daily Practice | United States |
| 209 | 34 | 2.9464 | The Re-Invocation of Art as Gift | United States |
| 210 | 229 | 2.9464 | Machine Language | United States |
| 211 | 310 | 2.9464 | MOTHERLAND | United States |
| 212 | 141 | 2.9444 | Where is the Homeland? | United States |
| 213 | 12 | 2.9434 | Ènìyàn laṣọ (humans are clothes) | Nigeria |
| 214 | 267 | 2.9298 | It is a Fictitious Condition That Does Not Exist - and Other Tales. | United Kingdom |
| 215 | 309 | 2.9298 | Art in the Age of Sexist Censorship | Spain |
| 216 | 100 | 2.9286 | TARIMIAT | Ecuador |
| 217 | 67 | 2.9107 | Flows (in) Flow: Transience | Brazil |
| 218 | 290 | 2.9107 | Expanse!: A creative celebration of underrepresented NYC emerging artists! | United States |
| 219 | 26 | 2.9091 | Bodies Mirroring The World | United Kingdom |
| 220 | 136 | 2.9091 | To Sever a Body | United States |
| 221 | 187 | 2.9091 | Who are the Chileans? A way to look at yourself again. | Chile |
| 222 | 148 | 2.9074 | A cathedral in the desert: civil unrest in Naples in the 1970s | United Kingdom |
| 223 | 180 | 2.9074 | speaking in tongues | Portugal |
| 224 | 222 | 2.9074 | The Lock in | United Kingdom |
| 225 | 234 | 2.9057 | Corps + Cosa | United States |
| 226 | 192 | 2.8947 | Eco-sustainability of the hydrosystem: Analysis of aquatic dynamism in a fragile ecosystem | Italy |
| 227 | 308 | 2.8947 | If a tree falls in a forest, and there’s no one around to hear it, does it make a sound? | Argentina |
| 228 | 155 | 2.8929 | Urban Space and Modernity. | China |
| 229 | 167 | 2.8929 | Why not rest as a Kouala and play as a Panda? | Egypt |
| 230 | 210 | 2.8909 | WHY DO THEY PLAY WITH WHAT HAS NO SPARE? | Venezuela |
| 231 | 323 | 2.8909 | Familiar Hearth, Lunar Fire | United States |
| 232 | 19 | 2.8889 | HOME | Brazil |
| 233 | 97 | 2.8889 | The artist as curandero(a): Visions of andean-descendant relational plastic. | Peru |
| 234 | 171 | 2.8889 | What am I? | Colombia |
| 235 | 98 | 2.8772 | What I have done for love | Mexico |
| 236 | 181 | 2.8772 | EL SER HUMANO | Colombia |
| 237 | 370 | 2.8772 | El Museo es la Comunidad. | Venezuela |
| 238 | 177 | 2.875 | Qualia: THE PHENOMENAL PROPERTIES OF EXISTENCE | United States |
| 239 | 404 | 2.8727 | Revive: An Archive of Forgone Creativity | United States |
| 240 | 123 | 2.8704 | Reconstructed | United States |
| 241 | 319 | 2.8596 | SOME GOOD NEWS | Croatia (local name: Hrvatska) |
| 242 | 402 | 2.8596 | If to create is human, what does Artificial Intelligence do? | United States |
| 243 | 376 | 2.8519 | Poetic Poli(ti)s | South Africa |
| 244 | 92 | 2.8421 | The border, not only fisical but also a mental state | Spain |
| 245 | 231 | 2.8421 | Mass Transition Into Being | United Kingdom |
| 246 | 174 | 2.8364 | A Mouthful of Leaves | United Kingdom |
| 247 | 194 | 2.8364 | Resting Noise | Panama |
| 248 | 209 | 2.8364 | Un-learning. Platforms for Polyphonic Vocabularies | Italy |
| 249 | 351 | 2.8302 | Sun hides face in shame: eclipse. | Austria |
| 250 | 378 | 2.8246 | Magical Urbanism | United States |
| 251 | 61 | 2.8214 | COMPOSING THE REAL | Italy |
