Rank |
ID |
Score |
Title |
1 |
510 |
3.9012 |
Musow Ka Touma Sera |
2 |
277 |
3.7654 |
Untitled (QueerArch) |
3 |
331 |
3.716 |
WOMEN C(A)REATE |
4 |
469 |
3.6875 |
Fantasy Battleground |
5 |
505 |
3.675 |
HotHouse |
6 |
268 |
3.6543 |
Banana Fever |
7 |
123 |
3.642 |
Vivas nos queremos / We want us alive. |
7 |
422 |
3.642 |
Plant Life |
8 |
313 |
3.6296 |
Null |
9 |
344 |
3.6173 |
Figures and Frictions |
9 |
483 |
3.6173 |
Badlands: Against the War on Drugs |
10 |
380 |
3.5926 |
INSIDE / OUT - Art in the Suburbs |
10 |
436 |
3.5926 |
Dot Dot Dit Dit Dot Dot Dash (Damned If I Know) |
11 |
239 |
3.5802 |
At Memory's Edge |
12 |
504 |
3.5679 |
Shakai no Mado (Window on Society) |
13 |
147 |
3.5556 |
Don't Touch Me |
14 |
418 |
3.5375 |
Traces of a tropical future |
15 |
341 |
3.5309 |
The Heard Unseen: Living with Invisible Disabilities |
15 |
487 |
3.5309 |
Solete |
16 |
511 |
3.5185 |
I am (present) Here and There |
17 |
194 |
3.5062 |
Is this a lucid dream? |
17 |
264 |
3.5062 |
Syria: Mobilizing Memory, Remembering Home |
18 |
354 |
3.4938 |
Unoccupied Space |
19 |
226 |
3.4815 |
Certitudes/Inexactitudes |
20 |
367 |
3.4691 |
The Other Woman |
21 |
140 |
3.4568 |
The Born-Free Club |
22 |
412 |
3.4568 |
INLAND LETTER - Notes from the Hinterland |
22 |
453 |
3.4568 |
Mistaken Identity - Back to Ubuntu |
23 |
271 |
3.4444 |
Tucumcari Tonight: Women, Wanderlust, and the West |
23 |
520 |
3.4444 |
Enter on 2 legs, Crawl Out on 4 âEthnic Cleansing and Archeology in East Jerusalem |
24 |
170 |
3.4286 |
Legendary Leaders |
24 |
282 |
3.4286 |
Brazil shows your face - Brasil mostra a tua cara |
24 |
409 |
3.4286 |
Transforming narratives |
25 |
103 |
3.425 |
Suckle: Self-Portraits Nursing |
26 |
200 |
3.4211 |
Hive |
26 |
328 |
3.4211 |
El Contrato Natural |
26 |
334 |
3.4211 |
Murky Waters: Colombia and Its Fishermen of the Dead |
26 |
398 |
3.4211 |
Our perspectives, our story. |
26 |
421 |
3.4211 |
New Culture Immortal |
27 |
391 |
3.4198 |
Abandoned culture Promoting Contemporary ceramic art and artists in Kenya. (Sanaa ya Udongo) |
27 |
343 |
3.4186 |
Afronauts rewriting space law |
27 |
527 |
3.4186 |
Those Gods that Look Like You |
28 |
523 |
3.4138 |
The Schliemann's Market |
29 |
120 |
3.411 |
The only paradise is paradise lost |
30 |
445 |
3.4103 |
ON THE LINE |
31 |
195 |
3.4098 |
You Say You Want a R/evolution: Women and Borderless Tech |
32 |
309 |
3.4091 |
(in)Hospitable Bodies |
32 |
462 |
3.4091 |
MediaTerranea |
33 |
273 |
3.4068 |
Donât say donât touch. Touch, but don't look. |
34 |
286 |
3.4054 |
Her “I”/(love) |
34 |
296 |
3.4054 |
Mind the Gap |
34 |
326 |
3.4054 |
Broken Matter: The Age of Disposable Culture |
35 |
532 |
3.4 |
Fluid Bodies |
36 |
308 |
3.3953 |
Of Ashes and Remains |
36 |
482 |
3.3953 |
A Germinating Partnership: Artists Collaborating with "Plant Intelligence" |
37 |
288 |
3.3947 |
Kaluchua |
37 |
350 |
3.3947 |
Body Present / Corpo Presente |
37 |
406 |
3.3947 |
Queen |
37 |
411 |
3.3947 |
IVUKA (The Relativity of Simultaneity and the Philosophy of Time) |
