Rank |
ID |
Score |
Title |
1 |
452 |
4.0192 |
Re-imaging Futures: A Trans-Nigerian Conversation |
2 |
360 |
3.8491 |
System Failure |
3 |
473 |
3.7692 |
Regimes of Truth |
4 |
621 |
3.75 |
Resisting Paradise |
5 |
572 |
3.7358 |
Maps of a Ghost Town |
6 |
485 |
3.717 |
LEAVE NO TRACES {EXCEPT GROWTH} |
6 |
631 |
3.717 |
Null |
7 |
169 |
3.7115 |
Surfing the Swamp |
7 |
365 |
3.7115 |
You Don't Need Eyes to See, You Need Vision |
8 |
531 |
3.7037 |
Sink Without Trace |
9 |
439 |
3.6923 |
Divergence, Convergence |
9 |
482 |
3.6923 |
America's Gun Fetish |
10 |
455 |
3.6731 |
Inner Inner-Mongolia |
10 |
639 |
3.6731 |
Looking Back: My Home is Not a Suitcase |
11 |
444 |
3.6604 |
Remember This House |
12 |
590 |
3.6538 |
Asleep sages |
12 |
595 |
3.6538 |
Mountains Beyond Mountains: Restoration Liberation |
13 |
472 |
3.6364 |
#Shit#Hole#Eden |
14 |
426 |
3.6346 |
I'm New Here |
14 |
612 |
3.6346 |
Earth's Breath |
15 |
217 |
3.6154 |
Smother |
15 |
246 |
3.6154 |
Lewech |
15 |
553 |
3.6154 |
Not Yet Consensual |
16 |
232 |
3.6038 |
"Shadow Visions" |
17 |
107 |
3.5849 |
Guest Rooms |
18 |
205 |
3.5769 |
When the universe froze into ghostly skeins |
18 |
367 |
3.5769 |
Fracked Forest |
18 |
656 |
3.5769 |
New Culture Revival |
19 |
603 |
3.566 |
Museum for the Refugee |
20 |
331 |
3.5577 |
lycosa femminista tarantula |
20 |
449 |
3.5577 |
Kazaktionism |
20 |
583 |
3.5577 |
Trace Evidence |
20 |
614 |
3.5577 |
"New In! Free Shipping!" - Presenting the Absent Body |
21 |
438 |
3.5472 |
Designed Howlings |
21 |
653 |
3.5472 |
Hey, haven't you heard? You have the right to make a move |
22 |
316 |
3.5385 |
Art+IT: Free Trade Between Zones |
22 |
663 |
3.5385 |
Press Escape |
23 |
250 |
3.5283 |
Cognitive Sensations: Adapting in the Age of Distraction |
24 |
353 |
3.5 |
Down with the freaks! |
24 |
567 |
3.5 |
We'll Bake The Bread If We Have To |
24 |
575 |
3.5 |
SOLETE |
25 |
372 |
3.4808 |
Today, I Call Waris Shah |
26 |
213 |
3.4615 |
Arkheia |
26 |
500 |
3.4615 |
One Hundred Years of Grand Delusions |
26 |
576 |
3.4615 |
Corpus Separatum |
27 |
294 |
3.4423 |
Competitive Empathy |
27 |
313 |
3.4423 |
Mind the Urban Matters |
27 |
570 |
3.4423 |
Take Care Now |
27 |
571 |
3.4423 |
I knew before the internet |
27 |
609 |
3.4423 |
A chuva não virá |
28 |
431 |
3.434 |
Inhabit |
29 |
227 |
3.4231 |
CU-ULTURE AND TRADITION: SAME EXPERIENCE, DIFFERENT LOCAL |
29 |
350 |
3.4231 |
Entry Point Zero |
29 |
522 |
3.4231 |
Trembling City - present memories |
30 |
160 |
3.4038 |
Doing Absolutely Nothing at All |
30 |
207 |
3.4038 |
Borderflow |
30 |
409 |
3.4038 |
The Most Beautiful Catastrophe |
30 |
630 |
3.4038 |
The Falsity of the True Catalogue |
30 |
660 |
3.4038 |
Entanglement |
31 |
203 |
3.3962 |
Folding of the Earth |
32 |
170 |
3.3846 |
Homeward: a recollection, a return, a rumination |
32 |
292 |
3.3846 |
Echoing from a Mountain Stronghold |
32 |
388 |
3.3846 |
On The Edge of Normal... |
