RANK |
TITLE |
ID # |
| 1 |
Fellow Travelers |
663 |
| 2 |
Rendered Cities |
486 |
| 3 |
Light in Wartime |
429 |
| 4 |
Tell Me How You Lived Your Dream in a Certain Place |
591 |
| 4 |
Inherited Trauma |
593 |
| 4 |
My name is Peaches! |
204 |
| 7 |
When the universe froze into ghostly skein |
613 |
| 8 |
The Measure of Breath |
647 |
| 8 |
STRATEGIES FOR SURVIVAL (I’M OK) |
365 |
| 8 |
The Purchased Veil |
650 |
| 11 |
What do you think that a mountain can mean in this deserted region? |
252 |
| 12 |
Zero-day |
391 |
| 12 |
Survival Kit: Subtlety As Methodology |
154 |
| 14 |
Hey Good Lookin' |
614 |
| 14 |
Delirium Tremens (Working Title): Karaoke as dramatis personae of dissonant representation |
638 |
| 14 |
A Thirteenth Month |
674 |
| 17 |
An All American Icon. On Guns in American culture |
673 |
| 18 |
ON THE OUTS - Geography of Fear and Repression |
534 |
| 18 |
(Im)material Labor: Human Effort in the Digital Age |
621 |
| 20 |
Relative Distance: Family Memoir of the Black Atlantic |
580 |
| 20 |
Post-political Dreaming |
646 |
| 20 |
Conflicting Narratives |
478 |
| 20 |
NEWS FROM A BANANA REPUBLIC |
242 |
| 24 |
The Helping Hand |
602 |
| 24 |
M/othering |
412 |
| 26 |
Making a Difference: Craft and Design from an Asylum Nation |
326 |
| 26 |
Ain't I a Woman? |
177 |
| 26 |
Art Education in the Age of Metrics |
211 |
| 29 |
The Colossus |
515 |
| 30 |
Crude: Oil as Archive and Infrastructure |
528 |
| 31 |
Soundborderscape. Listening to the border critically |
394 |
| 32 |
Hybridly Human |
577 |
| 33 |
The Art of Knowledge: Information/Translation/Dissemination |
401 |
| 34 |
Re:Combinant |
181 |
| 35 |
#BlackGirlLit: Between Art, Literature & Memory |
606 |
| 36 |
Made For Debate |
672 |
| 37 |
We Built this City |
288 |
| 37 |
The Crowd |
611 |
| 39 |
AIBOHPHOBIA |
604 |
| 39 |
Historical Amnesia |
257 |
| 39 |
As If by Scent |
543 |
| 39 |
HOLD ON TO THIS WHILE IT’S SLIPPING AWAY |
445 |
| 43 |
Chronicle of clocks and heartbeats |
317 |
| 43 |
Bodies of Evidence |
668 |
| 45 |
Un/In/Re: HOME |
567 |
| 45 |
Ritual Intention |
251 |
| 47 |
A UNIVERSE FROM QUEER |
576 |
| 48 |
Shooting the Stars out of the Sky |
321 |
| 48 |
Seen from the Anthropocene |
516 |
| 48 |
More Fun Than Fun |
276 |
| 48 |
Laying the Foundations: Where Do Bots Live |
571 |
| 48 |
Oh, inverted world! (Adventures in Architecture and Information) |
405 |
| 48 |
TRACE: Wayfinding in Contemporary New Media Art |
151 |
| 54 |
Tonay�n: a cure to go blind to |
338 |
| 54 |
On Affordable Positivity |
615 |
| 54 |
S.P.O.O.L Super Powers Of Ordinary Life |
381 |
| 54 |
Destroy The Village In Order to Save It |
397 |
| 54 |
Who Shall Survive |
654 |
| 54 |
Post Military Beaches |
670 |
| 54 |
Doubt is not a Pleasant Condition, but Certainty is Absurd. |
444 |
| 54 |
Surrender |
202 |
| 54 |
LIBERLAND: year |
209 |
| 54 |
Material Auralities |
