 |
|
||||
| exhibitions | fellowship | publications | events | support | general |
|
||||||||||||
 
|
apexart - San Juan, Puerto Rico | ||||||
|
Resisting Paradise organized by Marina Reyes Franco June 9 - July 6, 2019 :Pública 1057 Ave. Ponce de León, San Juan, Puerto Rico Wednesday - Saturday 11am - 10pm and by appointment Opening Reception: Saturday, June 8, 7-10 pm Featuring work by: Deborah Anzinger Leasho Johnson Joiri Minaya |
 Joiri Minaya, Siboney, 2014.
|
||||||
RELATED EVENTS:
| |||||||
|
Resisting Paradise is an exhibition featuring Jamaican and Dominican artists creating work at the intersections of tourism, sexuality, gender, environmental concern, music, and the internet. The exhibition consists of existing and commissioned work resulting from an examination of preconceived notions of paradise, and tourism as a new means of colonization. Through their work in painting, photography, sculpture, video, graphic design, and installation, these artists reference shared histories of invasion, slavery, and economic exploitation of natural resources, and how these forces translate into the commodification of their own bodies in the Western imagining of paradisiacal tourist destinations. The show's title draws inspiration from a book by Bahamian writer Angelique V. Nixon, which discusses the perils of living in such a crafted, imagined paradise, and also the powerful ways in which cultural workers resist and transform those given narratives.
The shared Caribbean experience of the plantation-to-resort economic development model makes evident the transition from slavery to service economy under tourism. The exhibition explores what happens when the tourism economy also applies to bodies—when sex and desire are also a currency. The project of colonialism and empire have left an undeniable mark on culture by shaping the way we relate to ourselves, each other, and to nature itself. Through transgression and appropriation, these artists envision new paradigms of life in the region and its diaspora by challenging preconceived notions of what it means to be Caribbean: a colonial, sexualized subject. Marina Reyes Franco (b. 1984) is an independent curator living and thinking from San Juan, Puerto Rico. She is co-founder and former director of La Ene, a museum in Buenos Aires, Argentina. Recent projects include: Watch your step / Mind your head, ifa-Galerie Berlin; The 2nd Grand Tropical Biennial in Loíza, Puerto Rico; Calibán, MAC in Santurce, Puerto Rico; C32: Sucursal, MALBA in Buenos Aires, and numerous exhibitions at La Ene. Her research interests include the work of Esteban Valdés, artistic and literary manifestations on the frontier of political action, new museology, and the impact of tourism in cultural production. apexart’s program supporters past and present include the National Endowment for the Arts, Milton and Sally Avery Arts Foundation, the Kettering Family Foundation, the Buhl Foundation, The Martin and Rebecca Eisenberg Foundation, Bloomberg Philanthropies, Spencer Brownstone, the Kenneth A. Cowin Foundation, Epstein Teicher Philanthropies, The Greenwich Collection Ltd., William Talbott Hillman Foundation/Affirmation Arts Fund, the Fifth Floor Foundation, the Consulate General of Israel in New York, The Puffin Foundation, the Trust for Mutual Understanding, The Andy Warhol Foundation for the Visual Arts, and public funds from the New York City Department of Cultural Affairs in partnership with the City Council, public funds from Creative Engagement, supported by the New York State Council on the Arts with the support of the Governor and administered by LMCC, funds from NYSCA Electronic Media/Film in Partnership with Wave Farm: Media Arts Assistance Fund, with the support of the Office of the Governor and the New York State Legislature, as well as the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. |
|||||||
| 291 church street new york, ny 10013 tu-sat 11am-6pm 212.431.5270 | support apexart | 
|
