The Juror List
INTL Open Call 2025-26 Winning Proposals and Proposal Ranking
The five highest ranking proposals were submitted by:
Hend Ben Salah, Myriam Amri, Valeria Téllez-Niemeyer (A Border is Made of Papers), Montréal, Canada
Betelihem Zena (Skate, Create, Liberate: Women Artists and the Future of Radical Space in Ethiopia), Addis Ababa, Ethiopia
VDRS - Vietnam Design Research Studio (CRAFTING LOSS, WEAVING FUTURES), Saigon, Viet Nam
Minseon Kim (나쁜 (애)도/Bad La(men)ta), Seoul, Korea
and Obiajulu Ozegbe (The other order.), Lagos, Nigeria
The International Open Call accepts ideas for group exhibitions to be presented in any city on earth outside New York. The organizers of the four highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming. Dates will be posted as they are determined.
Thank you for submitting a proposal this round. We hope that you will consider doing so again in the future as the jury changes every time and many winners have submitted multiple times.
A Border is Made of Papers
Dates TBD
submitted by: Hend Ben Salah, Myriam Amri, Valeria Téllez-Niemeyer
In Montréal, Canada
This exhibition explores the bureaucratic systems that enforce borders through paperwork, visas, and identification, highlighting how these mechanisms restrict movement, shape identities, affect marginalized groups, and define who belongs.
Skate, Create, Liberate: Women Artists and the Future of Radical Space in Ethiopia
Dates TBD
submitted by: Betelihem Zena
In Addis Ababa, Ethiopia
Explores Ethiopia’s feminist skateboarding movement, highlighting the Ethiopian Girl Skaters collective and the work of female artists. The exhibition addresses resistance, identity, and empowerment, showcasing how skateboarding and art intersect to challenge gender, race, and systemic oppression.
CRAFTING LOSS, WEAVING FUTURES
Dates TBD
submitted by: VDRS - Vietnam Design Research Studio
In Saigon, Viet Nam
Reimagines Vietnamese textile traditions as dynamic, interactive archives. Through the work of three artists, the exhibition highlights textiles as evolving records of movement, resilience, and cultural memory, blending history, craft, and participatory storytelling.
Bad Lament
Dates TBD
submitted by: Minseon Kim
In Seoul, Korea
Challenges normative mourning by creating a queer, anti-structural space for grief and remembrance, disrupting traditional rituals to honor marginalized voices, and reimagining collective mourning as a form of resistance against societal expectations.
The other order.
Dates TBD
submitted by: Obiajulu Ozegbe
In Lagos, Nigeria
A multi-sensory exhibition humanizing the stories of displaced Nigerian families through sound, photography, video, and performance, exploring the global issue of land grabbing and its devastating impact on communities, particularly women and children.
| Rank | ID | Score | Title | Country |
|---|---|---|---|---|
| 1 | 200 | 4.04 | A Border Is Made Of Papers | Montréal, Canada |
| 2 | 267 | 4.039 | Skate, Create, Liberate: Women Artists And The Future Of Radical Space In Ethiopia | Addis Abeba, Ethiopia |
| 3 | 215 | 3.961 | Crafting Loss, Weaving Futures | Saigon, Viet Nam |
| 4 | 320 | 3.8667 | 나쁜 (애)도/bad La(men)ta | Seoul, Korea, Republic Of |
| 5 | 79 | 3.8608 | The Other Order. | Lagos, Nigeria |
| 6 | 202 | 3.8375 | Bad Boundaries: Bodies In Tension | Seoul, Korea, Republic Of |
| 7 | 240 | 3.8228 | Un/staging The Arab Body: Portraiture, Power, And Perception | Casablanca, Morocco |
| 8 | 38 | 3.7949 | The City Might Be Dead But Long Live The City | Tehran, Iran (Islamic Republic Of) |