335 |
| 54 |
A country not a war: the role of women in Vietnam’s independence struggles, through the eyes of its war artists. |
370 |
| 54 |
No-Nonsense |
274 |
| 54 |
Unfamiliarity |
612 |
| 54 |
In Hell Diving for Pearls |
357 |
| 54 |
Resystematized |
620 |
| 54 |
Behind the Smart World |
116 |
| 54 |
We will not be suicided |
656 |
| 54 |
Facing An Epidemic |
424 |
| 54 |
Re-Locus |
474 |
| 54 |
Take Your Time |
479 |
| 54 |
Age of Anxiety; A thousand voices about mining |
287 |
| 54 |
Age Appropriate |
115 |
| 54 |
This Is Not a Joke, but We Can Laugh About It |
406 |
| 54 |
I Was Born The Day The Planet Died |
264 |
| 54 |
The Observer Effect |
525 |
| 54 |
Pigeonhole |
547 |
| 54 |
Arts & labor |
303 |
| 54 |
SYNTHETIC ARCHEOLOGISTS |
304 |
| 54 |
When the fall of the dictionary left all of the words lying in the streets |
566 |
| 54 |
Potted Plants |
312 |
| 54 |
Failed treasure hunt |
572 |
| 54 |
On Vocation |
587 |
| 54 |
Asian-American Art as a Cultural Measure |
360 |
| 54 |
The Non-Scream and its Mechanical Audito |
632 |
| 54 |
All our files |
636 |
| 54 |
Expanding the Sensual Experience of Visual Art |
648 |
| 54 |
Feeding the Revolution |
659 |
| 54 |
(un)mournable bodies |
661 |
| 54 |
Schrodinger's Urbanism - Is the city dead or alive? |
415 |
| 54 |
Not if I See You First |
421 |
| 54 |
The air was heavy with things that were known but not spoken |
180 |
| 54 |
Failure as a Paradox |
193 |
| 54 |
Smile! : ) |
224 |
| 54 |
Shrouded Facts & Shredded Truths |
248 |
| 98 |
Earth Bodies: A Secret Visibility |
563 |
| 98 |
Approaches to Violence |
396 |
| 98 |
Permeable Vessels: Non-aligned memories of the Cold-War in Southeast Asia |
677 |
| 98 |
Old Spirits Spooking New Houses: Nova Cidade de Kilamba, Angola |
507 |
| 98 |
The Mulberry Trees |
237 |
| 98 |
A concise review of architecture & the museum |
263 |
| 98 |
The industry of a doubt |
548 |
| 98 |
Objectified Identity |
380 |
| 98 |
Cartographic Anxiety |
302 |
| 98 |
Toccare la Morte (To Touch Death) |
574 |
| 98 |
Prodigal sons: Recreation of attached place. |
359 |
| 98 |
The Garden is Off Limits |
449 |
| 98 |
Residence & Occupation: Surviving the NeoLiberal City |
504 |
| 98 |
Analogue Climbing Party |
506 |
| 98 |
Women and Animals |
299 |
| 113 |
I, Alone |
552 |
| 113 |
Margins and Perimeters |
657 |
| 113 |
Authentically Unreal |
385 |
| 113 |
The last day to love you |
520 |
| 113 |
Time Out of Joint |
533 |
| 113 |
Trouble in Painting #2 |
568 |
| 113 |
The Body is a Machine for Living |
438 |
| 113 |
Electropolitics |
549 |
| 113 |
Dwelling in a Time and Space of Flux |
555 |
| 113 |
Pushing the Envelope |
325 |
| 113 |
Ocular Migraines in the Wild: Acuity and Blindness in the Anthropocene |
607 |
| 113 |
Oyate |
353 |
| 113 |
Women Of A Certain Age |
105 |
| 113 |
Vertical |
622 |
| 113 |
Surveillance and Selfhood |