38 |
125 |
3.3846 |
Turned into sterile land |
39 |
126 |
3.3784 |
Calling All Divas: lineage, inheritance, fandom, idol worship, transference, and imaginings |
39 |
130 |
3.3784 |
Inherited Memories |
39 |
252 |
3.3784 |
Grow! |
39 |
338 |
3.3784 |
Figures of Speech. |
39 |
525 |
3.3784 |
Slant Step Forward |
40 |
154 |
3.3684 |
Undocumented migrant women and their modalities of resistance. |
40 |
329 |
3.3684 |
Promises From the East |
40 |
494 |
3.3684 |
Tactile Sanctuaries |
40 |
503 |
3.3684 |
Near and Far |
41 |
349 |
3.359 |
Human in Posthuman |
41 |
480 |
3.359 |
It's Not Always Sunny |
42 |
312 |
3.3514 |
Dada Data. From dada tricks to post-truth politics |
42 |
388 |
3.3514 |
The Dark Side of Paradise - Dinosaurs are Dying and They are Angry |
42 |
427 |
3.3514 |
SUB-VERSIONS |
42 |
512 |
3.3514 |
Archive Fever: Micro-Historia |
43 |
217 |
3.3421 |
This far you may come, no further |
43 |
314 |
3.3421 |
dis/placed |
43 |
402 |
3.3421 |
30 years ago... |
43 |
485 |
3.3421 |
Absolute Reality |
43 |
497 |
3.3421 |
Paz con la selva (Peace with the selva) |
44 |
185 |
3.3243 |
Brand New Earth: Tools for Tomorrow |
44 |
300 |
3.3243 |
A Border is a verb: A Tale of Two Koreas |
45 |
263 |
3.3158 |
Identities in flux:Memories of who we are. |
45 |
438 |
3.3158 |
Symbiosis in the Age of Groundlessness |
46 |
363 |
3.3056 |
In Your Neighborhood |
46 |
456 |
3.3056 |
LOCAL OASIS |
47 |
166 |
3.2973 |
Crossing a Daydream |
47 |
481 |
3.2973 |
Passagenwerk |
47 |
489 |
3.2973 |
Black and Indigenous Solidarity and Futurisms |
48 |
345 |
3.2895 |
Post-revolutionary terror |
48 |
526 |
3.2895 |
Action as Art |
49 |
381 |
3.2778 |
An Assembly of Worldly Conversations |
50 |
168 |
3.2703 |
Embodied |
51 |
228 |
3.2432 |
Ghostland (鬼å -working title) |
51 |
426 |
3.2432 |
Odds and Ðnds of Memory |
52 |
325 |
3.2368 |
She Performs: The Body |
52 |
443 |
3.2368 |
Patriarchy Over and Out: Discourse Made Manifest |
52 |
499 |
3.2368 |
#TinyHouse: inside/out outside/in |
53 |
145 |
3.2353 |
24/7 |
54 |
189 |
3.2353 |
Mass-Production-From truth and beauty to comfort and happiness. |
54 |
379 |
3.2353 |
Uchronia: In Search of Alternative Historical Methods |
54 |
403 |
3.2353 |
Camp fires: The body as a queer stage |
54 |
474 |
3.2353 |
Piazza Citta Bella |
54 |
484 |
3.2353 |
Black: Other |
54 |
508 |
3.2353 |
EPISTEMOLOGÃA VIBRATIL (Vibrational Epistemology) |
54 |
509 |
3.2353 |
Divided Nation; Denial Imagination |
54 |
516 |
3.2353 |
12 steps in 10 steps |
55 |
129 |
3.2286 |
Art as Radical Pedagogy |
56 |
259 |
3.2121 |
Accessible Futures |
56 |
324 |
3.2121 |
Rhizomes |
57 |
227 |
3.2105 |
We are all black |
58 |
110 |
3.2059 |
Transplant - remapping the boundaries of the self |
58 |
233 |
3.2059 |
Deforming consumerism |
58 |
316 |
3.2059 |
SAY IT LIKE YOU MEAN IT |
58 |
358 |
3.2059 |
Turkey's Small Trades |
58 |
455 |
3.2059 |
Lines |
58 |
477 |
3.2059 |
The Breath of Dust and Rocks: Dancing Sentient Matter in the Anthropocene |
59 |
269 |
3.1892 |
Rhizomatic Intimacy |
59 |
295 |
3.1892 |