| 252 | 161 | 2.8214 | Augmenting the Present | Spain |
| 253 | 249 | 2.8214 | Weaving World-lines | Mexico |
| 254 | 196 | 2.8036 | Crystal cage | United States |
| 255 | 277 | 2.7895 | ENCHANTED ISLAND | Germany |
| 256 | 350 | 2.7895 | Kené: The Visible Language of Nature | United States |
| 257 | 44 | 2.7857 | Vivendis- Urban Interrogations | Angola |
| 258 | 103 | 2.7857 | Global Planet Crisis | Mexico |
| 259 | 30 | 2.7736 | Me, you Voyeur | Brazil |
| 260 | 239 | 2.7719 | Ultrasense | Brazil |
| 261 | 293 | 2.7719 | Half Price | Spain |
| 262 | 127 | 2.7679 | POST-NATION NEW-FOLKLORE: an exhibition investigating transnational identities originating from East | United Kingdom |
| 263 | 279 | 2.7636 | Laws of Hospitality | Portugal |
| 264 | 220 | 2.7593 | Panoptic | Belgium |
| 265 | 107 | 2.7544 | BIOPOLITICS OF PLEASURE | Spain |
| 266 | 361 | 2.7544 | Drawing from History | United States |
| 267 | 75 | 2.75 | Healing Bodies | Italy |
| 268 | 336 | 2.75 | Let this darkness be a bell tower | Germany |
| 269 | 274 | 2.7455 | Afterglow | Italy |
| 270 | 417 | 2.7368 | Portraits of Self-Love | United States |
| 271 | 349 | 2.7358 | Artist Self-Help Tool KIT | Kazakhstan |
| 272 | 235 | 2.7273 | What should I call it? | Romania |
| 273 | 275 | 2.7255 | The Day The Alien Stood Still | United Kingdom |
| 274 | 179 | 2.7222 | Our Wars | Mexico |
| 275 | 298 | 2.7193 | Revolve:R | United Kingdom |
| 276 | 384 | 2.717 | Unyielding Spirit | United States |
| 277 | 262 | 2.7143 | Endgame | Greece |
| 278 | 104 | 2.7091 | DE LO ANCESTRAL A LO CONTEMPORANEO | Colombia |
| 279 | 289 | 2.7037 | In the name of liberate art | Turkey |
| 280 | 343 | 2.7037 | Israel x Palestine / Palestine x Israel | United States |
| 281 | 208 | 2.7018 | Breaking Borders - at a new edge | Ireland |
| 282 | 397 | 2.7018 | EXTINCTIONS | Peru |
| 283 | 54 | 2.6964 | Trauma | Austria |
| 284 | 163 | 2.6909 | Postales de Mosquera | Colombia |
| 285 | 111 | 2.6852 | Color Pace, Gesture Shade, Pulse Length | Brazil |
| 286 | 328 | 2.6786 | The Office of Boredom | United States |
| 287 | 88 | 2.6667 | Synchronicity | Taiwan |
| 288 | 91 | 2.6667 | All we have is Now | Armenia |
| 289 | 169 | 2.6607 | In Complete | United States |
| 290 | 250 | 2.6607 | Off The Porch | United States |
| 291 | 31 | 2.6481 | From sacred plants to the consciousness destruction | Mexico |
| 292 | 11 | 2.6429 | art crime | United States |
| 293 | 29 | 2.6429 | Photographic materiality | Canada |
| 294 | 89 | 2.6429 | All We Are Saying | Italy |
| 295 | 335 | 2.6429 | Stranger Things | Austria |
| 296 | 108 | 2.6316 | A Decade of Dimensions NYC | United States |
| 297 | 243 | 2.6316 | Ever Shifting Selves | United States |
| 298 | 20 | 2.625 | Central America Strip | Honduras |
| 299 | 113 | 2.625 | Inheritances | United States |
| 300 | 311 | 2.625 | Seeding worlds and dreams (working title) | Italy |
| 301 | 53 | 2.6 | Since 1960 | Nigeria |
| 302 | 284 | 2.6 | Of Wandering Paths | India |
| 303 | 55 | 2.5926 | How we wed | United Kingdom |
| 304 | 242 | 2.5926 | Branding Conflict | United States |