642 |
| 113 |
Sleeping Freedom |
441 |
| 113 |
Shower Before Entering |
458 |
| 113 |
Shori |
210 |
| 113 |
What surrounds us. |
230 |
| 113 |
Perceptions of Site: Merged Realities |
489 |
| 113 |
Nomas: in the gap there is some hope |
498 |
| 134 |
The rem(a)inder: a certain kind of science fiction |
280 |
| 134 |
Venice is at War |
296 |
| 134 |
OKRs |
573 |
| 134 |
On the tip of the tongue |
641 |
| 134 |
Prosthetic Aesthetic |
484 |
| 134 |
Deceive and Enchant |
487 |
| 134 |
Long Live The Public: Hidden Archives of the Middle East |
292 |
| 134 |
Intimate Race: RACEE |
420 |
| 134 |
Scanning for Conflict |
584 |
| 134 |
Malays (Malaise) |
121 |
| 134 |
Tropical Darkness |
402 |
| 134 |
Encore Une Fois |
461 |
| 134 |
GIRL TALK |
505 |
| 147 |
High Hopes (Transition) |
537 |
| 147 |
Emergent Futures |
556 |
| 147 |
Mothernity |
626 |
| 147 |
Playing with the apparatus: contemporary experimental photography |
144 |
| 147 |
IN-DEPENDENCE |
404 |
| 147 |
Takirua |
451 |
| 147 |
Chimeric-Bodies, Transparency and Nuanima |
500 |
| 154 |
Grand Delusions [1914 -- ] |
352 |
| 154 |
Search for… Serendipity. The more you search, the less you find. |
324 |
| 154 |
Tree Tree Tree Person - Taroko Arts Residency Project |
118 |
| 157 |
I tell a story because I found a rock / I bury a rock to tell a story |
545 |
| 157 |
A sentence a picture |
599 |
| 157 |
CELL |
623 |
| 157 |
The Ideality of TIme |
630 |
| 157 |
Threshold |
143 |
| 157 |
The Forms of Exile |
664 |
| 157 |
Longing, brutality, madness, indifference |
416 |
| 157 |
Customized Risk |
418 |
| 157 |
Into the World Beyond Desire |
225 |
| 157 |
Emphasis and Omission: Accounts of a Hospital Airstrike |
488 |
| 157 |
Things |
503 |
| 157 |
Art Selectronic |
509 |
| 157 |
Not To Be Seen – The Aesthetics of Secrecy |
199 |
| 157 |
The End of the World As We Know It: Denial |
495 |
| 157 |
Rethinking Kakotopia |
290 |
| 172 |
The Left Hand of Darkness |
532 |
| 172 |
The Air is Light |
300 |
| 172 |
All mimsy were the borogoves |
558 |
| 172 |
Human After All |
307 |
| 172 |
Acts of Support |
319 |
| 172 |
this was here now |
590 |
| 172 |
Three Headed Monster |
336 |
| 172 |
The Left-Handed Path: Mysticism in Contemporary Queer Art |
106 |
| 172 |
Artist as Editor: Archival Montage and Rhizomatic Reframing |
653 |
| 172 |
Blood in your veins |
675 |
| 172 |
Evidence: Visualizing Urban Divides |
203 |
| 172 |
With Tongues |
473 |
| 172 |
Mnemosyne |
483 |
| 172 |
Outside / In : Outsider Art and the Neo-expressionists |
240 |
| 172 |
Of the Rags |
501 |
| 172 |
Dreamspace |
468 |
| 188 |
The Third Table |
355 |
| 189 |
big inheritance |
671 |
| 190 |
Sabi, Wabi |
314 |
| 190 |
LIVING PICTURES |
320 |
| 190 |
Shrieking Violets |
582 |
| 190 |
Landscape Gaze, Culture and Touristic Views of Other Lands |
356 |
| 190 |
originalcopy |
110 |
| 190 |
The Waiting Imagination of the Dead |