PM 2.5 |
60 |
495 |
3.1818 |
Jack Ma No Baba |
60 |
498 |
3.1818 |
Staying Volcanic: States of Eruption |
61 |
115 |
3.1765 |
And Other Instruments: Decolonizing a Table |
61 |
128 |
3.1765 |
Place of Voice - Lugar de Voz |
61 |
151 |
3.1765 |
Killing with Kindness: White Saviors and False Promises in Global Circulation |
61 |
178 |
3.1765 |
Translation/Transmisión: Mexico City |
61 |
182 |
3.1765 |
PARALLEL : The Ramasun Station Art Trail |
61 |
191 |
3.1765 |
The Walls Tell No Lies |
61 |
279 |
3.1765 |
Early Years of Zippitydirtdada (working title) |
61 |
301 |
3.1765 |
The Archive of Places that Have Never Been |
61 |
322 |
3.1765 |
pseudodatada |
61 |
347 |
3.1765 |
I create, therefore I am |
61 |
397 |
3.1765 |
Kalunga Grande |
61 |
399 |
3.1765 |
Bad Advertising |
61 |
417 |
3.1765 |
Power of Doing Nothing |
61 |
467 |
3.1765 |
Live Action Role Play |
61 |
519 |
3.1765 |
Helios, The Sunny gaze |
61 |
521 |
3.1765 |
CCTV |
62 |
451 |
3.1515 |
CO-IMPLICATIONS |
63 |
176 |
3.1471 |
Craft Queered |
63 |
183 |
3.1471 |
Escort to Oblivion |
63 |
401 |
3.1471 |
The Modernist Metabolic |
63 |
433 |
3.1471 |
IMPERSON |
63 |
435 |
3.1471 |
Under the Coffee Coasters |
63 |
447 |
3.1471 |
Creativity of Practice in African Art |
63 |
465 |
3.1471 |
little, fragile, and so, free |
63 |
463 |
3.1471 |
ERTAD |
64 |
466 |
3.1429 |
Art Labyrinth |
65 |
232 |
3.1212 |
No vestige of a beginning, no prospect of an end* |
66 |
150 |
3.1176 |
Art in the wild |
66 |
218 |
3.1176 |
Repercussions at Play |
66 |
247 |
3.1176 |
Whatever Speculation |
66 |
471 |
3.1176 |
Healing Nature, Forgotten Nature |
66 |
479 |
3.1176 |
Silence is Broken |
67 |
374 |
3.0909 |
The Foreshore |
67 |
396 |
3.0909 |
Queering the Future: Arabfuturism |
67 |
448 |
3.0909 |
Flesh Trade: Sinking City |
68 |
161 |
3.0882 |
Mutual Periphery |
68 |
169 |
3.0882 |
Dirt Patch Heaven |
68 |
222 |
3.0882 |
Reclaiming My Place |
68 |
225 |
3.0882 |
Portrait of a Fig Tree |
68 |
248 |
3.0882 |
Minding Dirt |
68 |
255 |
3.0882 |
Humanity |
68 |
405 |
3.0882 |
Cairo Kitsch |
69 |
457 |
3.0606 |
Ephemeral Evidence |
70 |
119 |
3.0588 |
VITALIST MATERIALISM. Mining Life. |
70 |
172 |
3.0588 |
2 + 2 = MORE |
70 |
180 |
3.0588 |
Sound System Culture |
70 |
184 |
3.0588 |
Guineensis |
70 |
281 |
3.0588 |
Tents of Resistance |
70 |
336 |
3.0588 |
(Con)Currency |
70 |
360 |
3.0588 |
The emotional marry-go-round |
71 |
321 |
3.0303 |
La vita agra (It's a Hard Life) |
72 |
171 |
3.0294 |
Exploration of the Equatorial Regions, from the Napo to the Amazon River |
72 |
364 |
3.0294 |
Floating |
73 |
193 |
3 |
Communal Alzheimer |
73 |
208 |
3 |
Altered Lands |
73 |
274 |
3 |
The place I want to be (in) |
73 |
407 |
3 |
A ship is a metaphor of an island separated from a continent. To the beginning the Atomic Bomb and N |
73 |
425 |
3 |
The Belt and Road 2049 |
73 |
446 |
3 |
Terraforma |
74 |
133 |
2.9706 |
Skewed conversation |
74 |
244 |
2.9706 |
In the same breath. Holy coincidences & meaningful simultaneities |
75 |
142 |
2.9697 |