| 9 | 292 | 3.7595 | Rotten Homes And Wicked Problems: Mould In London | London, United Kingdom |
| 10 | 194 | 3.7564 | Arrows Of Laughter And Truth Into The Cold Heart Of Power: Nigerian Editorial Cartoons (2015-2023) | Lagos, Nigeria |
| 11 | 302 | 3.75 | Waving Down Time | Ikoyi, Nigeria |
| 11 | 39 | 3.75 | Rooms: The Shapes Of Rituals | Hong Kong, Hong Kong |
| 11 | 204 | 3.75 | Good Grounds | Toronto/tkaronto, Canada |
| 12 | 359 | 3.7179 | From White Cube To Black Market | Idaban, Nigeria |
| 13 | 55 | 3.7143 | Puerta Escondida | Oaxaca, Mexico |
| 14 | 198 | 3.7105 | Between The Past And The Present: The Future | Sao Paulo, Brazil |
| 15 | 241 | 3.7067 | Domestic Songs | Calicut, Kerala, India |
| 16 | 310 | 3.7051 | Beyond Bodies Within Senses. Within Bodies, Beyond Senses. | Kumasi, Ghana |
| 16 | 363 | 3.7051 | Backpack | Tijuana, Mexico |
| 16 | 140 | 3.7051 | Gaza Genocide Graphics: Remembrance, Resilience, Resistance | Salmiya, Kuwait |
| 17 | 227 | 3.7042 | Shared Grounds: Between Coming And Going | Tbilisi, Georgia |
| 18 | 317 | 3.7013 | Undreamed Geniuses: The Interwoven Legacies Of African And African American Folklore | Detroit, United States |
| 19 | 334 | 3.6842 | Mirror: Are We Trash? | Havana, Cuba |
| 20 | 201 | 3.6753 | The Entranced Shaman, The Lamenting Flame | Genhe, China |
| 21 | 254 | 3.6623 | Freer | Paris, France |
| 22 | 366 | 3.6456 | In The Meantime / Mientras Tanto | Mexico City, Mexico |
| 23 | 105 | 3.6447 | Flowers For Klein | Warsaw, Poland |
| 24 | 307 | 3.641 | Dr. Frankenstein Or: How I Learned To Stop Worrying And Mutate My Own Monster | Bengaluru, India |
| 25 | 9 | 3.6329 | A Love Letter To Our Glaciers | Homer, United States |
| 26 | 144 | 3.6316 | Yazanye Amaboko | Kigali, Rwanda |
| 26 | 308 | 3.6216 | Kurova Amai, Kuraya Mwana (To Hit The Mother Is To Kill A Child) | Harare, Zimbabwe |
| 27 | 327 | 3.6164 | Carrying The Rural Landscape | Bogota D.c., Colombia |
| 28 | 236 | 3.6104 | Who Will Die Today? | Istanbul, Turkey |
| 29 | 114 | 3.6081 | Unstained | Hanoi, Viet Nam |
| 30 | 96 | 3.5949 | Supercooled Liquid In The Time Of Global Warming | Rejmyre, Sweden |
| 30 | 148 | 3.5949 | We Gather In Colours, Weaving Folklores Of The Future | Bucharest, Romania |
| 31 | 288 | 3.5897 | Fasting As A Practice With The Jaf Ecosystem | Sao Paulo, Brazil |
| 32 | 87 | 3.5789 | Looks From The Other Side | Port-au-prince, Haiti |
| 32 | 270 | 3.5789 | We Burn Their Forests | Sheffield, United Kingdom |
| 33 | 181 | 3.5696 | A Walk On The Wild Side: Sexual Dissidence History In The Borderlands | Tijuana, Mexico |
| 34 | 268 | 3.5658 | The Canned Bazaar | Astana, Kazakhstan |
| 35 | 163 | 3.5641 | The Ocean As A Portal Through Time, Memory, And Future Human Potential | Olon, Ecuador |
| 36 | 344 | 3.5584 | Black Lens - Paradise Refracted | Honolulu, United States |
| 37 | 339 | 3.5541 | Smoke Signal | Serra, Brazil |
| 38 | 333 | 3.5513 | Reconstructing The Ash Field -- A Feminist Reading Of A Volcanic Archive | Michoacán, Mexico |
| 39 | 269 | 3.5455 | What Is Never Left On The Ground | Mexico City, Mexico |
| 40 | 223 | 3.5443 | - 'Heartstrings For Bowstrings, Paintbrushes For Arrows' - Contemporary Art From Southern Africa's T | Cape Town, South Africa |
| 41 | 123 | 3.5417 | Spondylus: Enigma And Memory | Lima, Peru |
| 42 | 264 | 3.5375 | Tribute To The "Vagabond" And Jardin En Mouvement: Plants, Flowers And Herbs In The Conquest Of The | Mexico City (Cdmx), Mexico |
| 43 | 286 | 3.5342 | Be Smart Enough, Be Smart, Be Smarter | Lagos, Nigeria |