377 |
| 190 |
The Shrinkage of the World : Six Degrees of Separation |
126 |
| 190 |
From Here Onwards |
645 |
| 190 |
The Currency of Diaspora : Contemporary Art for Southeast Asia |
137 |
| 190 |
Midst of the Midpoint |
192 |
| 200 |
‘The darkness that we see in the sky’: Duration and Measure |
258 |
| 200 |
The Outdatedness of Human Beings |
261 |
| 200 |
Grandmothers’ songlines |
282 |
| 200 |
Pavilion Paradise |
289 |
| 200 |
SKŪMAZ (a metastable state) |
295 |
| 200 |
Dreamship Harborless |
551 |
| 200 |
NO POOR'S LAND |
553 |
| 200 |
How to make him your servant |
561 |
| 200 |
Hothouse |
596 |
| 200 |
An Appropriation Assize |
634 |
| 200 |
Under the Skin: Challenging Race From the Body Itself |
655 |
| 200 |
Re-Imagining A City |
166 |
| 200 |
The Vanishing Cabinet |
174 |
| 200 |
Inside the Four Lines |
182 |
| 200 |
Afrocentric As European |
485 |
| 215 |
Interventions in Daily Life: Projects in China |
273 |
| 215 |
From Dystopian Reality To Utopian Imaginary |
297 |
| 215 |
VANITAS, MEMENTO MORI AND IMPERMANENCE OF LIFE (IN CONTEMPORARY TIME) |
298 |
| 215 |
Moments: An Unnamed Collective Presentation |
559 |
| 215 |
Post Utopia |
316 |
| 215 |
Various Forms of Escapism |
347 |
| 215 |
The Principles of Migration |
132 |
| 215 |
Another Country |
651 |
| 215 |
CUTTING EDGES |
175 |
| 215 |
Is That A Gun In Your Pocket |
190 |
| 215 |
performing schulpture |
450 |
| 215 |
Liminal Landscapes |
459 |
| 215 |
Decay 3.0: digital ecology in the Anthropocene |
217 |
| 215 |
A Futile Endeavour |
476 |
| 215 |
A fevered state |
229 |
| 215 |
There is no feminism in France (or any other community incidentally) |
499 |
| 215 |
Slave 2 Ctrl-Alt-Del/Love |
508 |
| 232 |
And This Too |
260 |
| 232 |
Remote Control |
554 |
| 232 |
Home Sweet Home |
585 |
| 232 |
Temporary solutions that stay forever |
354 |
| 232 |
Women of Colour: Anna Atkins, Color Photography and Those Struck by Light |
113 |
| 232 |
TEXTURE MAPS |
408 |
| 232 |
Trinity |
460 |
| 232 |
When the Power is Gone |
214 |
| 232 |
Diabetes |
481 |
| 232 |
Beyond the celebration |
494 |
| 232 |
Ecologies of intimacy: remote publics |
239 |
| 232 |
NEWS | Visibility Strategies |
496 |
| 244 |
Mutant Space |
513 |
| 244 |
The truth about lineage |
517 |
| 244 |
Assuming These Are Battlegrounds |
529 |
| 244 |
Welcome to the Floraissance! |
540 |
| 244 |
Honor Thy Error |
343 |
| 244 |
In The Ends |
345 |
| 244 |
Skip, Jump, Make some Noise. The Street is your Playground. (LoneLady) |
618 |
| 244 |
Unsolicited Archive |
119 |
| 244 |
The Exile |
130 |
| 244 |
How does it look to feel this way? |
643 |
| 244 |
How the Body Makes Marks |
138 |
| 244 |
Conversational Spaces |
398 |
| 244 |
Trans-formations in polluted environments |
147 |
| 244 |
LAYERS OF TIME |
158 |
| 244 |
Lines of Refuge |
676 |
| 244 |
Cohabiting: Against All Advice |