32 |
389 |
3.3846 |
THE SPACE IN BETWEEN (how does it feel to be a migrant?) |
33 |
251 |
3.3654 |
Mare Nostrum |
33 |
278 |
3.3654 |
Transcendental Practices |
33 |
337 |
3.3654 |
Never Spoken Again: Rogue Stories (of Science) From the Modern South |
34 |
450 |
3.3585 |
palm, palm, palmar |
35 |
287 |
3.3269 |
Tales of Mal Arrimo |
36 |
214 |
3.3019 |
Icebergs and the weight of time |
37 |
345 |
3.2979 |
IASIS |
38 |
132 |
3.2973 |
Deconstruction: the border |
38 |
405 |
3.2973 |
Low Entertainment |
38 |
470 |
3.2973 |
DIGI-MENA: DIGI-MENA: “U can see me†|
38 |
530 |
3.2973 |
BEE MEETING |
38 |
582 |
3.2973 |
Far away, so close |
39 |
249 |
3.2955 |
Offline Connection |
39 |
440 |
3.2955 |
Haft Peykar |
39 |
579 |
3.2955 |
Phase in Vibration |
40 |
581 |
3.2927 |
Bergenline Art Journey |
40 |
627 |
3.2927 |
Not In My Backyard |
41 |
105 |
3.2857 |
Night and Day |
41 |
453 |
3.2857 |
CAVE |
42 |
515 |
3.2826 |
The Last Island |
43 |
511 |
3.2821 |
The Practiced Space |
44 |
501 |
3.2791 |
Phantom Limb |
45 |
619 |
3.2778 |
H24 |
46 |
285 |
3.2766 |
LatinCH: Switzerland / LA |
47 |
209 |
3.2727 |
Truth to Power |
48 |
236 |
3.2703 |
City of Transition |
48 |
346 |
3.2703 |
Zăo Táng |
48 |
349 |
3.2703 |
Nothing to be done |
48 |
385 |
3.2703 |
Look up |
48 |
392 |
3.2703 |
Superfluous |
48 |
418 |
3.2703 |
Don't Take This Lying Down |
48 |
427 |
3.2703 |
Her Body And Other Stories |
48 |
503 |
3.2703 |
Take over. The city is mine |
49 |
309 |
3.2632 |
Giving Offence: Arresting Rudeness and National Identity After 1989. |
49 |
336 |
3.2632 |
'Kijkdag', kijk dan |
49 |
351 |
3.2432 |
Narrow Space |
49 |
358 |
3.2432 |
Palermo Playground |
50 |
128 |
3.1944 |
The Break(ing) of the Passage |
50 |
359 |
3.1944 |
Primitive and Nuclear |
51 |
456 |
3.1935 |
OF ROYALTY |
52 |
137 |
3.1923 |
I Am In Nepal? Now |
52 |
163 |
3.1923 |
In einem fernen, fernen Land (In a country far far away) |
52 |
256 |
3.1923 |
Landscapes of communism |
52 |
341 |
3.1923 |
Pharmac(it)y: A Pharmacy in the city or The City of Medicine |
52 |
412 |
3.1923 |
co-exist |
52 |
518 |
3.1923 |
We Used to Have a Forest |
52 |
537 |
3.1923 |
Art under Arrest. Rehabilitation. |
53 |
281 |
3.1875 |
Synergistic Symphonies (Mind Mirrors) |
54 |
122 |
3.1852 |
The Afterlife of a Day (Endless) |
54 |
402 |
3.1852 |
Uncanny Nation |
54 |
443 |
3.1852 |
A is for... Acclimate, Adjust, Adapt, Alter, Assimilate |
55 |
433 |
3.1818 |
Water Project: the land on the water |
55 |
492 |
3.1818 |
Alternative Facts |
55 |
655 |
3.1818 |
Sell Out |
56 |
129 |
3.1786 |
The Cyborg Squared: A meta-exhibit |
56 |
265 |
3.1786 |
TERMINAL: A Tale of Unplanned Obsolescence |
56 |
600 |
3.1786 |
Piramida: Its complicated, but not that complicated |
57 |
244 |
3.1765 |
The Vietnam War and Its Aftermath: Narratives from the Diaspora |
57 |
479 |
3.1765 |
Fearless mermaids: the case of Bombay's sea women |
57 |
490 |
3.1765 |
Traces of fingerprints |