| 44 | 74 | 3.5333 | Reparto ("Reparto" Is A Word That Can Carries A Dual Meaning In Portuguese: It Comes From Repartir, | Rio De Janeiro, Brazil |
| 44 | 313 | 3.5333 | Teknoekolohiya | Bantayan, Philippines |
| 45 | 283 | 3.5316 | Tsundoku (積ん読) | Paris, France |
| 46 | 61 | 3.52 | Westernized Kids: East Asian Queers, Codes, And Cultural Belonging | Chicago, United States |
| 47 | 36 | 3.5195 | Collective Paranoia | Barranquilla, Colombia |
| 48 | 361 | 3.5128 | Rural Resistance | Vermillion, United States |
| 48 | 212 | 3.5128 | My Body Is Guarded, My Path Is Open | Sã£o Jose Dos Campos, Brazil |
| 49 | 343 | 3.5068 | Take Care | Savage, United States |
| 50 | 154 | 3.5065 | Women On Fire | Santa Marta, Colombia |
| 51 | 221 | 3.5063 | Silent Battles | Durban, South Africa |
| 52 | 238 | 3.5 | Wild Uploaded | London, United Kingdom |
| 52 | 50 | 3.5 | The Weight Of History: Memory, Violence, And Resistance | Callao, Peru |
| 52 | 125 | 3.5 | Ill Feelings | Beirut, Lebanon |
| 53 | 243 | 3.4872 | Ethnic Voices, Global Echoes | Chengdu, Sichuan Province, China |
| 53 | 252 | 3.4872 | You Don't Fit In Here | Mexico City, Mexico, Mexico |
| 53 | 127 | 3.4872 | Håê»ike | Honolulu, United States |
| 54 | 34 | 3.4861 | The Archive Of Absence: Traces, Fragments, And The Unseen | Los Angeles, United States |
| 55 | 311 | 3.481 | Journeys Of Belonging. | Little Rock,ar, United States |
| 56 | 271 | 3.48 | Yahoo Yahoo: What Makes You Think I'm A Scammer?? | Lagos, Nigeria |
| 57 | 172 | 3.4744 | History Has Done Us No Favours | Athens, Greece |
| 58 | 246 | 3.4737 | Tasting Alienation | Philadelphia, United States |
| 59 | 158 | 3.4667 | Motherland Of Electricity | Cologne, Germany |
| 60 | 209 | 3.4557 | When I Carved And Bit The Beast's Bleeding Heart, My Tongue Was Tickled By Wings | Seoul, Korea, Republic Of |
| 60 | 142 | 3.4557 | Do Yourself, Naked Fruit. 10 Years Of Girls And Queers To The Front Collective In Poland | Warsaw, Poland |
| 61 | 195 | 3.4545 | Critical Velocity | Dundee, United Kingdom |
| 61 | 126 | 3.4545 | I See You But Should I Be Looking? | Dallas, United States |
| 62 | 211 | 3.4521 | Armenian Joy | Los Angeles, United States |
| 63 | 276 | 3.4474 | Rapid Passage Though Varied Ambiences | London, United Kingdom |
| 64 | 192 | 3.44 | Unit Of Measurement For Invisible Labor | Cairo, Egypt |
| 65 | 303 | 3.4384 | I Am Toxic! | Vienna, Austria |
| 66 | 112 | 3.4359 | Fragmentos En Disputa: Performances Desde América Latina | Quito, Ecuador |
| 67 | 239 | 3.4342 | A New Www: Whispering Wind Wisdom | Phnom Penh, Cambodia |
| 68 | 67 | 3.4304 | Here Be Dragons | London, United Kingdom |
| 69 | 335 | 3.4267 | Electric Currents: Video Islands | Havana, Cuba |
| 70 | 322 | 3.425 | Step-up: Queer Cultural Traditions | Bogota, Colombia |
| 71 | 347 | 3.4211 | New Sights, Old Sounds | Hudson, United States |
| 72 | 120 | 3.4189 | Inception; Power, Disruption And Evolution | Kingston, Jamaica |
| 73 | 128 | 3.4156 | Not That I Can Remember | Athens, Greece |
| 73 | 350 | 3.4156 | Beyond The Lines | Kaduna, Nigeria |
| 74 | 345 | 3.4133 | Healing Screens | Berlin, Germany |
| 75 | 352 | 3.4125 | T For Tea At The Hairdresser | Barcelona, Spain |
| 76 | 265 | 3.4103 | Decocanizing Coca | Washington D.c., United States |
| 77 | 88 | 3.4051 | No Man's Line | Irãºn, Spain |
| 78 | 8 | 3.4 | Skyglow | Barcelona, Spain |
| 79 | 19 | 3.3974 | Rule 1 | Vilnius, Lithuania |
| 79 | 118 | 3.3974 | The Potholders Of Gee's Bend | Roanoke, United States |
| 79 | 186 | 3.3974 | Anemoia: Artifacts From A Remembered Future | Chicago, United States |
