The Juror List
NYC Open Call 2024-25 Winning Proposals and Proposal Ranking
The five highest ranking proposals were submitted by:
Gülistan Kenanoğlu (Divine Violence / Jin, Jîyan, Azadî (ژن، ژیان، ئازادی)), Turkey
Souya Handa (Take it home, for (__) shall not repeat the error. [Manhattan Project]), Japan
Katie Yook (Goddess Tales), United States
Matthew Terrell (Cruising in the Shadows: Uncovering Secret LGBTQ+ Culture in New York City), United States
and Noel Maghathe (On my fingertips), United States
The NYC Open Call accepts ideas for group exhibitions to be presented at apexart in New York. The organizers of the five highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming. Dates will be posted as they are determined.
Thank you for submitting a proposal this round. We hope that you will consider doing so again in the future as the jury changes every time and many winners have submitted multiple times.
Take it home, for (__) shall not repeat the error. [Manhattan Project]
Dates TBD
submitted by: Souya Handa
Cruising in the Shadows: Uncovering Secret LGBTQ+ Culture in New York City
Dates TBD
submitted by: Matthew Terrell
| Rank | ID | Score | Title |
|---|---|---|---|
| 1 | 153 | 4.0909 | Divine Violence / Jin, Jîyan, Azadî (ژن، ژیان، ئازادی) |
| 2 | 414 | 4.0377 | Take it home, for (__) shall not repeat the error. [Manhattan Project] |
| 3 | 372 | 4.0182 | Goddess Tales |
| 4 | 376 | 4.0182 | Cruising in the Shadows: Uncovering Secret LGBTQ+ Culture in New York City |
| 5 | 80 | 4 | On my fingertips |
| 6 | 344 | 3.9444 | Collective Amnesia |
| 7 | 243 | 3.9259 | Tension: Asian Labor in the US |
| 8 | 358 | 3.9259 | Profile of a Land |
| 9 | 409 | 3.9245 | Crip Time |
| 10 | 257 | 3.9123 | Invisible weaving |
| 11 | 391 | 3.9107 | Hum Dekhain Gay (We shall see) |
| 12 | 392 | 3.8909 | ALIENS |
| 13 | 231 | 3.8545 | Not My War |
| 14 | 328 | 3.8462 | Our Past Is not Evil: Orishas are Us |
| 15 | 382 | 3.8421 | After War, A Garden From the Future |
| 16 | 253 | 3.8393 | Home is Waiting for You: Contemporary Art by Yemeni Women |
| 17 | 302 | 3.7885 | Beneath The Surface |
| 18 | 252 | 3.7857 | The Earth Is Cracked Yet The Water Stays Still |
| 19 | 198 | 3.7778 | Faux Future |
| 20 | 353 | 3.7778 | Bridges of Belonging |
| 21 | 442 | 3.7736 | UNTOLD JOURNEYS: GIRLS FIGHT FOR EDUCATION |
| 22 | 359 | 3.7544 | Artmaking Rooted in the Collective Resistance of Our Unhoused Neighbors |
| 23 | 181 | 3.7455 | Current Futures |
| 24 | 309 | 3.7407 | Astral Landscapes |
| 25 | 68 | 3.7273 | Sugar Fields |
| 26 | 77 | 3.7222 | Biphasic Dreams: The Night in Three Acts |
| 27 | 318 | 3.7193 | CROSSROADS |
| 28 | 320 | 3.7143 | Soil Times, the life beneath our feet. |
| 29 | 36 | 3.6852 | Reframing Thokoza as home, in the aftermath of South Africa’s “township wars†|
| 30 | 367 | 3.6792 | Menagerie of Disappearance |
| 31 | 433 | 3.6667 | Taste of Hand |
| 32 | 266 | 3.6607 | Sapara: The Dream of a Universe in Resistance |
| 33 | 331 | 3.6604 | Rites of Passage: Fragments and Cycles |
| 34 | 225 | 3.6545 | Xeno |