Wages War Faces of African Women |
75 |
298 |
2.9697 |
(In)Space @V&A: That's my heirloom! |
76 |
196 |
2.9375 |
Made in Taiwan |
76 |
382 |
2.9375 |
Sult Purification |
76 |
393 |
2.9375 |
The Newspaper Stand is Lagos' Version of the Parliament |
76 |
429 |
2.9375 |
Decolonising the collection. Notes on a lost empire |
77 |
304 |
2.9355 |
Osteria |
77 |
452 |
2.9355 |
Endgame |
78 |
431 |
2.9333 |
Where Ends Meet |
79 |
289 |
2.931 |
Colony of Capital |
80 |
213 |
2.9286 |
BOUNDARY STREET (I) : no.1 - 71 |
81 |
143 |
2.9259 |
IN-SIDE (3x3x3) |
81 |
278 |
2.9259 |
Exploring Digital Spaces of Community |
81 |
357 |
2.9259 |
Ãç Vakte Kadar |
82 |
317 |
2.9231 |
Giving Offense: Impolitical Nationalism(s). |
82 |
459 |
2.9231 |
NEO EXTRA ACTIVISM |
83 |
104 |
2.92 |
I wonder if the five of us would've been friends in real life |
83 |
121 |
2.92 |
The Third Pill |
83 |
155 |
2.92 |
GOD from the MACHINE |
83 |
158 |
2.92 |
Pascualitas de hoy (Todayâs Pascualitas) |
83 |
177 |
2.92 |
The Food Diplomacy: Makan Ngga Makan Asal Kumpul |
83 |
186 |
2.92 |
FONT |
83 |
230 |
2.92 |
Happenings of Miscommunication |
83 |
256 |
2.92 |
you i everything else . . . . . . . . . . . . . . |
83 |
294 |
2.92 |
Propagandism4Good |
83 |
416 |
2.92 |
Hybrid Memory |
83 |
419 |
2.92 |
The Double Breasted |
83 |
461 |
2.92 |
Azure Depression |
83 |
473 |
2.92 |
It is about reality |
83 |
490 |
2.92 |
Automatic Lover |
84 |
475 |
2.9063 |
Let's Get Physical |
85 |
478 |
2.9 |
OUR SPA |
86 |
377 |
2.8966 |
Probing Anthropocene |
87 |
375 |
2.8929 |
The real citizen |
88 |
165 |
2.8846 |
Queer & Arab â critical perspectives on male homosexuality and Orientalism |
88 |
437 |
2.8846 |
Spoil Island |
89 |
127 |
2.88 |
High Treason |
89 |
141 |
2.88 |
The Sunken Gardens |
89 |
306 |
2.88 |
Naked State |
89 |
307 |
2.88 |
Searching for the Miraculous |
89 |
320 |
2.88 |
Learning from something |
89 |
383 |
2.88 |
Archiving the Future |
89 |
413 |
2.88 |
Order and Liberty (Liberty and Order are the words that are displayed on the national coat of the R |
89 |
522 |
2.88 |
Emanuel's Middle Finger |
89 |
531 |
2.88 |
Bad Omen - Golems of Today |
90 |
199 |
2.8462 |
Other Uses for (An)Other |
91 |
242 |
2.84 |
I AM NOT WHAT YOU THINK I AM (OR, EVERY OBJECT EXISTS IN ITS OWN SHADOW) |
91 |
251 |
2.84 |
Footnote |
91 |
337 |
2.84 |
Safe, between the covers (?) |
91 |
339 |
2.84 |
Call Them by Their True Names |
91 |
395 |
2.84 |
Floating Cities |
91 |
408 |
2.84 |
Ghost and Place |
91 |
439 |
2.84 |
immunity/immunity |
91 |
530 |
2.84 |
Remaining Aloft |
92 |
148 |
2.8 |
Spark not a spark |
92 |
346 |
2.8 |
Corpus separatum |
92 |
378 |
2.8 |
Imagination is a Territory of its Own |
92 |
415 |
2.8 |
Tiger in Space |
92 |
476 |
2.8 |
DUVALIERVILLE | THE BLACK DOG OF CIVIC SPACE |
93 |
356 |
2.7692 |
Body Politics |
94 |
157 |
2.76 |
Sense and Masculinity |
94 |
290 |
2.76 |
Life Monitor: Art and the city |
94 |
302 |
2.76 |
A FABLE OF THE WARRIOR AND THE CAPTIVE |
94 |
507 |
2.76 |
Pretension of Becoming |
95 |
303 |
2.7391 |
Sin 2100 |
95 |