| 79 | 130 | 3.3974 | Where's My Break? | London, United Kingdom |
| 80 | 382 | 3.3896 | Dialogues With Aoã¶s/vjosa: The Last Wild River In Europe | Vovousa, Greece And Permet, Albania, Albania |
| 81 | 108 | 3.3889 | Few Stars on the Grey Sky: Art as Resistance | São Paulo, Brazil |
| 82 | 332 | 3.3846 | CRIA: the underdogs of Rio | Rio de Janeiro, Brazil |
| 82 | 340 | 3.3846 | HOT GIRL SHIT | Calgary, Canada |
| 82 | 253 | 3.3846 | Between tides (tentative) | Mahasarakham, Thailand |
| 82 | 220 | 3.3846 | Time, You Lost & Found | Wakayama, Japan, Japan |
| 82 | 197 | 3.3846 | CARTOPHONIA. Counter-Cartographic Voices | Rome, France |
| 83 | 46 | 3.3836 | WANDERING AND RESISTANT | Bogota, Colombia |
| 84 | 40 | 3.3649 | DIGITAL ATMA, THE WANDERING SOULS | NEW DELHI, India |
| 85 | 295 | 3.359 | Ancestral Futures | Cali, Colombia |
| 85 | 160 | 3.359 | Oriental Paradise: Politics and poetics of space in post-Arab spring | Diyarbakır, Turkey |
| 86 | 280 | 3.3544 | Kalafeh | Milan, Italy |
| 87 | 293 | 3.3462 | Radical Futures, Queer Imaginations | Marseille, France |
| 88 | 214 | 3.3425 | Fly Butterfly, Knit Your Storm | Yogyakarta, Indonesia |
| 89 | 245 | 3.3418 | Slippery | Ingleton, United Kingdom |
| 90 | 152 | 3.3333 | Urgent Portraits | San isidro, Brazil |
| 90 | 15 | 3.3333 | Too Much Fashion an ode to Black creative resilience | Toronto, Canada |
| 91 | 59 | 3.3247 | Post Truth Paradise (Your Turn Now) | Glasgow, Scotland, Uk, United Kingdom |
| 92 | 235 | 3.3165 | Crossing Boundaries: Migration And Border Politics | Jersey City, United States |
| 93 | 328 | 3.3158 | Mire Sin Compromiso - Hágale Con Confianza. | Quibdã³, Colombia |
| 94 | 135 | 3.3158 | Indelible Marks | Singapore, Singapore |
| 95 | 89 | 3.3117 | Across The Seas, The Tides Carved The History | Yogyakarta, Indonesia |
| 96 | 44 | 3.3108 | Bodies In Flight: Post-pornography From Dissidence And Displacement | Barcelona, Espaã±a, Spain |
| 97 | 319 | 3.3077 | Cartografãas Cã³smicas | Ciudad Autonoma Buenos Aires, Argentina |
| 98 | 84 | 3.3067 | Occupied Places - The City Between Permanence And Transformation | Porto, Portugal |
| 99 | 175 | 3.303 | Tightening The Belt - Reframing Budget Cuts | Amsterdam, Netherlands |
| 100 | 14 | 3.3026 | Nostos Oil In Water | London, United Kingdom |
| 101 | 161 | 3.2973 | Angels Of Sabotage | Jerusalem, Israel |
| 102 | 12 | 3.2895 | Luckily Ghosts Never Die | Berlin, Germany |
| 103 | 187 | 3.2821 | Unravelling / Rearranging | Chaing Mai, Thailand |
| 103 | 272 | 3.2821 | Gay Fascism: The Paradox Of Conservative Homoeroticism | Sã£o Paulo, Brazil |
| 103 | 380 | 3.2821 | Dreamland Reality | Los Angeles, United States |
| 104 | 304 | 3.2785 | Ä°Mã‡-action Device | Ä°Stanbul, Turkey |
| 105 | 331 | 3.2778 | What If? Black Utopias | Miami, United States |
| 106 | 17 | 3.2763 | Earthsgrooves Vol. 1: Twin Earth | Taipei City, Taiwan |
| 107 | 193 | 3.2727 | The Bleeding Threshold | Athens, Greece, Greece |
| 108 | 375 | 3.2658 | Bodies That Matter: Resistances In Gore Capitalism | Mexico City, Mexico |
| 109 | 147 | 3.2639 | Reversions Of The Nation, Antiracist Counter-narratives | Quito, Ecuador |
| 110 | 277 | 3.2564 | Displaced Persons | Hoboken, United States |
| 110 | 65 | 3.2564 | Journeys Of Belonging: Stories Of Immigration In America | Fayetteville, United States |
| 111 | 374 | 3.2532 | Do All Trees Die Standing? | Ciudad Autã³noma De Buenos Aires, Argentina |
| 112 | 353 | 3.25 | Fables Of Flora And Fauna | Metz, France |
| 112 | 11 | 3.25 | Echoes Of The Underground: Albania's Military Heritage | Tirana, Albania |