57 |
585 |
3.1765 |
Infinite Forms - Water as Medium: Thale's Primary Principal |
58 |
362 |
3.1724 |
IXTAB |
58 |
397 |
3.1724 |
'People who do not know their past, have no future' |
59 |
618 |
3.1714 |
Ilaa Shalay/Siden igr/Since Yesterday |
60 |
110 |
3.1667 |
The Color of Change is Invisible |
60 |
377 |
3.1667 |
Haznos el Milagro (Make us the Miracle) |
60 |
379 |
3.1667 |
Border to Landscape |
61 |
314 |
3.1613 |
Dark Fields |
62 |
371 |
3.16 |
Dis-integrations |
62 |
419 |
3.16 |
Causal Pleasure |
62 |
524 |
3.16 |
title TBA |
62 |
563 |
3.16 |
Saving Absent Waters |
63 |
245 |
3.1538 |
Counting by Wing, and by Feather |
63 |
273 |
3.1538 |
Alternative Truths:the Cotswolds |
63 |
276 |
3.1538 |
Unreal Estates |
63 |
364 |
3.1538 |
Division of Labour |
63 |
424 |
3.1538 |
The Brought In (????????) |
63 |
648 |
3.1538 |
Democracy |
64 |
164 |
3.1515 |
On Droit |
64 |
441 |
3.1515 |
Windows of Tomorrows |
65 |
267 |
3.1471 |
Me and City Hurt each other. |
65 |
436 |
3.1471 |
Transumanza: TransHumance |
66 |
151 |
3.12 |
Permacultura |
66 |
333 |
3.12 |
The Insignia of Territory |
66 |
430 |
3.12 |
Gianni Rodari and the magination of an Impossible Reality |
66 |
464 |
3.12 |
recruiting empathy |
66 |
499 |
3.12 |
The Mirror Never Lies |
66 |
632 |
3.12 |
Dominican History Lesson |
67 |
104 |
3.0952 |
Make art not war, or We have met the enemy and the enemy is us |
67 |
219 |
3.0952 |
Millennium Doom |
67 |
280 |
3.0952 |
Impossible past |
67 |
305 |
3.0952 |
Family Affair, Change the Air |
67 |
306 |
3.0952 |
voices |
67 |
311 |
3.0952 |
Eat Them Up, Yum: Food, Agriculture, Pollution, and Sex in the Heartland |
67 |
387 |
3.0952 |
Conversations in Shadow Architecture |
67 |
535 |
3.0952 |
The unseen is unseen (Ghaib itu ghaib) |
67 |
544 |
3.0952 |
It is not about us. |
67 |
593 |
3.0952 |
The Body-ness of Being |
67 |
637 |
3.0952 |
summer camp |
67 |
643 |
3.0952 |
NUISANCE FLOODING |
67 |
647 |
3.0952 |
Off The Grid |
68 |
257 |
3.0909 |
The 55th Exhibition |
68 |
446 |
3.0909 |
What Do You See? |
68 |
477 |
3.0909 |
Screen-sation! |
68 |
489 |
3.0909 |
MU-EON DA-EON / From Speechlessness to Polyphony |
68 |
508 |
3.0909 |
Urban Architecture |
68 |
588 |
3.0909 |
glitched, the sirens de-faulted |
69 |
154 |
3.087 |
Not Only a Portal to Hell, But Also to Paradise: Zaryadye Park, The Sacred Centre of Late Putinist |
69 |
175 |
3.087 |
|
69 |
274 |
3.087 |
The Body To Come |
69 |
304 |
3.087 |
Female Space |
69 |
509 |
3.087 |
In Praise of Sleep |
69 |
607 |
3.087 |
Notes on Gesture |
70 |
496 |
3.0833 |
DUVALIERVILLE : THE BLACK DOG OF CIVIC SPACE |
71 |
195 |
3.08 |
ZUMU / Zuz Museum |
72 |
123 |
3.05 |
CAMPO CONSTRUCCION |
72 |
148 |
3.05 |
And Other Instruments: Decolonizing a Table |
72 |
187 |
3.05 |
"All wars have already been canceled" |
72 |
201 |
3.05 |
Re-iterations. Poetics of repetition and circularity |
72 |
208 |
3.05 |
BELONGING AND OWNERSHIP |
72 |
218 |