| 35 | 319 | 3.6545 | The Work of Art in the Age of Internationalized Internet |
| 36 | 445 | 3.6491 | Am I Not Soft Enough? |
| 37 | 430 | 3.6481 | Deadpan Pan |
| 38 | 400 | 3.6429 | I can't fuck much with the past but I fuck plenty with the future |
| 39 | 313 | 3.625 | Remember, We Can't Take It With Us |
| 40 | 205 | 3.6226 | Alterations |
| 41 | 301 | 3.6226 | SEAWEED TASTES LIKE FOREVER |
| 42 | 363 | 3.6182 | The Power of Storytelling |
| 43 | 365 | 3.614 | Rising From the Ashes |
| 44 | 303 | 3.6071 | The Memory of Trees |
| 45 | 471 | 3.6038 | Temporarily Here |
| 46 | 62 | 3.6 | How Pakistani culture affects religion and how women's sexuality is suppressed |
| 47 | 278 | 3.6 | La temperatura del cobre |
| 48 | 75 | 3.5965 | The Inverted Gaze |
| 49 | 152 | 3.5962 | Corporal Femininity |
| 50 | 85 | 3.5918 | Trouble/d Generation/s |
| 51 | 395 | 3.5849 | URDIMBRE: A visual tribute to identity |
| 52 | 38 | 3.5818 | Serenity, NOW |
| 53 | 443 | 3.5818 | Archives of Belonging: LGBTQ+ Narratives in Photography |
| 54 | 444 | 3.5818 | Vis-Ã -vis |
| 55 | 105 | 3.5789 | LyfeStyle - The Future Perfected |
| 56 | 159 | 3.5789 | Epi Lemma |
| 57 | 364 | 3.5741 | Finding Home |
| 58 | 470 | 3.5741 | A Few Unlikely Forms of Ecdysis |
| 59 | 176 | 3.5714 | Fragmented |
| 60 | 398 | 3.5714 | Artquatic Shop: Open for speculation! |
| 61 | 279 | 3.5636 | Un-deniable |
| 62 | 16 | 3.5536 | Maria Islands |
| 63 | 132 | 3.5536 | Open Your Mouth, Get Well Soon |
| 64 | 293 | 3.5536 | From Ashes to Art: Celebrating Resilience and Joy in Black Womanhood |
| 65 | 254 | 3.5455 | Plantation Futures: Foregrounding Lost Narratives |
| 66 | 394 | 3.5455 | The Double Sugar (The Impact of sugar on social mobility in Indonesia) |
| 67 | 343 | 3.5439 | Threads of Colonization: Textile Waste and Global Consequences |
| 68 | 459 | 3.5357 | Do you want to see my room? |
| 69 | 378 | 3.5283 | Art at Work: an exhibition celebrating public sanitation art |
| 70 | 415 | 3.5283 | Double Trouble |
| 71 | 130 | 3.5185 | HuÅ¡Äar (from the Belarusian language, it's a "thicket") |
| 72 | 136 | 3.5185 | If You Prick Me, Do I Not Bleed? |
| 73 | 403 | 3.5185 | Deep listening of a soil |
| 74 | 94 | 3.5179 | The Empty Chair: Artivist Outcries Against Femicide |
| 75 | 99 | 3.5179 | Refloresting bodies, Re-enchanting territories |
| 76 | 199 | 3.5091 | Bodies exa(o)m |
| 77 | 323 | 3.5091 | You Cannot F*ck the Land! |
| 78 | 29 | 3.5 | Conduits |
| 79 | 70 | 3.5 | American Education |
| 80 | 197 | 3.5 | Bound Narratives: A Photobook Library |
| 81 | 242 | 3.5 | the soil works for all |
| 82 | 299 | 3.5 | Polishing the Air |
| 83 | 361 | 3.5 | Unveiling The Unseen (Latin American Women Artist from Costa Rica) |
| 84 | 402 | 3.4909 | A Bat is a Leather Butterfly |
| 85 | 19 | 3.4821 | Second Bodies |
| 86 | 55 | 3.4821 | “Ukraine Mon Amourâ€: An Exhibition of Resilience and Humanity |
| 87 | 307 | 3.4821 | Let me be your ruler |
| 88 | 124 | 3.4815 | Reanimating the Sensing Body |
