INTL Open Call 2022-23 Proposal Ranking
We received hundreds of proposals from over 80 countries, which were voted on by an international panel of nearly 800 jurors. Jurors were asked to read at least 50 anonymous proposals. Over 20,000 votes were cast to determine the winning proposals. Below is a ranking of all submitted proposals in order of highest total score. Proposals with the same total score share place positions and are ranked with the same number.
INTL 2022 Jurors INTL 2022 Results Open Calls Info
The four highest ranking proposals were submitted by: Sam Fein (The Corrections), Sol Kim (Memory Card: The Perk of Being Able to Remember), Onyịnye Alheri and Carolina Policarpo (Sem Sombras/Unshadowed), and Mariana Ramos Ortiz (I saw the future, it’s so wonderful, there are Puerto Ricans (Vi el futuro, es maravilloso, hay puertorriqueñxs)). The International Open Call accepts ideas for group exhibitions to be presented in their respective proposed cities around the world. The organizers of the four highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming.
INTL 2022 Jurors INTL 2022 Results Open Calls Info
The four highest ranking proposals were submitted by: Sam Fein (The Corrections), Sol Kim (Memory Card: The Perk of Being Able to Remember), Onyịnye Alheri and Carolina Policarpo (Sem Sombras/Unshadowed), and Mariana Ramos Ortiz (I saw the future, it’s so wonderful, there are Puerto Ricans (Vi el futuro, es maravilloso, hay puertorriqueñxs)). The International Open Call accepts ideas for group exhibitions to be presented in their respective proposed cities around the world. The organizers of the four highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming.
Rank | ID | Title | Score |
---|---|---|---|
1 | 237 | The Corrections | 4.1429 |
2 | 136 | Memory card : The Perk of Being Able to Remember | 4.0602 |
3 | 147 | Sem Sombras / Unshadowed | 4.0353 |
4 | 211 | I saw the future, it’s so wonderful, there are Puerto Ricans (Vi el futuro, es maravilloso, hay puertorriqueñxs) | 3.9882 |
5 | 304 | Arrows of Laughter and Truth into the Cold Heart of Power: Nigerian Editorial Cartoons (2015-2022) | 3.9643 |
6 | 122 | The Black Brilliance of Detroit Techno | 3.9059 |
7 | 17 | ASHAWO | 3.8929 |
8 | 75 | Neither god nor country, neither husband nor party. | 3.881 |
9 | 262 | Antillean Confederation of All of Us | 3.869 |
10 | 84 | Transborder | 3.8471 |
11 | 331 | Migrate in desire, in health and in illness | 3.8452 |
12 | 256 | As for my identity, I'll take care of that myself | 3.8415 |
13 | 56 | GATE: Between Babylon and Berlin | 3.8353 |
14 | 171 | Forgotten but not gone, unfinished history | 3.8333 |
15 | 80 | The Bodies We Forget | 3.8313 |
16 | 168 | Soft Boys | 3.8214 |
17 | 291 | Conflict of Crops: Weaving Time and Textures | 3.8118 |
18 | 151 | Myth or fact: the Amazons of the rainforest | 3.7976 |
19 | 33 | Toxic Relations | 3.7765 |
20 | 178 | The Evidence of Experience | 3.7647 |
21 | 109 | Irish Bodies: Ownership and Rights | 3.7619 |
22 | 131 | Abandoned | 3.7529 |
23 | 167 | Eatelier | 3.7529 |
24 | 91 | Nahua women: attributes that represent the women of Mexico and the world". " | 3.7412 |
24 | 164 | The Ocean's Dark Verses | 3.7412 |