3.05 |
How long is temporary? |
72 |
225 |
3.05 |
Anti-Pavilion |
72 |
271 |
3.05 |
Observe Yourself, being watched |
72 |
279 |
3.05 |
Ecology in Decline |
72 |
283 |
3.05 |
The Maps Fall Altogether |
72 |
284 |
3.05 |
Whatever Speculation |
72 |
317 |
3.05 |
Post-Body Feelings |
72 |
318 |
3.05 |
Trace the Origin |
72 |
321 |
3.05 |
Sane in Insane Places |
72 |
328 |
3.05 |
We are going home |
72 |
334 |
3.05 |
Cold War Remains |
72 |
378 |
3.05 |
First Day at School |
72 |
414 |
3.05 |
A Likeness |
72 |
416 |
3.05 |
DECOLONIZING HUMBOLDT |
72 |
476 |
3.05 |
Neverlasting: Contemporary Ephemeral Art of the Middle East, North Africa, and South Asia |
72 |
507 |
3.05 |
Bus Roots VRV - The Road Trip (Ameca, Jalisco, Mexico) |
72 |
514 |
3.05 |
STRANGE MAIL: Archiving Ray, Edgardo, Jean, and Carlo |
72 |
517 |
3.05 |
Strategies Toward Emancipation: Transatlantic Movement |
72 |
523 |
3.05 |
1968 -2018 (Where there was fire ashes remain) On the occasion of Tucuman Arde 50th anniversary |
72 |
547 |
3.05 |
You're Not A(Lone) Star |
72 |
569 |
3.05 |
Constructing Satisfaction: Ophelia Rolls Her Eyes |
72 |
605 |
3.05 |
Feminist creating waves and beyond |
72 |
649 |
3.05 |
Each a Score, Variation i |
73 |
221 |
3.0476 |
Tempi - Traces |
73 |
222 |
3.0476 |
What Makes You Who You Are |
73 |
289 |
3.0476 |
CREATIVE MYTHOLOGY |
73 |
342 |
3.0476 |
The Tomorrow's Past |
73 |
407 |
3.0476 |
HUMANS |
73 |
468 |
3.0476 |
Sick and Desiring: Artists Subvert the Medical Gaze |
73 |
568 |
3.0476 |
Under the gaze of Medusa |
74 |
584 |
3.0455 |
Wasteland Wonders |
75 |
323 |
3.0435 |
Under The Perfect Canopy |
75 |
361 |
3.0435 |
Queer/ing: from Present to Futures |
75 |
493 |
3.0435 |
Potos퀌_ High Times - The beginning of capitalism |
76 |
192 |
3.0417 |
Side by Side |
77 |
126 |
3 |
Otopsi: Art After the End of Art |
77 |
136 |
3 |
Excavation Mark! // Reveal Preserve Glorify |
77 |
157 |
3 |
Stumble Chicago |
77 |
159 |
3 |
Estrat'gias fronterizas (Or See no evil, hear no evil, do no evil) |
77 |
162 |
3 |
Rag Picking |
77 |
188 |
3 |
I Don't Write without Artificial Light |
77 |
190 |
3 |
#NAME? |
77 |
229 |
3 |
Culture Hustlers: Artists Minding Their Business |
77 |
247 |
3 |
Home of the Future (Gone) |
77 |
286 |
3 |
FUTURE PRIMITIVE |
77 |
291 |
3 |
Zero-Sum |
77 |
297 |
3 |
3rd i |
77 |
355 |
3 |
Holiday in Other People's Misery |
77 |
458 |
3 |
SCHWELLEN: THE PERFORMATIVITY OF THE THRESHOLD |
77 |
481 |
3 |
QUEER INTIMACY the-thing-that-is-not-yet-imagined |
77 |
538 |
3 |
THE WORD SPEAKS OF THE IMAGE, WHICH IN TURN SPEAKS OF THE WORD |
77 |
558 |
3 |
ELISA |
77 |
592 |
3 |
the future of your teaching is the past of our learning |
77 |
604 |
3 |
Jamais teremos sido, e ponto final (we will never have been, period) |
77 |
615 |
3 |
Clinging |
77 |
616 |
3 |
Given Circumstance |
77 |
641 |
3 |
I don't care if you're going nowhere - Just take good care of the world |
78 |
301 |
2.9524 |
Waste and Want |