| 89 | 65 | 3.4737 | Go girl, go boy. Age Unveiled†416 3.4737 Archives of Intimacy 103 3.4727 Creating Safer Space 347 3.4717 The Shape of Healing 127 3.4643 Counterpoints of Memory 50 3.4545 Pedagogy & Palette: The Dual Lives of NYC Educator-Artists" |
| 90 | 195 | 3.4545 | Digital Frenzy |
| 91 | 315 | 3.4545 | The Last Mile |
| 92 | 425 | 3.4545 | What Light Said About A Stone |
| 93 | 191 | 3.4528 | Palmyra, The Agony |
| 94 | 88 | 3.4464 | Today, please, leave me alone |
| 95 | 339 | 3.4386 | Monuments to the Anthropocene |
| 96 | 345 | 3.4386 | Contours of Change: Alternative Maps, New Worldviews |
| 97 | 139 | 3.4364 | Counter-Texts: Language is Not Neutral |
| 98 | 145 | 3.4364 | Parrots, Pirates |
| 99 | 311 | 3.4364 | Better Versions |
| 100 | 261 | 3.4259 | The New Idols. Antimonuments and contemporary visions on commemoration |
| 101 | 111 | 3.4211 | Institute of Rest |
| 102 | 450 | 3.4074 | I Miss You So Much: an epistolary romance between old friends, new immigrants, two art students, and |
| 103 | 273 | 3.4035 | On the Edge: Housing in the Borderlands |
| 104 | 259 | 3.4 | Homeless In the Family of Man |
| 105 | 186 | 3.3962 | Hydra |
| 106 | 401 | 3.3929 | Institute of Societal Anxieties |
| 107 | 39 | 3.3889 | My Archeological Body |
| 108 | 263 | 3.3889 | Feel Good Parasite- Bodies in the Age of Technology |
| 109 | 325 | 3.3889 | To Return the Earth to the Earth |
| 110 | 379 | 3.3889 | 52nd Street Revisited |
| 111 | 297 | 3.3818 | (Re)Constructing Territories |
| 112 | 385 | 3.3818 | Concrete Futures |
| 113 | 333 | 3.375 | My Tank friend |
| 114 | 314 | 3.3654 | The apple (do)esn't fall far from the tree |
| 115 | 21 | 3.3636 | Echoes of Yesterday: An Exploration of Memory and Identity" |
| 116 | 151 | 3.3585 | Amina |
| 117 | 174 | 3.3571 | Familiar |
| 118 | 423 | 3.3519 | Unveiling home |
| 119 | 373 | 3.3455 | Ethicize: Unveiling the Erased Narratives |
| 120 | 53 | 3.3393 | Whimsical Lines: A Doodled Journey |
| 121 | 157 | 3.3393 | Fahrenheit 451: The Sequel |
| 122 | 245 | 3.3393 | Temporalities anchored by light |
| 123 | 271 | 3.3393 | High Heel Manifesto |
| 124 | 138 | 3.3333 | JUMPING THE FENCE |
| 125 | 428 | 3.3333 | Watermarks That Seeped Through The Concrete |
| 126 | 238 | 3.3273 | The Poster Show (working title) |
| 127 | 268 | 3.3273 | Amathungululu |
| 128 | 129 | 3.32 | Women in Memory |
| 129 | 54 | 3.3158 | FRUITS OF LABOUR |
| 130 | 455 | 3.3158 | Lakh War Sadkay (a hundred thousand sacrifices) |
| 131 | 95 | 3.3148 | Timeless Echoes: Portraits of Resilience in Monochrome |
| 132 | 377 | 3.3148 | the shushes of nothing at all |
| 133 | 421 | 3.3148 | The noise of the slowness |
| 134 | 380 | 3.3091 | From The Rubble, She Speaks: A Call For Peace In The Dust of Division |
| 135 | 438 | 3.3091 | Witchful Thinking (by the Baltic Sea) |
| 136 | 324 | 3.3077 | Inner State |
| 137 | 256 | 3.3036 | Glitched ID |
| 138 | 128 | 3.3019 | Disconnecting Tissue |
| 139 | 351 | 3.2982 | notions of care: deviant communities |
| 140 | 196 | 3.2909 | Lament |
| 141 | 404 | 3.2909 | Cosmetic Culture: Makeup in Contemporary Art |