178 |
| 244 |
Exposing the Suture |
212 |
| 244 |
Stuck in the Mud |
228 |
| 244 |
Common Borders |
497 |
| 263 |
How to Nationalism... |
575 |
| 263 |
Hue Movements |
589 |
| 263 |
Preparatory Gesture of Speaking |
350 |
| 263 |
A thousand cracks |
631 |
| 263 |
Focus Group |
633 |
| 263 |
dccon2: birds |
128 |
| 263 |
Connectivity: Creating a Global City |
165 |
| 263 |
A Room of One’s Own |
442 |
| 263 |
Barely Imagined, Scarcely Given |
446 |
| 263 |
We know absolutely nothing, but of this nothing at least we can speak |
454 |
| 263 |
Unearth: A Conversation Between Natural and Cultural Landscape |
471 |
| 263 |
Nasty Women: Reconsidering “Female Crafts” |
482 |
| 263 |
Show |
247 |
| 276 |
How Will They Know Our Works |
514 |
| 276 |
STRUCTURAL SYNERGIES: TIME, SPACE, EXISTANCE |
595 |
| 276 |
Octopus Intelligence |
363 |
| 276 |
Follies to the max |
378 |
| 276 |
The Museum of Trainwrecks |
388 |
| 276 |
Goodbye to Clocks Ticking |
172 |
| 276 |
Very Steep and Erratic Edge |
194 |
| 276 |
Bombs ticking |
455 |
| 276 |
Antique MMM9 |
466 |
| 276 |
New Passage |
213 |
| 276 |
A Wall as Geometry, a Line, an Idea of Boundary |
477 |
| 287 |
Golden Section: Reinterpretations of Matila Ghyka |
256 |
| 287 |
The horror of the Un-heard Corporeal and incorporeal resonance |
262 |
| 287 |
Milk and Honey: Mothers On Sex,Love and Motherhood |
518 |
| 287 |
I Sense Something |
311 |
| 287 |
Breaking Illusions: Artists as Scientists |
315 |
| 287 |
Geometric experience around an ancestral call |
600 |
| 287 |
Typically Tropical |
351 |
| 287 |
OVA |
107 |
| 287 |
Welcome to the Neighborhood: A Community Action |
619 |
| 287 |
Square |
383 |
| 287 |
Aesthetic Onanism & Selfilmmaking |
133 |
| 287 |
Dynamics of traces |
400 |
| 287 |
Inner is Outer: Patterns of Change with the I Ching as the Earth is dying |
667 |
| 287 |
Tropical Peripheries |
430 |
| 287 |
It wouldn't be the end of the world? |
197 |
| 287 |
Unanimous Dissent: Illusions and Delusions of Security |
480 |
| 303 |
GRIDS, MIRRORS AND GALLEONS: TOOLS FOR THE PERMANENT REVOLUTION |
530 |
| 303 |
Everything ephemeral is dead |
605 |
| 303 |
The Space Between |
610 |
| 303 |
The mind as ritual |
627 |
| 303 |
THE CONTEMPORARY IS THE ONE WHOSE EYES ARE STRUCK BY THE BEAM OF DARKNESS THAT COMES FROM HIS OWN TIME |
374 |
| 303 |
Art@Fab Labs |
376 |
| 303 |
Minor Matter |
134 |
| 303 |
Migration: Inside/Out |
410 |
| 303 |
BYPRODUCT / BUYPRODUCT / BYEPRODUCT / |
169 |
| 303 |
The other life of works |
425 |
| 303 |
Anonymous Stranger |
681 |
| 303 |
Penelope’s Web – The Rendezvous Between Craft and Art |
452 |
| 315 |
Scenes from Distance |
522 |
| 315 |
that distant afternoon when his father took him to discover ice |
310 |
| 315 |
Second hand belonging |
368 |
| 315 |
The Anonymous Show |
375 |
| 315 |
Indoor Picnic |
639 |
| 315 |
ENEMY OF FREEDOM |
644 |
| 315 |