79 |
135 |
2.95 |
Take A Seat |
79 |
139 |
2.95 |
Solitude (On Fading Lives) |
79 |
152 |
2.95 |
INFINITE LABOR OF THE COSMIC RACE |
79 |
172 |
2.95 |
A Bad Neighbor |
79 |
174 |
2.95 |
Beyond Qafila Thania: The impossibility of perceiving is already a perception. |
79 |
206 |
2.95 |
Generically Modified |
79 |
445 |
2.95 |
# Me Too |
79 |
491 |
2.95 |
This ability heals you |
79 |
512 |
2.95 |
Orbitittyal Vaginassets |
79 |
526 |
2.95 |
Trans-cultural Roatan |
79 |
555 |
2.95 |
Emergency Protocols |
79 |
577 |
2.95 |
Our Bodies, Other Selves |
79 |
617 |
2.95 |
Sunday Painter |
79 |
634 |
2.95 |
Out Between |
80 |
299 |
2.9048 |
Natchez |
80 |
448 |
2.9048 |
Between Affinity and Lack |
80 |
611 |
2.9048 |
FALO |
81 |
131 |
2.9 |
our feminine place |
81 |
356 |
2.9 |
Transitioning Towards Mega |
81 |
398 |
2.9 |
Under the Bed |
81 |
410 |
2.9 |
Animals in Space: A Collective Memoir |
81 |
539 |
2.9 |
Nothing is finished |
81 |
543 |
2.9 |
Materials of Changes (working title- after Cage's Music of Changes) |
81 |
597 |
2.9 |
Returning to Athens |
81 |
606 |
2.9 |
Bibliomania |
81 |
610 |
2.9 |
Pura Vida |
81 |
623 |
2.9 |
Future Tao |
81 |
661 |
2.9 |
A New Magic: Words and Rituals |
82 |
186 |
2.85 |
Figuring an Absent Ground: Transitions in Algerian Painting |
82 |
248 |
2.85 |
We Are |
82 |
303 |
2.85 |
idiot world |
82 |
348 |
2.85 |
Fluid Desires |
82 |
422 |
2.85 |
Havana 2.018 |
82 |
475 |
2.85 |
Where Are You From? |
82 |
536 |
2.85 |
Transintimacy |
82 |
560 |
2.85 |
Dread |
82 |
565 |
2.85 |
Sublime Today? |
83 |
167 |
2.8 |
Hazte hombre! (be a man) |
83 |
290 |
2.8 |
I Am Because We Are |
83 |
343 |
2.8 |
Fear of Out-smarter |
83 |
415 |
2.8 |
'The Old Glory' of 'Gen Z' |
83 |
625 |
2.8 |
Axiom |
84 |
113 |
2.7895 |
MEATSPACE* |
84 |
344 |
2.7895 |
MAN-UFactory |
84 |
457 |
2.7895 |
Collective Voices |
84 |
532 |
2.7895 |
EL COTILLO... BEYOND TOURISM |
84 |
635 |
2.7895 |
Sowing Seams |
84 |
651 |
2.7895 |
The future is none! |
85 |
130 |
2.7778 |
A Solar Umbrella |
85 |
254 |
2.7778 |
TR Pavilion |
85 |
269 |
2.7778 |
Story Board: We Did It For The Griots |
85 |
339 |
2.7778 |
The Other Bodies |
85 |
354 |
2.7778 |
Into the Rainbow |
85 |
383 |
2.7778 |
Arte Menor |
85 |
390 |
2.7778 |
Austral (Objects of Action) |
85 |
395 |
2.7778 |
Table Talk |
85 |
428 |
2.7778 |
Not Another Aesop Romance |
85 |
434 |
2.7778 |
Power and Presence |
85 |
480 |
2.7778 |
An-electro domesticity |
85 |
559 |
2.7778 |
Unlocking the Door |
85 |
608 |
2.7778 |
We the Historians |
85 |
657 |
2.7778 |
Una Resurrecci퀌_n de Ambiente |
86 |
111 |
2.7647 |
Other Uses for (An)Other |
86 |
322 |
2.7647 |
Urban Art Mosh !, South American urban art sticker exhibition. |
86 |
442 |
2.7647 |
Fragments of Resistance and Resilience: An exploration of artist-run centres in Montreal |
86 |
495 |
2.7647 |
Asmara. Identity |
86 |
520 |
2.7647 |
Calling Justice |
86 |
564 |
2.7647 |
Un/masking the Maverick |