| 142 | 408 | 3.2857 | Dancing on Hallowed Ground |
| 143 | 393 | 3.283 | Feeling Material |
| 144 | 432 | 3.2778 | I See Beauty in You |
| 145 | 224 | 3.2727 | The Choice of Narrowtive |
| 146 | 316 | 3.2727 | loveMANia |
| 147 | 429 | 3.2727 | Weighted Balloons |
| 148 | 67 | 3.2679 | Longleaf |
| 149 | 89 | 3.2679 | Feeling in Doomtime an ECOPUNK internvention |
| 150 | 317 | 3.2679 | Body of Mere Being |
| 151 | 340 | 3.2679 | It's a twister! |
| 152 | 454 | 3.2679 | Leer el Paisaje / To Read the Landscape |
| 153 | 24 | 3.2632 | Textiles Autonomy |
| 154 | 219 | 3.2632 | ARTIVISTS - Art Against Oppression |
| 155 | 413 | 3.2593 | Hair Sarkissian, Mashika Firunts Hagopyan, Scout Tufankjian |
| 156 | 185 | 3.2545 | Telekinesis, listening, and other forms of resistance |
| 157 | 306 | 3.2545 | Hypermnesia: memory fictions |
| 158 | 98 | 3.25 | The EXPANSE! EXHIBITION |
| 159 | 396 | 3.25 | Reshaping The Memory |
| 160 | 435 | 3.25 | City Vistas: Embracing Caribbean Migrations |
| 161 | 342 | 3.2456 | Repeat after me |
| 162 | 431 | 3.2456 | A.paisajes |
| 163 | 270 | 3.2407 | Now and then bodies arise |
| 164 | 381 | 3.2407 | The fae in the high castle: Crafting Cottagecore |
| 165 | 460 | 3.2321 | Fight today to not die tomorrow |
| 166 | 165 | 3.2281 | If our skin has no value, then our bones must be gold! |
| 167 | 451 | 3.22 | Museum of Walks |
| 168 | 221 | 3.2182 | Artificial Nature |
| 169 | 272 | 3.2182 | Post Structural: Richard Tuttle, Mike Cloud, Tauba Auerbach, and the Denial of Support |
| 170 | 384 | 3.2182 | A soft place to land, a hard place to leave |
| 171 | 448 | 3.2182 | sea, sands, corals, seaweeds, beaches, tides, swimmers, children, waves…seas and mothers (working |
| 172 | 140 | 3.2143 | “A Wise Conjurer’s Incantation: Humankind is alive... Hope and Peace is afoot.†|
| 173 | 226 | 3.2143 | Losing My Religion, The World Within |
| 174 | 424 | 3.2143 | Brushed Defiance |
| 175 | 440 | 3.2143 | The Art World is a Circus |
| 176 | 115 | 3.2037 | We The People |
| 177 | 133 | 3.2037 | Home Is Where the Heart Is |
| 178 | 406 | 3.2037 | Dancing on Hallowed Ground |
| 179 | 216 | 3.2 | Peering with, /in |
| 180 | 82 | 3.1964 | Thousand Island |
| 181 | 229 | 3.1964 | Expo Mala III |
| 182 | 180 | 3.193 | END |
| 183 | 131 | 3.1887 | Unveiling Perspectives |
| 184 | 168 | 3.1852 | The Longing Time |
| 185 | 84 | 3.1818 | IYKYK: AN EXPLORATION OF MEMORY AND IDENTITY IN THE DIGITAL ERA |
| 186 | 79 | 3.1786 | The Art Gallery Problem |
| 187 | 346 | 3.1786 | Bad Timekeepers |
| 188 | 464 | 3.1786 | Afro-Latinx Visions: Shaping Histories and Futures |
| 189 | 120 | 3.1754 | Lessons in the Black Arts and the Decolonial Sciences |
| 190 | 283 | 3.1754 | Temple of Sleep |
| 191 | 298 | 3.1698 | I Clicked on an Instagram Ad and This Happened |
| 192 | 41 | 3.1607 | El cielo como bandera |
| 193 | 189 | 3.1607 | Is other-scape…? |
| 194 | 206 | 3.1607 | Tides of Change: Documenting Oceanic Marvels and Confronting Plastic Pollution |
| 195 | 222 | 3.1607 | Silent Signs: A Poetics of Multilayered Urbanism |