488 |
2.7391 |
This is the last cry before eternal silence |
95 |
496 |
2.7391 |
BACK TO BABYLON |
96 |
432 |
2.7308 |
Mass Customization |
97 |
311 |
2.7273 |
The Joyful Melody of The Cyborg |
97 |
491 |
2.7273 |
The origin is no(w)here |
98 |
351 |
2.72 |
The unbearable power of the untraceable feelings. |
99 |
112 |
2.7143 |
HOLY SUSPENSION - A THIRD TEMPLE |
99 |
113 |
2.7143 |
Beginning of a Century |
99 |
162 |
2.7143 |
Animal Early Warning Systems |
99 |
197 |
2.7143 |
EXOTIC MARS |
99 |
212 |
2.7143 |
Feels Like 97° |
99 |
261 |
2.7143 |
ifâ¦thenâ¦else(where) |
99 |
299 |
2.7143 |
From the Wilderness, with Love |
99 |
332 |
2.7143 |
Slippage |
99 |
373 |
2.7143 |
The Uncanny Experience |
99 |
389 |
2.7143 |
Sustainable Allusions |
99 |
400 |
2.7143 |
DOR VA DOR - From generation to generation |
100 |
486 |
2.6957 |
temps mort |
101 |
203 |
2.6667 |
Subverted Grounds: Alternative Architectures & Ecologies, or Someday Weâll All Be Free |
101 |
250 |
2.6667 |
Desperate shamans or the illusion of control |
101 |
219 |
2.6667 |
Concrete Dreams: the Invisible History |
101 |
254 |
2.6667 |
Save Our Souls & Bodies |
101 |
310 |
2.6667 |
Cult(ure, tivation) |
101 |
352 |
2.6667 |
How to Separate Truth from Illusion? |
101 |
460 |
2.6667 |
Piece Yourselves Together |
102 |
146 |
2.619 |
Raise Your Flag [Declare Independence] |
102 |
205 |
2.619 |
Reality Matters |
102 |
287 |
2.619 |
Could be Urbanism? | शायद शहरॠहॠ? |
102 |
305 |
2.619 |
INDEXTRICITY |
102 |
386 |
2.619 |
Tracing Livelihood after Utopia |
102 |
444 |
2.619 |
On being healthy, horny and rebellious: tales of greekness |
102 |
468 |
2.619 |
New Poetics of Labor (working title) |
103 |
102 |
2.5882 |
fake it till you make it |
103 |
111 |
2.5882 |
BIZARRE COLUMNS. The COlumns are Back in Town. |
103 |
164 |
2.5882 |
A portrait of the AI as a young algorithm |
103 |
257 |
2.5882 |
An Almost Island |
103 |
284 |
2.5882 |
Birthright: The Politics of the Reproductive System |
103 |
293 |
2.5882 |
Merely By Being There |
103 |
370 |
2.5882 |
Material Dialogues |
103 |
387 |
2.5882 |
Private Song, Algorithm and Database |
103 |
394 |
2.5882 |
With every bowel movement shadows cast and align |
103 |
428 |
2.5882 |
Governance 2.0 |
103 |
501 |
2.5882 |
Bridges of Truth |
103 |
502 |
2.5882 |
Holding Together |
103 |
524 |
2.5882 |
Persistance of the ephemeral |
104 |
371 |
2.5789 |
Smart Phone-booth. Artworks around the esoteric tradition of the booth. |
104 |
440 |
2.5789 |
The observers of the stones |
104 |
458 |
2.5789 |
Perspectives on trade / Warsaw |
105 |
181 |
2.5714 |
Faccia a Faccia |
106 |
131 |
2.5625 |
First Exhibtion of the World |
106 |
198 |
2.5625 |
An Artificial Future |
106 |
229 |
2.5625 |
History is Hysterical. History is What Hurts. |
106 |
237 |
2.5625 |
E-Mortality: Digital Technology and Immortalization |
106 |
330 |
2.5625 |
Geographies of the Past/Present |
106 |
361 |
2.5625 |
Real & Imagined |
107 |
118 |
2.5556 |
PANERA FESTIVAL |
107 |
384 |
2.5556 |
Background modes |
107 |
450 |
2.5556 |