86 |
601 |
2.7647 |
#NAME? |
86 |
602 |
2.7647 |
There is a limit to my soil |
86 |
628 |
2.7647 |
Voices of Dissent: Activism in Miami, Then and Now |
86 |
629 |
2.7647 |
Creating Queer Afro-Asian Futures |
87 |
646 |
2.75 |
Autobiographies in Harmony |
88 |
642 |
2.7368 |
DYSEMBODIMENT v.2 |
89 |
153 |
2.7222 |
Canyons, Crevices, Slits, Holes, and Voids: Feminist Art in the Age of Trump |
89 |
215 |
2.7222 |
Trumparade (Welcome to Reality) |
89 |
288 |
2.7222 |
Defining the Future (The Oracle) |
89 |
347 |
2.7222 |
BUILDINGS AROUND US THAT WE DO NOT SEE |
89 |
382 |
2.7222 |
Viaducts - paths toward a tangible form of discourse |
89 |
391 |
2.7222 |
Private Passion for the Public Good |
89 |
393 |
2.7222 |
Window Watching: People.Place.Perspective |
89 |
401 |
2.7222 |
Perfect Fit |
89 |
420 |
2.7222 |
Archipielago |
89 |
525 |
2.7222 |
Poduyane |
89 |
533 |
2.7222 |
Cardboard Späti |
89 |
540 |
2.7222 |
Feels Right |
89 |
598 |
2.7222 |
What's Queer About Queer Art |
90 |
264 |
2.7059 |
Humanity and Horticulture |
90 |
376 |
2.7059 |
Do not think you have to be sad in order to be militant |
90 |
484 |
2.7059 |
Stark room with only art works |
90 |
487 |
2.7059 |
Fiat Lux-Let There Be Light |
90 |
599 |
2.7059 |
The Road Home |
90 |
645 |
2.7059 |
"kandanda / Kabumbu" Soka Narratives |
91 |
234 |
2.6842 |
RealFake (working title) |
92 |
133 |
2.6667 |
Then I heard them calling us back |
92 |
161 |
2.6667 |
Unmistakably White |
92 |
171 |
2.6667 |
Nowhere Queer Contemporary Art Festival |
92 |
230 |
2.6667 |
Transmigration |
92 |
235 |
2.6667 |
Gyre: The Re-Enchantment of the World |
92 |
282 |
2.6667 |
Decolonizing Machines by Latin American Electronic Literature |
92 |
293 |
2.6667 |
Solitudes and seasons |
92 |
315 |
2.6667 |
Neither Here nor There |
92 |
352 |
2.6667 |
Paths appear in places where there were no roads before |
92 |
437 |
2.6667 |
Common Thread: A Tapestry of Stories |
92 |
466 |
2.6667 |
Let Me Out but Let Me In |
92 |
469 |
2.6667 |
Miniature 2.0 |
92 |
483 |
2.6667 |
A Cat with Only Three Legs |
92 |
506 |
2.6667 |
Botchworks: An AI-co-authored Exhibition |
92 |
556 |
2.6667 |
2100 |
92 |
562 |
2.6667 |
DUSK VS DAWN : A CRISIS AMONG OTHERS |
92 |
587 |
2.6667 |
The Eye-Catchers |
92 |
658 |
2.6667 |
To bear witness to the witness |
93 |
102 |
2.6471 |
Collide-O-Scope |
93 |
127 |
2.6471 |
The Social ME(dia) |
93 |
400 |
2.6471 |
Dystopian Tropic, Pyramids over swamps. |
93 |
421 |
2.6471 |
(Re)Claim |
93 |
502 |
2.6471 |
Festival Fuerza del Desierto |
93 |
594 |
2.6471 |
Co-Op Pop-Up |
93 |
652 |
2.6471 |
Risk Models |
94 |
114 |
2.6111 |
Attachments |
94 |
138 |
2.6111 |
TESALA |
94 |
156 |
2.6111 |
Dispossessions: Performative Encounter(s) of Taiwanese Indigenous Contemporary Art |
94 |
194 |
2.6111 |
Do Bridges Have Only Two Sides? |
94 |
243 |
2.6111 |
Use The Word Lump. |
94 |
296 |
2.6111 |
Ordering Chaos |
94 |
308 |
2.6111 |
WORK WILL SET YOU FREE |