25 | 289 | De-Colonia: Sane, Robuste, Feconde | 3.7381 |
26 | 162 | Korean Lesbian Art: 1960 to present | 3.7262 |
27 | 196 | El Contrato Natural | 3.7059 |
28 | 144 | Disemboweling the Crime Museum | 3.7024 |
29 | 39 | This is an Indian Reserve | 3.6941 |
29 | 148 | POWER WALKING OF GEN-POST-SOVIET | 3.6941 |
30 | 214 | Nyam-Go-Way: Water Spirits Return | 3.6905 |
31 | 183 | Museum of reconciliation | 3.6747 |
31 | 210 | Do Arabs Dream of Electric Sheep? | 3.6747 |
32 | 244 | Have the guts! | 3.6706 |
33 | 113 | Rapaka Sapara | 3.6585 |
34 | 190 | Reclamation | 3.6548 |
35 | 156 | Other Uses for (An)Other | 3.631 |
36 | 43 | Community Pantry | 3.6235 |
37 | 170 | Storm | 3.619 |
38 | 228 | Nok: A question of Youth, Heritage and Spirit | 3.6071 |
39 | 161 | Krimskrams: Urban Leftovers in Hong Kong | 3.6 |
40 | 60 | Bones of Our Tribe | 3.5882 |
41 | 126 | City and Art | 3.5833 |
41 | 150 | Coloring Outside the Lines: Artists and Archives | 3.5833 |
41 | 205 | “Collective Territories: Excavating Shared Geographies in a Post-Industrial Cityscape†| 3.5833 |
41 | 297 | What We Have Found | 3.5833 |
42 | 23 | The Emancipation of Everyday Life | 3.5802 |
43 | 202 | Whence and Whither | 3.5765 |
43 | 225 | THE ANGLOPHONE CRISIS" - CHILDREN HAVE THEIR SAY " | 3.5765 |
44 | 236 | Blood in the Water: The Science and Art of Human Aversion | 3.5732 |
45 | 120 | Just Breathe! | 3.5714 |
46 | 34 | Intimate Reflections: Loving Privately. | 3.5595 |
47 | 36 | Genealogy of Ghost and How to Co-Live with Themâ€" | 3.5529 |
48 | 110 | We're still spinning | 3.5476 |
49 | 330 | Cuerpos fuera de tiempo / Artefactos fuera de lugar (Out of place artifacts / Out of time bodies) | 3.5412 |
50 | 124 | Wired Intimacy | 3.5357 |
51 | 286 | Something Blue: Clothing, Memory, Emotion | 3.5309 |
52 | 264 | LOVESPACE lovespace LoveSpace | 3.5181 |
53 | 243 | Making Choices | 3.5119 |
54 | 280 | PARADISE FOR SALE | 3.5059 |
55 | 238 | Feminising the guest worker: Place, Object and Myth | 3.5 |
56 | 259 | Limpia | 3.4941 |
56 | 282 | BISCUITVILLE | 3.4941 |
57 | 260 | crafting the narratives of a community | 3.494 |
58 | 165 | Let the bÄd speak | 3.4881 |
58 | 249 | 己亥 Ji Hai - Kowloon Walled City in 1899 | 3.4881 |
59 | 138 | Not Everyone Knows | 3.4706 |
59 | 283 | Memories from the future | 3.4706 |
60 | 70 | Sway | 3.4524 |
60 | 298 | Grief and Love are Sisters | 3.4524 |
60 | 300 | Entomofagia: Edible Insects as Ancestral and Future Foods | 3.4524 |
61 | 255 | La Carpeta de los Diez. A key group for modern Argentine photography"" | 3.4471 |
62 | 18 | Embodied Memories | 3.4405 |
62 | 35 | The Gay Dictatorship | 3.4405 |
62 | 220 | Chai Tea: Creolised identities and Colonial theft | 3.4405 |
63 | 69 | Tons de Português" [Shades of Portuguese]" | 3.4337 |
63 | 313 | The Village has Wifi: Meme As Folk Art | 3.4337 |
63 | 328 | VIBRATING COSMOGONY | 3.4337 |
64 | 279 | Errantry: Resistance and Movement | 3.4286 |
65 | 187 | The Revolution will be Exhibited | 3.4268 |
66 | 44 | FREE PLAY | 3.4235 |
66 | 306 | Fragments of Two Worlds | 3.4235 |
66 | 311 | From Revolution to the Museum to Decolonization: Trajectories of Abya Yala's Material Culture | 3.4235 |
67 | 102 | Death EmBed | 3.4167 |