| 113 | 97 | 3.2468 | Motherland: What We Left Behind, What We Found Here | London, United Kingdom |
| 113 | 255 | 3.2468 | Inserte Nombre Aquí (En: Insert Name Here) | Queretaro, Mexico |
| 114 | 360 | 3.2466 | Self Portrait As A Teacher | Detroit, United States |
| 115 | 306 | 3.2464 | The Irrational Museum | Mexico City, Mexico |
| 116 | 365 | 3.2329 | Spectral Machines: Reclaiming Bodies | Hong Kong, Hong Kong |
| 117 | 342 | 3.2308 | We Look At The World Once,in Childood. The Rest Is Memory | Amsterdam, Netherlands |
| 117 | 124 | 3.2308 | The Cloud Of Unknowing | London, United Kingdom |
| 117 | 94 | 3.2308 | For In The End, It's Not Only About What We See… | Puerto Vallarta, Mexico |
| 118 | 285 | 3.2278 | Unofficial Break-in | Phoenix/ San Francisco, United States |
| 118 | 178 | 3.2278 | Navigating Space: Breathing :Memory : Belonging | Dhaka, Bangladesh, Bangladesh |
| 118 | 289 | 3.2278 | Re-source | Dren, Bulgaria |
| 118 | 207 | 3.2278 | Made In Capitalism: Bodies, Consumption, And Power | Mexico City, Mexico |
| 119 | 381 | 3.2267 | Quipus | Valparaiso (La Ligua), Chile |
| 120 | 356 | 3.225 | Euthanasia | Athens, Greece |
| 121 | 222 | 3.2222 | Could Be Me, Could Be You | London, United Kingdom |
| 122 | 191 | 3.2152 | Held In Light And Thread | Johannesburg, South Africa |
| Rank | ID | Score | Title | Country |
|---|---|---|---|---|
| 123 | 168 | 3.2105 | Fireworks Project: Strongly Condemn Fraud And Applaud Legitimate Profit-making | Hangzhou, China |
| 124 | 219 | 3.2078 | Stuplimity | Copenhagen, Denmark |
| 125 | 230 | 3.2051 | Far Off, Oh So Close | London, United Kingdom |
| 126 | 385 | 3.2027 | The Object Lost Its Truth | Amsterdam, Netherlands |
| 126 | 62 | 3.2027 | Hummmmmm An | Berlin, Germany |
| 126 | 170 | 3.2027 | From A Burning White To A Fading Red: Cartographies Of Migrant Resistance. | Canary Island, Spain |
| 127 | 205 | 3.2 | Bodywork | Berlin, Germany |
| 127 | 234 | 3.2 | The Serious Work Of Play: Radical Self-care Through Art | Madrid, Spain |
| 128 | 218 | 3.1948 | Soft Materials As Translators Of Emotions: Through Craftsmanship And Self-build Practices Into Artis | Barcelona, Spain |
| 129 | 138 | 3.1923 | The Weight Of Joy | Berlin, Germany |
| 130 | 358 | 3.1899 | Fixed And Fluid: Queer Spaces Of Hope | Frankfurt, Germany |
| 130 | 16 | 3.1899 | Unbound Realms: Traversing Worlds, Breaking Borders | Hégenheim, France |
| 131 | 301 | 3.1867 | Tropical Gore | Rio De Janeiro, Brazil |
| 132 | 33 | 3.1795 | Ruins Of Progress & Ghosts Of The Internet | London, United Kingdom |
| 132 | 325 | 3.1795 | Fictional Encounters | Berlin, Germany |
| 133 | 149 | 3.1711 | Converging Paths | Nairobi, Kenya |
| 134 | 275 | 3.1646 | Artivism. Creative Mediators In The Face Of The Environmental Crisis | Mexico City, Querétaro Or Puebla, Mexico |
| 134 | 233 | 3.1646 | Emotional Dynamics In The Urban Environment | Guangzhou City, China |
| 135 | 357 | 3.16 | Territorial Inscription: Drawing Out Bodies | Nicosia, United Kingdom |
| 135 | 32 | 3.16 | Without A Place | Portland, United States |
| 136 | 376 | 3.1486 | Go-home | Mississauga, Canada |
| 137 | 143 | 3.1467 | A Communal And Allusive Zone: Women Making Abstract Sculpture Today | Wakefield, United Kingdom |
| 137 | 173 | 3.1467 | When I Grow Up, I Want To Be Brave, Strong, And Kind | Montreal, Canada |
| 138 | 368 | 3.1429 | Out Of Control, Out Of Mind | Toronto, Canada |
| 138 | 378 | 3.1429 | How Do You Do? | Philadelphia, United States |
| 139 | 262 | 3.1392 | The Ex-box | Warsaw, Ny, United States |