94 |
368 |
2.6111 |
Erase for Good |
94 |
478 |
2.6111 |
Tristes tropiques | tristes tropicos (provisional title) |
94 |
548 |
2.6111 |
SELF-PUBLISHING |
94 |
622 |
2.6111 |
New Poetics of Labor |
95 |
399 |
2.5882 |
It doesn't look that way to me |
95 |
404 |
2.5882 |
Coinmania |
95 |
465 |
2.5882 |
Working from Home |
95 |
545 |
2.5882 |
Walkabout |
96 |
108 |
2.5556 |
The body is a machine (O corpo é uma máquina) |
96 |
165 |
2.5556 |
does the wave belong to the lake or the land |
96 |
211 |
2.5556 |
Les-Trois-Pierres |
96 |
238 |
2.5556 |
The Department of Photography at Musrara, the Naggar Multidisciplinary School of Art and Society In |
96 |
260 |
2.5556 |
PAST o MOVES o PRESENT |
96 |
268 |
2.5556 |
The Toranj |
96 |
429 |
2.5556 |
Mediterraneo: Flowing Mythologies |
96 |
505 |
2.5556 |
WINDOWS - On the influence of screens on art practices |
96 |
561 |
2.5556 |
No nightingales live on fairytales??? |
96 |
633 |
2.5556 |
Body, Bone, and Stone City: Beaver Valley |
97 |
411 |
2.5294 |
Falsework |
97 |
494 |
2.5294 |
Cosmic to Corporeal: Contemporary Queer Performance |
97 |
497 |
2.5294 |
Affective Labours: An exploration of promise |
97 |
552 |
2.5294 |
ARTBREAK |
98 |
119 |
2.5 |
Afro Spunkt |
98 |
338 |
2.5 |
The Office Show |
98 |
460 |
2.5 |
Unsafe Space |
98 |
624 |
2.5 |
Static Equilibrium |
99 |
302 |
2.4706 |
Argentina de Antaño (Yesteryear Argentina) |
99 |
330 |
2.4706 |
The ABCs of Millennial Pink: Decoding a Generation Through Its Colour |
99 |
462 |
2.4706 |
Empowerment: stories and visibility of women |
99 |
474 |
2.4706 |
Words matter |
99 |
534 |
2.4706 |
The Politics of Verticality |
99 |
644 |
2.4706 |
Where is the Blue Ice? |
100 |
173 |
2.4444 |
Mindlessful Play |
100 |
204 |
2.4444 |
Spain |
100 |
242 |
2.4444 |
"Wish I Were Here" (Space as a Manifesto for Resistance) |
100 |
386 |
2.4444 |
Those Who Leave and Those Who Stay: The Return of Communities to Come |
100 |
396 |
2.4444 |
Encounters |
100 |
550 |
2.4444 |
digital gore and techno knaves |
100 |
591 |
2.4444 |
Bodies of Elite |
100 |
620 |
2.4444 |
Queer Body Horror |
100 |
659 |
2.4444 |
Osiedle WSM - On narratives and other territories |
101 |
197 |
2.4118 |
Going and Looking |
101 |
394 |
2.4118 |
Thou shalt make unto thee any graven image |
101 |
486 |
2.4118 |
symposium #androids |
101 |
574 |
2.4118 |
(In)visible links |
101 |
636 |
2.4118 |
*bites transmission* |
102 |
149 |
2.3889 |
Re-positioning: Old Objects, New Artworks |
102 |
185 |
2.3889 |
Slav Squatting and Its Discontents |
102 |
259 |
2.3889 |
Home, where some one feels a sense of belonging |
102 |
374 |
2.3889 |
Political Landscapes: Watchtowers as Mediation Zone |
102 |
510 |
2.3889 |
MÃS ALLÃ |
102 |
650 |
2.3889 |
Natural Laws and Human Decisions |
103 |
176 |
2.3529 |
Tempo |
104 |
262 |
2.3333 |
{déjà vu} |
104 |
307 |
2.3333 |
(il)Logic |
104 |
340 |
2.3333 |
Curators |
104 |
406 |
2.3333 |
A Body Without Organs |