| 305 | 257 | 2.5893 | presence without matter: is it possible? | Peru |
| 306 | 270 | 2.5893 | Here is the truth. Bow down before it! | United States |
| 307 | 385 | 2.5636 | Action! Perfect Persona in Contemporary Era | United States |
| 308 | 223 | 2.5273 | roaming through the woods | Germany |
| 309 | 147 | 2.5263 | Like if we could roll the dices | Spain |
| 310 | 17 | 2.5185 | Chile lindo | Chile |
| 311 | 395 | 2.5179 | If looks could kill, then art can heal | United Kingdom |
| 312 | 122 | 2.4912 | Transparadise: Beyond gender | Spain |
| 313 | 21 | 2.4821 | The Angel & The Flower | Denmark |
| 314 | 301 | 2.4815 | Work, Labor, Action | Germany |
| 315 | 157 | 2.4717 | We Are Who We Are | United States |
| 316 | 93 | 2.4643 | Explore 2.0 | United Kingdom |
| 317 | 102 | 2.4464 | Fly Robin Fly | Venezuela |
| 318 | 112 | 2.4182 | INNER COLLECTIVE | Ecuador |
| 319 | 213 | 2.4107 | IMPORTANCE OF EDUCATION (ITS AT SOCIAL SCENARIO BASE PROJECT) | India |
| 320 | 197 | 2.4074 | Performance Art Now | United Kingdom |
| 321 | 176 | 2.3519 | Counter-evolution | Turkey |
| 322 | 261 | 2.3273 | Unarchived Semiotics: Essence & Absence | Georgia |
| 323 | 164 | 2.2807 | Swimming Lessons | United Kingdom |
| 324 | 23 | 2.2444 | Peace of mind | South Africa |
| 325 | 27 | 2.2444 | Unknown, Unheard, Uncelebrated | United States |
| 326 | 245 | 2.2444 | WOMEN OF THE WORLD, MEXICAN WOMEN. | Mexico |
| 327 | 294 | 2.2222 | The impasse is you | Italy |
| 328 | 403 | 2.2045 | Tales Of A Moment in Memory | South Africa |
| 329 | 406 | 2.2045 | Patterns | United States |
| 330 | 190 | 2.2 | Introspection | Bolivia |
| 331 | 25 | 2.1818 | Almond and Pebble | United States |
| 332 | 266 | 2.1818 | Dreams and Visions | France |
| 333 | 66 | 2.1591 | King of the underworld (the nature of evil in art) | United States |
| 334 | 211 | 2.1591 | Cosmic Theatre | Germany |
| 335 | 57 | 2.1556 | The New Pyramid | United States |
| 336 | 199 | 2.1556 | Merupa kertas | Indonesia |
| 337 | 138 | 2.1163 | Stupeur et Decharge | Sweden |
| 338 | 16 | 2.0667 | Græn R∞m | United States |
| 339 | 120 | 2.0233 | don't be yourself | Spain |
| 340 | 43 | 2 | we are growing a new world. | India |
| 341 | 3 | 1.9778 | The Color of Pomegranates | Armenia |
| 342 | 344 | 1.9333 | French Fries | France |
| 343 | 398 | 1.9318 | ARTEURBAINEARCHITEKTURE | United States |
| 344 | 109 | 1.907 | Motherfucker | Australia |
| 345 | 312 | 1.8444 | FICTIONAL VARIANTS ON A SINGLE OSCILLATION. | United States |
| 346 | 118 | 1.814 | The Home as Metaphor | United States |
| 347 | 28 | 1.8 | Time | Mexico |
| 348 | 24 | 1.7778 | In Light | United States |
| 349 | 65 | 1.75 | RejueNations: Youth Streaming Truth | United States |
| 350 | 52 | 1.5556 | Who the F*!% is Muddy Monroe | United States |
| 351 | 56 | 1.5111 | Black Terrain | United States |
| 352 | 251 | 1.5111 | What is Pinoy ART?! | United States |
| 353 | 62 | 1.4419 | Bord ello | Italy |
| 354 | 241 | 1.4318 | Skin of memory | France |
| 355 | 418 | 1.1429 | For Instagram Nakrutka | Russian Federation |