| 140 | 57 | 3.1351 | In Movement | Athens, Greece |
| 141 | 237 | 3.1333 | The Duality Of Borders | Barcelona, Spain |
| 141 | 5 | 3.1333 | System Of Errors - Disrupting Digital Dystopia | Dublin, Ireland |
| 142 | 162 | 3.1299 | No One Is Where They Want To Be, But Where They Can Be (A Contemporary Art Exhibition On Migration | Buenos Aires, Argentina |
| 143 | 278 | 3.1282 | Architectures Of Consensus | Ypsilanti, United States |
| 144 | 49 | 3.125 | Expansion Of The Sound Zone | Berlin, Germany |
| 145 | 159 | 3.1233 | Tangled Circuits, Leaking Flesh | Cologne, Germany |
| 146 | 53 | 3.1184 | The Geography Of Language Ii | Luanda, Angola |
| 147 | 259 | 3.1169 | Vallistos | Tucuman, Argentina |
| 148 | 371 | 3.1159 | Trans;plants - Being Beyond Belonging | Montreal, Canada |
| 149 | 379 | 3.1154 | Des-com-poner | Bogota, Colombia |
| 149 | 115 | 3.1154 | Our Grand Reclamation | Nyeri, Kenya |
| 149 | 100 | 3.1154 | Universal Geometry | Barcelona, Spain |
| 150 | 41 | 3.1125 | 25th Image | Toulouse, France |
| 151 | 297 | 3.1081 | Something Itching | London, United Kingdom |
| 152 | 384 | 3.1053 | A Blue Funk | Bogota, Colombia |
| 153 | 326 | 3.1039 | Fan Art | Taipei, Taiwan |
| 154 | 249 | 3.1026 | Panier Piano | Autun, France |
| 155 | 90 | 3.1 | Terra Types | Veliko Tarnovo, Bulgaria |
| 156 | 251 | 3.0946 | Opening Acts | Western Massachusetts, United States |
| 157 | 6 | 3.0833 | Pleasure Joy And Happiness - Artistic Practice From The Field To The Wall (And A Little Bit To The F | Berlin, Germany |
| 158 | 13 | 3.0769 | Copy, Shift, Paste | Rome, Italy |
| 158 | 106 | 3.0769 | To Uphold Her Honour & Glory | Lagos, Nigeria |
| 158 | 338 | 3.0769 | Disruptive Painting | London, United Kingdom |
| 159 | 174 | 3.0506 | What Is This Fantasy Made Of? | Montreal, Canada |
| 160 | 80 | 3.0395 | Expression Without Compromise | Kampala, Uganda |
| 161 | 45 | 3.0256 | Hosiery Snip Space To A Triangular Racing Lace | London, United Kingdom |
| 161 | 69 | 3.0256 | The Opposite Of Argentina. An Exhibition Based On Happy Together | Caba, Argentina |
| 162 | 266 | 3.0137 | Clinging To The Void | Baden Baden, Germany |
| 163 | 291 | 3.013 | Traces And Tramways | Vienna, Austria |
| 164 | 213 | 3.0125 | Acrophobia - If A Bird | Bergen, Norway |
| 165 | 284 | 3 | Stories Are Compasses | Minneapolis, United States |
| 165 | 146 | 3 | Migrant Princess | X, Venezuela |
| 166 | 203 | 2.987 | Beyond Borders: A Black-and-white Fusion Of African And Caucasus Worlds | Nashville Tn, United States |
| 167 | 145 | 2.961 | Un Triptyque Pour Mon Troisiã¨me Å“Il / A Triptych For My Third Eye | Paris, France |
| 168 | 196 | 2.9556 | Sustenance - Entangled Being | London, United Kingdom |
| 169 | 351 | 2.9487 | Connecting The Electric Body | Mexico City, Mexico |
| 170 | 92 | 2.94 | Love Thy Neighbor? No, Thanks | Tel Aviv, Israel |
| 171 | 290 | 2.9388 | Data & (Un)security | Bangalore, India |
| 172 | 355 | 2.9375 | Cafe Conversations: The Social Tapestry Of Connection. | Buenos Aires, Caba, Argentina |
| 172 | 132 | 2.9375 | Chalga Futures: A Balkan Remix Of Transition | Dimitrovgrad, Bulgaria |
| 172 | 99 | 2.9375 | Bodies As Currency: Systematic Despair | Dhaka, Bangladesh |
| 173 | 43 | 2.9367 | Tracing Absence: Fragments Of Place And Memory | Berlin, Germany |
| 174 | 324 | 2.9351 | Fragments | Stockholm, Sweden |
| 175 | 314 | 2.9348 | The New Enclosures / Los Cercamientos Nuevos | San Jaun, Puerto Rico |
| 176 | 232 | 2.9333 | Between Collapse And Order | Sandwich, Kent, England, United Kingdom |
| 177 | 151 | 2.92 | This Is Not An Exit. | Washington, Dc, United States |