67 | 111 | The story of a basin | 3.4167 |
68 | 207 | PLAY - Tech Museum Exhibition | 3.4096 |
68 | 290 | Loudspeakers | 3.4096 |
69 | 321 | Boundaries of the Obscene | 3.4048 |
70 | 127 | It's All In Your Head | 3.3976 |
71 | 217 | EX LIBRIS - a group exhibition about books, book plates, book curses, book ownership and the provena | 3.3929 |
71 | 273 | (CTRL+C) >> (CTRL+V) | 3.3929 |
72 | 92 | Heterotopia in Crisis | 3.3882 |
73 | 98 | End is Here, Now What. | 3.3855 |
74 | 90 | Nothing to keep quiet/ everything to shout about | 3.381 |
75 | 137 | The Art of Darkness | 3.369 |
76 | 139 | Shiraka (come together) | 3.3647 |
76 | 227 | Elegy of the living:yehiyawan musho | 3.3647 |
76 | 240 | Fluid Cartography : Beyond Satellite Imagery | 3.3647 |
76 | 246 | Art of the Townships Now | 3.3647 |
77 | 65 | Lichen Score | 3.3614 |
78 | 97 | Voice of the people | 3.3571 |
78 | 172 | 30 Under 30 Women Photographers | 3.3571 |
78 | 261 | Community Support | 3.3571 |
78 | 271 | Mind Over Matter | 3.3571 |
78 | 314 | Alice in the Andes | 3.3571 |
79 | 16 | On the Subject of Tests: Desk as Archive, Play as Method | 3.3529 |
80 | 199 | The art to reclaim the African history, culture and identity | 3.3452 |
81 | 135 | Manufactured Democracy | 3.3373 |
82 | 12 | The Memory Trauma And Its Aestheticization: The Land of Other People | 3.3333 |
82 | 20 | Reproductive Liberty: Women's Historical Experience | 3.3333 |
82 | 204 | Prima Materia | 3.3333 |
82 | 276 | Looking at me, looking at you | 3.3333 |
82 | 302 | Bajo la Carpa/Under the Tent" " | 3.3333 |
83 | 86 | Discontented voices: breaking the silence of traumatic narratives | 3.3253 |
84 | 118 | faMINE: the domesticity" of violence" | 3.3214 |
84 | 173 | Sounding to Ground | 3.3214 |
84 | 274 | Bodies in the dark : battlefield bodies | 3.3214 |
85 | 106 | SPOKEN WORDS | 3.321 |
86 | 104 | Not To Be Wiped Off The Earth's Face | 3.3176 |
87 | 222 | GEOSTORIES IN TRANSIT | 3.3133 |
88 | 58 | SOURCES | 3.3095 |
88 | 192 | Daughter of Dirty Pink " " | 3.3095 |
88 | 326 | City as Playground | 3.3095 |
89 | 213 | Gilgamesh Without a Country | 3.2824 |
89 | 268 | Sisterhood of feral resistance | 3.2824 |
90 | 38 | New ecosocial narratives and imaginaries from Antarctica | 3.2738 |
91 | 66 | What's with Homes? | 3.2706 |
91 | 219 | Where There is Mystery – Echoes of Rodion's DIY Musical Innovation in Ceaușescu Era Romania | 3.2706 |
92 | 193 | No Strangers to Burden | 3.2651 |
93 | 99 | Hypertense | 3.2619 |
94 | 158 | the portal has no doors | 3.2588 |
95 | 186 | Capturing the Whale, the Octopus, Grape, and Banana | 3.253 |
96 | 103 | Archeology & Environment | 3.25 |
96 | 105 | Ndiza Voices of Africa Festival of Arts | 3.25 |
96 | 315 | Lilith's Children | 3.25 |
96 | 329 | Arte Con-tenedor | 3.25 |
96 | 233 | Bonà Pann: exploring the heritage, traditions and cultures of the Kashmir (India) | 3.25 |
97 | 224 | Nah??? Steups…! | 3.2442 |
98 | 234 | Every chicken you have ever eaten"" | 3.2381 |
99 | 263 | Is This Civil ? | 3.2353 |
100 | 68 | I AM NOT A ROCK! | 3.2262 |
100 | 235 | Opening Party | 3.2262 |
100 | 212 | Meatspace | 3.2262 |
100 | 327 | 3.2262 | |
101 | 232 | Noise to Meet You! | 3.2143 |