| 196 | 276 | 3.1607 | Prügeltorte: Form as Submission |
| 197 | 235 | 3.1509 | WE ARE ONE |
| Rank | ID | Score | Title |
|---|---|---|---|
| 198 | 43 | 3.1481 | Insular City |
| 199 | 329 | 3.1455 | METAPHYSICÐ |
| 200 | 267 | 3.1404 | Title: "Borders of Humanity: Uniting through Art" |
| 201 | 410 | 3.1404 | Track Changes |
| 202 | 233 | 3.1404 | FRONTIERS |
| 203 | 232 | 3.1321 | SKIN, COLD TO TOUCH |
| 204 | 326 | 3.1273 | Break with me |
| 205 | 269 | 3.125 | How have I not heard you? |
| 206 | 371 | 3.1228 | memos on difference |
| 207 | 420 | 3.1228 | Environmental Boundaries |
| 208 | 446 | 3.1176 | Paper Meets Pixels : Collage Unleashed |
| 209 | 262 | 3.1111 | Ruin: an erotics of decay |
| 210 | 292 | 3.1111 | Becoming with |
| 211 | 334 | 3.1111 | Chile woke up? |
| 212 | 239 | 3.1091 | Clipped White |
| 213 | 280 | 3.1091 | SaṃsÄra: Spinning on a Broken Axle |
| 214 | 247 | 3.1071 | Is it time? |
| 215 | 22 | 3.1053 | Sharp Teeth |
| 216 | 437 | 3.1053 | 21st Century Wanderer |
| 217 | 250 | 3.0926 | Al-muthanna Ubuntu in Afro Arab landscapes |
| 218 | 61 | 3.0909 | Wisper and Shouts |
| 219 | 461 | 3.0909 | Mediagua |
| 220 | 203 | 3.0893 | Entangled Matter |
| 221 | 427 | 3.0877 | Fiber & Forge |
| 222 | 26 | 3.0769 | All Together Now: friendship and solidarity in the face of crisis |
| 223 | 112 | 3.0727 | Potentia |
| 224 | 162 | 3.0727 | nonplace.site |
| 225 | 170 | 3.0714 | El arte del comer- The art of eating |
| 226 | 193 | 3.0714 | Mathematical Expressionism: Bricks, Time and Restlessness |
| 227 | 190 | 3.0702 | Another tourist destinations |
| 228 | 209 | 3.0702 | I am not free |
| 229 | 337 | 3.0577 | Embodied Densities: Polyphonic Genealogies |
| 230 | 352 | 3.0577 | END MEASURE: OF SONIC FUTURES PAST |
| 231 | 453 | 3.0577 | I’LL BE IN MY KITCHEN |
| 232 | 227 | 3.0556 | Opaque Voices, Encrypted Sounds |
| 233 | 405 | 3.0556 | Politics of Imperceptible: The Regimes of Post-truth |
| 234 | 58 | 3.0545 | DESENFRENO Audiovisual |
| 235 | 240 | 3.0545 | Indepthtedness |
| 236 | 370 | 3.0545 | Reconfiguration, Recombination, Redistribution, Reattachment, … |
| 236 | 412 | 3.0545 | Healing through ... |
| 237 | 167 | 3.0536 | SCRIBBLINGS: Choreographies of Unravellings, Meanderings & Wandering Wanderlusts |
| 238 | 417 | 3.0536 | Art in Evolution: From Pictorial to Quantum State |
| 239 | 447 | 3.0536 | The Collectors |
| 240 | 32 | 3.0526 | Mapping Memory – Where am (I/WE/YOU)? |
| 241 | 217 | 3.0364 | POOR BUT SEXY |
| 242 | 287 | 3.0364 | Posting Is Like Sending A Message In A Bottle |
| 243 | 407 | 3.0364 | I see you in 3D |
| 244 | 441 | 3.0357 | Free My Colonized Mind |
| 245 | 106 | 3.0351 | The Edge of Skin |
| 246 | 42 | 3.0182 | Nomadicus Digitalis: a rising species |
| 247 | 122 | 3.0182 | WORK, (DIS)ORDER AND (SELF)DISCIPLINE: The Invisible Labor of Cultural Workers |
| 248 | 321 | 3.0182 | The Transgressive Power Of Grief |
| 249 | 349 | 3.0182 | A liberated carnival (Un carnaval liberado) |
| 250 | 387 | 3.0182 | Paleo Genesis |