| 178 | 76 | 2.9184 | Unstable Ground: Mapping Displacement | Berlin, United Kingdom |
| 178 | 228 | 2.9184 | We Grew From The River | Strasbourg, France |
| 178 | 341 | 2.9184 | Watching Debris | Amsterdam, Netherlands |
| 179 | 261 | 2.9149 | The Shape Of Thought | Edinburgh, United Kingdom |
| 179 | 364 | 2.9149 | Unveiling Voices: The Art Of Resistance | Tampa, United States |
| 180 | 48 | 2.9091 | The Clumsiness Of Being Alive | Madrid, Spain |
| 181 | 287 | 2.9 | A Single Drop Of Her Blood Is Enough To Poison A Whole Town | Turin, Italy |
| 182 | 273 | 2.9 | Whatever Was Happening Was Just The World Of Me Reshaping | London, United Kingdom |
| 183 | 136 | 2.8987 | Asbury Park, United States | |
| 184 | 177 | 2.898 | If You Don't Desire It, It's Still There | Montreal, Canada |
| 185 | 281 | 2.8913 | Unwritten Rivers: Art In The Currents Of Change | Toronto, Canada |
| 186 | 117 | 2.8837 | Where Molten Shadows Dance | Venice, Italy |
| 187 | 330 | 2.8776 | Harmony | Krakow, Poland |
| 188 | 263 | 2.8776 | Roleplay: Social Ludology | Sã£o Paulo, Brazil |
| 189 | 282 | 2.875 | Anaem Tah Tisar Doprono Unce  (A Name That Is Hard To Pronounce) | Philadelphia, United States |
| 190 | 42 | 2.8701 | Mind Oasis | Schaffhausen, Switzerland |
| 191 | 4 | 2.8696 | Can Touch This | Hudson, United States |
| 192 | 164 | 2.8696 | Insurgent Bodies, Denied Histories | Sã£o José Dos Campos, Brazil |
| 193 | 75 | 2.8667 | Warning: Explicit Content! (The Future Is Non-binary) | Brighton, United Kingdom |
| 194 | 217 | 2.85 | Beyond The Screen: Made With Ai, Not By Ai. | Barcelona, Spain |
| 195 | 242 | 2.8444 | I Think About It All The Time | London, Uk, United Kingdom |
| 196 | 383 | 2.84 | I See... I Seen | Oakland, United States |
| 197 | 109 | 2.8367 | H/er/it Body | Berlin, Germany |
| 198 | 199 | 2.8298 | Unseen Footprints, Human Trafficking Stories | Denver, United States |
| 199 | 258 | 2.8182 | The Wealth Care Stystem | Berlin, German, Germany |
| 200 | 377 | 2.7917 | Traces Of Memory | Gainesville, United States |
| 201 | 370 | 2.7917 | In Full Effect: Specs, Tape Decks, And Paint Flecks | Boston, United States |
| 202 | 247 | 2.7826 | Children Of Guilt | Bogota, Colombia |
| 203 | 183 | 2.7755 | Everything Is Water | London, United Kingdom |
| 204 | 256 | 2.7755 | En La Brega... | San Juan, Puerto Rico |
| 205 | 56 | 2.7708 | A World In Flux | Providence, United States |
| 206 | 77 | 2.7708 | Terrain Of The Self | Mendoza/buenos Aires, Argentina |
| 207 | 231 | 2.7708 | Absence In Presence | Berlin, Germany |
| 208 | 83 | 2.7708 | Non/sense: The Flight From Meaning | London, United Kingdom |
| 209 | 336 | 2.766 | The Potato Peelers | London, United Kingdom |
| 210 | 229 | 2.7551 | Ephemeral Currents: An Ever-shifting Digital Exhibition | St. Neots, United Kingdom |
| 211 | 64 | 2.75 | The Gathering Of Kindred Spirits Ll | Fort Collins, United States |
| 212 | 226 | 2.7442 | While Bodies Resist | Caba, Argentina |
| 213 | 300 | 2.7391 | Un|biased | Sofia, Bulgaria |
| 214 | 190 | 2.7391 | Transformative Waves: Perception And Identity | Barcelona, Spain |
| 215 | 208 | 2.7347 | Jernax -- Beyond Anthropocene: A Look At The Post-human Horizon | Worpswede, Germany |
| 216 | 299 | 2.7292 | Caution - Smooth Surface | London, United Kingdom |
| 217 | 346 | 2.72 | I Come From The Sea. | Dalian, China |
| 218 | 309 | 2.72 | In Times Of Urgency | Venice, Italy |
| 219 | 37 | 2.7143 | Hidden Surfaces | London, United Kingdom |
| 220 | 362 | 2.7143 | We Are All Made Of Each Other | Ioannina, Greece |