Soft Chaos |
660 |
| 315 |
6 Is The Loneliest Numbe |
427 |
| 315 |
There Will Come Soft Rains |
200 |
| 315 |
Going to dust - care, dialysis, the black plague and ICU. |
456 |
| 325 |
Herland |
521 |
| 325 |
The shortest distance between two points is not always a straight line |
278 |
| 325 |
👍me |
281 |
| 325 |
The Unknown Variable |
339 |
| 325 |
Our Margin Bodies: Subverting Impossible Spaces |
609 |
| 325 |
Crates & Barrels |
637 |
| 325 |
MEADOWLAND: A group exhibition |
395 |
| 325 |
Vital decoys |
413 |
| 325 |
We Have Always Been Artists |
426 |
| 325 |
SPIRIT OF THE MASQUERADE |
432 |
| 335 |
Big Dreams, Small Spaces |
538 |
| 335 |
Re/De-flects |
155 |
| 335 |
The memory of the forgotten |
161 |
| 335 |
On Floating Bodies |
234 |
| 335 |
All we know is fake fodder and buying shit |
241 |
| 335 |
The Eye in Team |
244 |
| 341 |
We play, therefore we are (Ludo ergo sum) |
266 |
| 341 |
INTO EXTIMACY |
269 |
| 341 |
Fifteen Minutes of Shame |
527 |
| 341 |
Shadows of the Objects; Relations |
542 |
| 341 |
HARD |
579 |
| 341 |
seven octillion electrons |
581 |
| 341 |
Mother Nature – Witch Congress Part. 1 – From nano to global perspectives and speculations on the post-nature age |
328 |
| 341 |
Carrying somewhere else (Cairo) |
367 |
| 341 |
The Economy of the Object |
207 |
| 341 |
INFINITE EXTRAPOLATION |
464 |
| 341 |
The others |
472 |
| 341 |
Numerology Number 8 |
490 |
| 341 |
The Object Liberation Front presents: Non-Humans, So Hot Right Now |
236 |
| 341 |
Cloisters |
253 |
| 355 |
THE PLEASURE of TRANSGRESSION |
524 |
| 355 |
Moments of Synchronicity |
364 |
| 355 |
« Trompe l’œil » in hospitals |
109 |
| 355 |
6,000 feet beyond man and time |
366 |
| 355 |
THE GIFT STRATEGY |
136 |
| 355 |
In-sight |
652 |
| 355 |
Not Knowing |
407 |
| 355 |
Force of Habit(er) |
669 |
| 363 |
WHAT IS QUEER? |
333 |
| 363 |
Patterns in Complexity |
608 |
| 363 |
Cereus Relationships: An inquiry into rare night blooming |
665 |
| 363 |
Dis Appearance |
156 |
| 367 |
Bodies of Context |
586 |
| 367 |
Disbelief |
437 |
| 367 |
VISUAL ACTIVISM |
519 |
| 367 |
Liberate Me |
523 |
| 367 |
Notions of the afterlife II |
334 |
| 367 |
Feeling brown feeling down |
399 |
| 367 |
Burned |
148 |
| 367 |
Practicing love |
159 |
| 367 |
FRAGMENTS |
170 |
| 367 |
Undercurrent / The Passion Economy |
448 |
| 377 |
New Subjectivities |
564 |
| 377 |
Remarking the Space |
346 |
| 377 |
Padre Nuestro |
640 |
| 377 |
The Artwork as a Hacking Space |
414 |
| 377 |
The Open Library |
162 |
| 377 |
Hyperbole or stories of love and war |
447 |
| 383 |
Untitled |
598 |
| 383 |
Labor Is A Portrait Of Love |
393 |
| 383 |
Troublemakers |
231 |
| 386 |
iCUnoclasts and eCUlogists |
349 |
| 386 |
PLOT |
678 |
| 386 |
The Overseen: second things first |
435 |
| 386 |
We Are The Perturbation |
186 |
| 386 |
WONDERAMA |
216 |
| 391 |