This Is A Conversation. Thank You. |
108 |
114 |
2.5294 |
Hshuma |
108 |
134 |
2.5294 |
A SENSE OF PLACE: RE-IMAGINING POSTCARDS |
108 |
204 |
2.5294 |
Reforming the Social: Private Utopias and Public Space |
108 |
253 |
2.5294 |
The city in several dimensions |
108 |
276 |
2.5294 |
Good Measure Collected |
108 |
362 |
2.5294 |
Day and Night will Never Cease |
108 |
442 |
2.5294 |
Contiguity and incompleteness |
109 |
410 |
2.5263 |
Club Love |
110 |
327 |
2.5238 |
The Inhuman That Therefore I Am |
111 |
105 |
2.5 |
CLASSICAL REPRESENTATION OF HUMAN BODIES IN CONTEMPORARY CULTURE |
111 |
333 |
2.5 |
ZAPADORES The new voices of art |
111 |
513 |
2.5 |
Lexotan 6mg |
112 |
117 |
2.4706 |
Pharmac(it)y: A Pharmacy in the city or The City of Medicine |
112 |
156 |
2.4706 |
The Observatory of Strange Things |
112 |
190 |
2.4706 |
HEX-PATS |
112 |
209 |
2.4706 |
Extra Limen |
112 |
231 |
2.4706 |
Through my eyes |
112 |
267 |
2.4706 |
Bivacco (Bivouac) |
112 |
285 |
2.4706 |
Plastic Ark |
112 |
292 |
2.4706 |
Migration - Malaysian |
112 |
348 |
2.4706 |
Inside of every blasphemer exists a garden |
112 |
492 |
2.4706 |
The Nomadic Sea |
112 |
514 |
2.4706 |
not here to win |
112 |
517 |
2.4706 |
Supercity, The end of the old values, the dawn of difference. Divergence or Decadence? |
113 |
206 |
2.4375 |
The Unpredicted Future: The Collapse of Limits |
113 |
245 |
2.4375 |
BALKANS - EAST COAST / WEST COAST |
113 |
315 |
2.4375 |
Spunkt Art Now |
113 |
385 |
2.4375 |
archetype |
113 |
470 |
2.4375 |
PIRACEMA â a conversation on postcolonial fluxes and decolonization |
114 |
109 |
2.4118 |
Disorder of Desire |
115 |
275 |
2.375 |
ANTI-MASS |
116 |
167 |
2.3529 |
Seed: main human message. An untold story of mess age |
116 |
207 |
2.3529 |
Desire Paths |
116 |
243 |
2.3529 |
Monument VS Sound |
116 |
297 |
2.3529 |
Rupture |
116 |
366 |
2.3529 |
Anonymous is the answer |
116 |
372 |
2.3529 |
Invisible Traces |
116 |
376 |
2.3529 |
UGLIFICATION |
116 |
414 |
2.3529 |
#Re-fashioning the Internet |
117 |
500 |
2.3125 |
Tides of Change |
118 |
163 |
2.2941 |
Art can make sadden, art can make hurt you |
118 |
265 |
2.2941 |
Protopia & Al: Symbiosis with non-human |
119 |
359 |
2.25 |
Four Bricks of Anthropocene: dot, comma, dot and you! |
119 |
493 |
2.25 |
Invisible as a whole |
120 |
138 |
2.2353 |
Shouting At the Desert |
120 |
335 |
2.2353 |
«Flying Holes» or «Follow the wires!» |
121 |
124 |
2.1875 |
The Means of Produxxxion |
121 |
187 |
2.1875 |
Exhibition of the world's first Museum of Animal Art |
121 |
260 |
2.1875 |
⦠and so, the temples ruins became mountains. |
121 |
430 |
2.1875 |
Radical Moderation |
122 |
108 |
2.1765 |
untitled |
123 |
122 |
2.125 |
The contradictions of fragility |
124 |
246 |
2.0588 |
Bread / Body |
125 |
137 |
2 |
Working title â You Are My Isaac (meaning of Isaac- He laughs/He will laugh) |
126 |
515 |
1.9375 |
Tat Tvam Asi: Reimaging Oneness |
127 |
135 |
1.8824 |
Buñuel. Transposition. Vivisection method |
128 |
528 |
1.875 |
Afterlife |
129 |
342 |
1.6471 |
Unfinished Sentence |