| 221 | 369 | 2.7111 | Spoils | Los Angeles, United States |
| 222 | 116 | 2.7111 | Nake | Sofia, Bulgaria |
| 223 | 30 | 2.7021 | What More I Have To Do ? | Los Angeles, United States |
| 224 | 95 | 2.6939 | Reincarnated Gravity | Shenzhen, China |
| 225 | 354 | 2.6739 | Remember What We Have Left Behind And What Remains With Us | Milwaukee, United States |
| 226 | 180 | 2.66 | The Ruins Of Faith | London, United Kingdom |
| 227 | 367 | 2.6596 | My Uber Is 17 Minutes Away | N/a, United States |
| 228 | 35 | 2.6596 | Genius Loci. Notes On Places | Ludwigshafen, Germany |
| 229 | 312 | 2.6327 | Eskena | Cebu City, Philippines |
| 230 | 121 | 2.6327 | Muse In Motion: A Poetic Reflection On Resilience, Space, And Liberation | Houston Or Newark, United States |
| 231 | 122 | 2.6327 | Preferential Option For The Poor - An Exhibition Dedicated To Pope Francis | Miami, United States |
| 232 | 184 | 2.617 | Notes On The Neoliberal City | Bogota, Colombia |
| 233 | 52 | 2.5745 | Vig Men | Berlin, Germany |
| 234 | 119 | 2.5714 | The Night Falls First In The East (Die Nacht Bricht Zuerst Im Osten An) | Berlin, Germany |
| 235 | 316 | 2.5625 | The Other I | Berlin, Germany |
| 236 | 110 | 2.56 | 2n1 Fire Cleanser | Singapore, Singapore |
| 237 | 248 | 2.5581 | We Are Speculating On A High Maintenance Sample | Paris, France |
| 238 | 153 | 2.551 | The Imagination Where I Live | Venice, Italy |
| 239 | 296 | 2.5417 | Gestures | Bitola, Macedonia |
| 240 | 51 | 2.54 | Trans Port | New Orleans, United States |
| 241 | 47 | 2.5306 | Artist, Who Are You Anyway? What Do You Want To Say And Prove To The World Today? | Odesa, Ukraine |
| 242 | 169 | 2.5306 | Exhibiting Is Caring | Saint-malo, France |
| 243 | 134 | 2.5 | Pick Your Alterego | Valencia, Spain |
| 244 | 85 | 2.4898 | Death By A Thousand Cuts | San Diego, United States |
| 245 | 260 | 2.4898 | On Observance Of Food And The Table⇥ | Seattle, United States |
| 246 | 315 | 2.4878 | War Peaces | Fort Lauderdale, United States |
| 247 | 189 | 2.4375 | Nitelites | Coventry/birmingham/sofia, United Kingdom |
| 248 | 298 | 2.4375 | Heart To Heart: We Speak | London, United Kingdom |
| 249 | 133 | 2.4348 | Aromantic | Jersey City, United States |
| 250 | 129 | 2.413 | Brutal Reverie | London, United Kingdom |
| 251 | 206 | 2.3673 | Vapor De Cleveland: Cursed Iconographic Provinces | Querétaro, Mexico |
| 252 | 111 | 2.3469 | Exquisite Diversity: Flowers, Feathers And Fur | Concord, United States |
| 253 | 294 | 2.3333 | Recuresion | Novosibirsk, Russian Federation |
| 254 | 157 | 2.3333 | Familiar Traces | Los Angeles, United States |
| 255 | 63 | 2.3061 | Second Veil | Austin, United States |
| 256 | 323 | 2.2857 | Pillar | Los Angeles, United States |
| 257 | 348 | 2.2708 | Unexpected Beauty | Gloversville, United States |
| 258 | 185 | 2.2553 | Migration In Contemporary Maya/zoque Art | Detroit, United States |
| 259 | 3 | 2.2449 | We See Everything, We Hear Everything, And We Will Tell Everyone. | Novosibirsk, Russian Federation |
| 260 | 188 | 2.2449 | Cell Fun Aware | San Luis Obispo, United States |
| 261 | 349 | 2.2128 | What Was There And Then, Is Here And Now | Berlin, Germany |
| 262 | 101 | 2.1837 | Consensus | London, United Kingdom |
| 263 | 182 | 2.1739 | When Emotions Need | Karachi, Pakistan |
| 264 | 2 | 2.1667 | Areflections Of The Journey | Savannah, United States |
| 265 | 274 | 2.1429 | New Visions | Merida, Mexico |
| 266 | 321 | 1.9592 | Raumzeit | Munich, Germany |
| 267 | 86 | 1.9388 | Anthrop-obscene | Brussels, Belgium |
| 268 | 31 | 1.86 | Cercaii | Bogota, Colombia |