On Impermanence / The Solidity of the Ephemeral |
526 |
| 391 |
The collective of urban consciousness |
536 |
| 391 |
I KNOW WHY THE DONKEY BRAYS Looking for Italian-ness in contemporary art |
541 |
| 391 |
Innocence Revised |
546 |
| 391 |
Once We Were Here and Now We Are Not |
550 |
| 391 |
Psychic Models |
560 |
| 391 |
Going where the weather suits my clothes |
313 |
| 391 |
NAKED PALACE_New system of fruition for works of art. |
358 |
| 391 |
#Un/Political Internetion |
649 |
| 391 |
Chain Reaction |
666 |
| 391 |
Negotiations |
428 |
| 391 |
♡♡Screw around the BJ City♡♡ |
431 |
| 391 |
Bath-Vessel-Town |
453 |
| 391 |
Abstracting Wölfflin |
201 |
| 391 |
SHIFTING BOUNDARIES |
457 |
| 391 |
The Intangibilities of Experience |
463 |
| 391 |
TRES TRISTES TIGRES / THREE SAD TIGERS |
475 |
| 391 |
Your Words Surround Me |
220 |
| 391 |
EMBODIMENTS OF THE WORLD |
254 |
| 410 |
Under Deconstruction |
436 |
| 410 |
MOMENTS OF PLEASURE |
502 |
| 410 |
From the white cotton flowers to the poetics of interior |
569 |
| 410 |
... It haunts us |
329 |
| 410 |
Figurative Abstraction and The Bridge Into Non-Representation |
125 |
| 410 |
"No to Spectacle" An Yvonne Rainer inspired show |
417 |
| 410 |
Home work(out)s |
164 |
| 410 |
Broken Mirror: Data Visualization of Autistic Collective Empathy |
679 |
| 410 |
Museo de la Soledad presents: DOGGY |
249 |
| 419 |
Printmaking today? |
268 |
| 419 |
Tracking Traces – a collaborative printing conversation |
578 |
| 419 |
Through Vegetal Being: Letter between artworks |
603 |
| 419 |
When I hear the word culture … I release the safety on my Browning! |
348 |
| 419 |
The New Times Project |
104 |
| 419 |
About dimensional images and pictographical objects. |
122 |
| 419 |
Inside/Outside |
384 |
| 419 |
Sympathetic Magic. |
140 |
| 419 |
What place is this? |
658 |
| 419 |
Art for Art's Sake 2017 |
149 |
| 419 |
Apparat - Retrogression trough technological progress |
419 |
| 419 |
Trouble diaries: Failure is a good thing |
167 |
| 419 |
Refracting |
680 |
| 419 |
Sidewalk no. 5 |
208 |
| 419 |
POPolis |
465 |
| 434 |
Internal Workings |
283 |
| 435 |
THINK ON THESE THINGS |
512 |
| 435 |
HOLY WOOD |
259 |
| 435 |
Abstract Expressionistas |
616 |
| 435 |
human-non-human |
629 |
| 435 |
Resurfacing: Meditations on the Mutability of the Physical World |
215 |
| 440 |
Fence |
443 |
| 441 |
Shared Value (An Open Letter to NYC) |
544 |
| 441 |
CLASSICISM IN A NEW ERA |
294 |
| 441 |
Slapstick as Subjectivity |
327 |
| 441 |
Satyagraha |
337 |
| 441 |
Material Girls |
594 |
| 441 |
Political Geometric Statment |
601 |
| 441 |
SNATCH BACK: End Assault |
389 |
| 441 |
Love is an Untitled Book yet to be written |
392 |
| 441 |
Avalanche |
152 |
| 441 |
Territories |
157 |
| 441 |
From Outrage to Resistance |
195 |
| 441 |
Real Realism: An Art Exhbition for the Disenchanted |
196 |
| 441 |