102 | 114 | Left Behind: People from a bygone era with nowhere to go | 3.2118 |
102 | 130 | Beyonder | 3.2118 |
102 | 143 | Sonic Animism | 3.2118 |
102 | 226 | In A Limbo Existence | 3.2118 |
103 | 288 | Mass Transition Into Being | 3.2073 |
104 | 88 | Many Thriving Futures | 3.2 |
104 | 208 | AFTER EXPEDITIONS - FAILURES OF MASSACRES | 3.2 |
104 | 252 | Fantasy | 3.2 |
105 | 174 | What the Deltas Said | 3.1786 |
106 | 152 | Ecological Geography | 3.1765 |
106 | 223 | In Goat We Trust | 3.1765 |
106 | 317 | hybrid nature | 3.1765 |
106 | 257 | Tattmusik Tattanna Jjjanon | 3.1765 |
107 | 149 | To the Sea, with Her Names | 3.1687 |
108 | 307 | “Books for the Unlettered/Images for the Well-Read“ | 3.1667 |
109 | 241 | SENSORY PARTY | 3.1647 |
109 | 303 | The Foundry | 3.1647 |
110 | 51 | “When it is no laughing matter, laughter matters†| 3.1529 |
110 | 319 | Thank you for being a kid | 3.1529 |
110 | 322 | This might be who I am | 3.1529 |
111 | 320 | THE GHOST IS THE SHELL: POETRY MACHINES & SOLARPUNK HORIZONS | 3.1446 |
112 | 94 | The Language of Data | 3.1429 |
113 | 100 | Where are we running? | 3.1412 |
114 | 119 | KEEPING THE SHUTTER OPEN | 3.1341 |
115 | 67 | Frame Filler | 3.131 |
116 | 266 | Old Boys Club | 3.1294 |
117 | 72 | DAR FOTO FESTIVAL 1st Edition Cultural Patterns of Tanzania and Beyond"" | 3.119 |
118 | 71 | An Alternate Reality | 3.1176 |
118 | 230 | The More-Than-Human Summit | 3.1176 |
119 | 4 | On the possibility to say something else | 3.1084 |
119 | 153 | The best party in the world: Passages in the trick-play and prosthesis / La mejor fiesta del mundo: | 3.1084 |
119 | 163 | Without them the world would've been uglier | 3.1084 |
120 | 9 | STOP THE STEAL | 3.1071 |
121 | 79 | 64k | 3.0941 |
121 | 96 | Transformations | 3.0941 |
122 | 270 | A Roda: The Performance of Ritual Space | 3.0833 |
123 | 140 | PORTALS AND SYMBOLS | 3.075 |
124 | 62 | Porn Lifes, your sexuality quarantined | 3.0732 |
124 | 201 | The German Pub | 3.0732 |
125 | 332 | Women's Voices: Activism and War | 3.0723 |
126 | 78 | Reassessing value | 3.0633 |
126 | 325 | Writings on the Wall | 3.0633 |
127 | 169 | (NON)DEMOCRACES REVISITED | 3.061 |
128 | 231 | Boys Don't Cry | 3.0595 |
129 | 87 | A table is NOT just a table | 3.0588 |
130 | 123 | Maps of New Worlds | 3.0506 |
131 | 73 | Imagine | 3.037 |
132 | 155 | ç¸ (Chapter 1)" " | 3.0361 |
133 | 54 | Pharmac(it)y: A Pharmacy in the city or The City of Medicine | 3.025 |
133 | 176 | Memory is fluid and the Locus Amoenus of the technology | 3.025 |
133 | 121 | The era of the rattlesnake | 3.025 |
133 | 250 | Inflammation in a Seemingly Gender Equal Society | 3.025 |
133 | 299 | Alpha, Omega and Everything In between | 3.025 |
134 | 134 | BUSSY-GRID: Queer Badlands NOW | 3.0247 |
135 | 40 | Evening Star | 3.0244 |
136 | 19 | ବିସàତାର, a Spillover or Porn | 3.0127 |
137 | 247 | Watch out! Body is a transport | 3.012 |
138 | 27 | Polymorph-22 | 3 |
138 | 107 | Transversal Ide(a)logies | 3 |
138 | 125 | ART TALK Talk talk : Season 2 | 3 |
138 | 285 | Transmillennial: Bogotano Multivalence | 3 |
139 | 101 | 730 hours of violence | 2.9762 |
140 | 142 | Reorganized baroque forms in space | 2.9756 |