104 |
542 |
2.3333 |
Transgress Forms |
105 |
199 |
2.2353 |
Rhizomes |
105 |
212 |
2.2353 |
ZEconomics |
106 |
228 |
2.2222 |
The Leavers |
106 |
253 |
2.2222 |
Contra Structures |
107 |
589 |
2.1875 |
Beauty and Truth |
108 |
541 |
2.1765 |
Chimeric-Bodies, Transparency and Nuanima |
109 |
366 |
2.1538 |
I'm what I'm |
110 |
375 |
2.1429 |
The real pathetic fallacy |
111 |
115 |
2.1333 |
Exhibition Acropolis at the Bottom Line |
111 |
150 |
2.1333 |
I AM MY OWN PRIMAL PARENT |
111 |
155 |
2.1333 |
place of birth: universe |
112 |
370 |
2.0909 |
Maintenance / Mantenimiento |
112 |
177 |
2.0909 |
don't try to boil the ocean |
112 |
168 |
2.0909 |
Bedlam; Triangle |
112 |
384 |
2.0909 |
A Painted Gallery Visit, CC |
112 |
124 |
2.0909 |
International Human Rights Art Festival |
112 |
118 |
2.0909 |
Parallel Modernists in the Early 20th Century: Stettheimer's Salon and the Bloomsbury Group |
112 |
370 |
2.0909 |
Maintenance / Mantenimiento |
112 |
124 |
2.0909 |
International Human Rights Art Festival |
112 |
384 |
2.0909 |
A Painted Gallery Visit, CC |
112 |
168 |
2.0909 |
Bedlam; Triangle |
112 |
177 |
2.0909 |
don't try to boil the ocean |
113 |
312 |
2.0833 |
Planters, Pipes, and Post-Internet Craft |
113 |
425 |
2.0833 |
FLAT AND PROUD! |
113 |
578 |
2.0833 |
Relay |
113 |
504 |
2.0833 |
Three Bodies: Epilogue |
114 |
662 |
2.0769 |
Self-Identified |
115 |
310 |
2.0714 |
TRANCENDENTAL MEDITATIONS |
115 |
447 |
2.0714 |
DEEP BENEATH THE ICEBERG : ART FOR SOUL's SAKE |
116 |
381 |
2 |
A pesar |
116 |
528 |
2 |
Future Panorama |
116 |
463 |
2 |
T/R/N/S/G/R/S/S/V P/L/T/C/S |
116 |
143 |
2 |
Bio politics bauhaus structures in the south pacific cone |
116 |
640 |
2 |
Post-Show |
116 |
101 |
2 |
IN/OUTside bodies in resistance (working title) |
117 |
106 |
1.9167 |
and I am the curator of this show'; a thematic exhibition |
117 |
252 |
1.9167 |
Archaeology of the Present |
118 |
459 |
1.9091 |
Voyager's Record |
119 |
326 |
1.9 |
UTOPIA'18 |
119 |
184 |
1.9 |
The Preparators |
119 |
403 |
1.9 |
A Gesture in Motion, A Line Drawn in Time |
120 |
549 |
1.8667 |
F.A.U.L.C |
121 |
454 |
1.8462 |
BACK TO BASICS: UNCANNY RELOADED |
122 |
638 |
1.8333 |
You Know It's True, Everything I do, I Do It For You |
123 |
324 |
1.8182 |
Period. |
124 |
529 |
1.8182 |
LOOP II |
125 |
266 |
1.7692 |
Not young, not old, maybe sick |
125 |
580 |
1.7692 |
Where Do We Go From Here: Re-imagining Marcel Duchamp |
126 |
380 |
1.75 |
Homo Videns: The Tomorrow's Man from the Now |
126 |
295 |
1.75 |
Quarterly Communications Review |
127 |
332 |
1.7273 |
The Audience |
128 |
182 |
1.6923 |
open to the public |
128 |
121 |
1.6923 |
In search of an island |
129 |
145 |
1.6667 |
Kinesthepedia |
130 |
413 |
1.6154 |
No Artist Will Be Left Behind |
131 |
566 |
1.5714 |
The dark matter of consciousness |
132 |
109 |
1.5 |
Dialectical, Nondual Being |
132 |
181 |
1.5 |
The Intimate Colors |
133 |
231 |
1.4615 |
MMXVII |