See the Beauty End the Violence |
205 |
| 441 |
ON THE MOVE |
218 |
| 441 |
think it/ feel it/ climb it |
243 |
| 441 |
LITANY FOR THE LOST - Artists Envision the Sixth Extinction |
250 |
| 457 |
Lu-creativity |
588 |
| 458 |
Terroris, Patriotism and holyTerroris, Patriotism and holy |
539 |
| 458 |
Ripple Affection |
285 |
| 458 |
When Good is Not Enough: Calling for the Witch |
332 |
| 458 |
Lumen: Symbolism |
341 |
| 458 |
Communitas: How to Create Egalitarian Transhumanism |
597 |
| 458 |
BEAT AND UNIVERSAL LANGUAGE |
342 |
| 458 |
TEMPORARY INSTANT COMMUNICATION |
624 |
| 458 |
Urban Details |
382 |
| 458 |
Introspective Collective: A Joseph Cornell Co-Op |
409 |
| 458 |
Sick Sad World |
423 |
| 458 |
...these fragments we have shored against our ruins… |
433 |
| 458 |
Humanity: Spirit and substance/ awakening or illusion |
434 |
| 458 |
Without (a) Guess |
439 |
| 458 |
PAINTING AFTER PAINTING |
189 |
| 458 |
We Will Put It All Back Together |
222 |
| 458 |
Heritage on Sale ...in bits and peices. |
510 |
| 474 |
Dollar-Shaped Eyeglasses |
131 |
| 474 |
Surfaces of Mirrors - or New York Through the Eyes of Hungarian Artists |
492 |
| 476 |
Heartbreak |
557 |
| 476 |
We become one |
331 |
| 476 |
The moment of miracle |
362 |
| 476 |
Structural fictions |
628 |
| 476 |
Love Is… |
145 |
| 476 |
Free as an oyster! |
221 |
| 476 |
Ego Trash |
227 |
| 476 |
riygygi BGUORIHGRWPGOIH gohwrpighoeurgh EgrvkUJrweekqh vk |
255 |
| 476 |
4 x 1/4 that visitors never see |
511 |
| 485 |
Materfamilias: The portrait of "family." |
114 |
| 486 |
Regular Beauty |
267 |
| 486 |
The Limit of the World |
535 |
| 486 |
How do city fathers use craftsmen to tell their story? |
309 |
| 486 |
Reggaed |
583 |
| 486 |
Location-Relocation |
373 |
| 486 |
ROYAL PERSIAN AND KASHMIR BROCADES |
124 |
| 486 |
We want the United States of the World |
139 |
| 486 |
„this land once was a mirror silvered by the sea“ - Mapping West African places and memories on the slavery route |
235 |
| 486 |
FreeDom |
491 |
| 486 |
THE REMAINS OF SEX |
493 |
| 496 |
MY BODY, MY RULES |
565 |
| 496 |
The Remains of the Day |
617 |
| 496 |
Machine for meaningless sounds |
386 |
| 496 |
Parallel Universes |
422 |
| 496 |
Forged |
187 |
| 496 |
Fractured Bones Do Heal |
233 |
| 502 |
The Irony of Intuition (An Act of Painting group show, curated by Raymond Cuijpers) |
286 |
| 502 |
Materiality: Subject and Object |
570 |
| 502 |
Thoughts become Things |
625 |
| 502 |
"Sea port city" CHILE |
117 |
| 502 |
LIGHT MATTER |
662 |
| 502 |
Third Generation Abstract Expressionist Painters |
153 |
| 502 |
Why painting? |
469 |
| 509 |
Eat the 1% for dinner! |
592 |
| 510 |
turning sounds into visuals |
184 |
| 511 |
PUSSY GALORE |
265 |
| 512 |
Stillness-black fetus |
387 |
| 512 |
All Over You |
135 |
| 512 |
CONNECTING THROUGH ART |
232 |
| 515 |
TRANSFORMATION |
284 |