141 | 308 | Wake up in paradise (working title) | 2.9753 |
142 | 277 | The Unfinishable Path | 2.975 |
143 | 258 | HANDS | 2.9634 |
144 | 198 | But Then We Joined | 2.9524 |
145 | 57 | Cookie Mueller's lost prophecies | 2.95 |
146 | 175 | Quoting out of context: translation, language, time, yearning...always moving towards - never arrivi | 2.9365 |
146 | 189 | Crunchy Showcases | 2.9365 |
147 | 76 | Myriad Heads | 2.9359 |
148 | 294 | transpecies: moving borders | 2.925 |
149 | 292 | Regeneration, Rebirth, Utopia | 2.9241 |
150 | 25 | Cuerpos Mutables – Territorios sin fin. ¿Dónde habita la intimidad? | 2.9219 |
150 | 133 | The illusion of productive time or doing nothing | 2.9219 |
150 | 177 | SO FAR, YET SO CLOSE | 2.9219 |
150 | 267 | I Think We Could Talk Often"" | 2.9219 |
151 | 296 | Along the Hills and Down to the Evros Valley | 2.9077 |
152 | 146 | #MakeUsVisible ITALIA 2022 | 2.9036 |
152 | 253 | Medietas | 2.9036 |
153 | 13 | ð˜›ð˜©ð˜¦ð˜º ð˜Šð˜¢ð˜®ð˜¦ ð˜žð˜ªð˜µð˜© ð˜‰ð˜¦ð˜¢ð˜´ð˜µð˜´ ð˜ð˜³ð˜°ð˜® ð˜›ð˜ | 2.8961 |
154 | 132 | Every Inch | 2.8769 |
155 | 6 | (Non) Fiction | 2.873 |
155 | 46 | Paris Mirror | 2.873 |
155 | 301 | sub|stances of survival - an exhibition of New Theft Realists, at the self-organized project space M | 2.873 |
156 | 145 | Between Life and Death | 2.8594 |
157 | 48 | Privileges and Marginalities | 2.8571 |
158 | 305 | Zones of Zbeul | 2.8413 |
159 | 52 | Take Me Home Before The Storm | 2.8387 |
160 | 42 | Kaduna: who am I?"" | 2.8281 |
160 | 116 | Mysterious life od trees | 2.8281 |
160 | 318 | Divine Worlds | 2.8281 |
160 | 334 | Fragmented Realism | 2.8281 |
161 | 50 | Glass mechanics | 2.8272 |
162 | 15 | These people are Working | 2.8125 |
162 | 195 | LINES OF POSSIBILITIES | 2.8125 |
163 | 159 | The Joy of Excess | 2.8095 |
164 | 216 | De-colonize the Cartesian coordinate. Self-coordinate orientation methods | 2.7581 |
165 | 129 | P.T.S.S.D | 2.746 |
165 | 229 | The Mind Melts Before It Melds Into Earth | 2.746 |
166 | 63 | I AM | 2.7143 |
167 | 59 | Between Minds | 2.7031 |
168 | 117 | 0" Point " | 2.6984 |
169 | 85 | Nuseen Nature of Amazing Rock Formations | 2.6875 |
170 | 11 | mark marking mem | 2.6508 |
171 | 61 | Role MODEL Rule | 2.6406 |
172 | 108 | IDNTT | 2.6129 |
173 | 180 | Adam's rib: Lapsus calami | 2.6094 |
174 | 269 | The Scientific Metamorphosis- AI and Identity | 2.5938 |
175 | 74 | Shortest Way to Happiness | 2.5873 |
176 | 112 | UnEARTHing Queer Futurism & Divinities: Channeling Bulyo Ning Yatu (Screams of the Earth) | 2.5484 |
177 | 21 | What to eat when you're hungry | 2.5469 |
178 | 333 | Road Trip Going Nowhere | 2.5313 |
179 | 3 | As I am | 2.5238 |
180 | 10 | Zyklus | 2.4844 |
181 | 24 | Screaming Walls | 2.4762 |
182 | 49 | 2.4531 | |
183 | 8 | Luncheon on the Grass | 2.4516 |
184 | 53 | Inside, looking out, looking in | 2.4063 |
185 | 82 | Limalle | 2.3651 |
186 | 77 | Upheaval Utterance Through Zealous Art (UUZ Art) | 2.3333 |
187 | 141 | THE NEW PYRAMID | 2.3077 |
188 | 309 | Welcome to the final problem - urgent flag of uncertainty | 2.2462 |
189 | 47 | PLEASE | 2.2188 |
190 | 14 | WHY? | 2.1905 |
191 | 115 | Mozart | 2.1406 |
192 | 45 | Art of survival | 1.9524 |
193 | 28 | The path of the vein | 1.9394 |