| 251 | 25 | 3.0179 | CUIRIO: Looking at Contemporary Puerto Rican Queer Artists in New York City |
| 252 | 220 | 3.0179 | MISFITS |
| 253 | 383 | 3.0179 | We taste the future - my somatic intelligence and me |
| 254 | 96 | 3.0175 | SUBMERGED |
| 255 | 160 | 3.0175 | Maternal Depths |
| 256 | 37 | 3 | Vocal Imprint |
| 257 | 107 | 3 | The Narrative: The Art of Storytelling in Contemporary Painting |
| 258 | 119 | 3 | [Aqua + Terra + Air] |
| 259 | 335 | 3 | Unlearning Imperialism |
| 260 | 83 | 2.9821 | Welcome to the Game on Earth: Avatars of the Spirit |
| 261 | 187 | 2.9818 | BLACKBOARDS FULL OF NOISE |
| 262 | 146 | 2.9649 | MEMORIES OF LONGING AND BELONGING… |
| 263 | 171 | 2.9649 | Living Thing |
| 264 | 63 | 2.9649 | Colours of the Soul |
| 265 | 49 | 2.9643 | Unveiling Identities: Exploring Cross-cultural Narratives in LGBTQIA+ Art |
| 266 | 248 | 2.9636 | MINERALIA |
| 267 | 294 | 2.9636 | Minor Injury: An Alternative Vision of the 1980s New York Art |
| 268 | 389 | 2.9636 | Jag Vill Leva, Jag Vill Dö I Norden |
| 269 | 411 | 2.963 | Redefining Realities: New Media Art in the Digital Age |
| 269 | 141 | 2.9455 | dengên jinan |
| 270 | 158 | 2.9455 | Shadows of Simorgh |
| 271 | 264 | 2.9455 | Unique Expressions: We Are Who We Are |
| 272 | 48 | 2.9444 | Mi prendo cura di me ("I take care of me") |
| 273 | 366 | 2.9423 | Gore Porno Tropicalism |
| 274 | 125 | 2.9259 | Fillings |
| 275 | 290 | 2.9259 | LAKE-FACING PEOPLE |
| 276 | 74 | 2.9123 | Draw me a sheep |
| 277 | 142 | 2.9123 | When The Heaven Was Fall: Art from Myanmar |
| 278 | 179 | 2.9123 | red-amber-green |
| 279 | 126 | 2.9091 | Unknown at the moment |
| 280 | 194 | 2.9091 | There's no place like home |
| 281 | 118 | 2.9057 | Mission to Vision |
| 282 | 289 | 2.8947 | Resolution 1481 |
| 283 | 102 | 2.8929 | The Forbidden Fruit: Object of Desire |
| 284 | 137 | 2.8929 | Wild Renaissance : the symbiotic perspective |
| 285 | 327 | 2.8889 | Echoes of X |
| 286 | 241 | 2.8772 | Follow The Feeling: A Musical |
| 287 | 156 | 2.875 | In Loving Memory |
| 288 | 439 | 2.875 | Threads of the Soul. |
| 289 | 91 | 2.8727 | Let your dark out |
| 290 | 348 | 2.8727 | Diverse Perceptions |
| 291 | 33 | 2.8704 | I shot P. |
| 292 | 322 | 2.8545 | Subversive Parallels |
| 293 | 166 | 2.8421 | Reduce, reuse, recycle |
| 294 | 214 | 2.8364 | Counterforms: six proposals from Argentina and Chile |
| 295 | 154 | 2.8333 | A Moment to Dream: The Art of Fashion Photography |
| 296 | 275 | 2.8333 | SANDCASTLE |
| 297 | 291 | 2.8269 | Breaking Things at Work: Today’s Luddites |
| 298 | 45 | 2.8182 | Reflection |
| 299 | 17 | 2.8036 | ANTI-SOCIAL: EXPLORING CONTEMPORARY HETEROTOPIAS |
| 300 | 237 | 2.7963 | Nuwa City |
| 301 | 465 | 2.7963 | Reclaiming the muses |
| 302 | 28 | 2.7857 | Memes: visual criticism (the role of the image as a critical method in the viral space) |
| 303 | 30 | 2.7857 | THIS IS ... NOUVELLE VAGUE |
| 304 | 296 | 2.7857 | Shadows of Bygones: Interpreting Temporality Through Materiality |
| 305 | 104 | 2.7818 | A World At Every Plunge |
| 306 | 244 | 2.7818 | Is it Art ir AI, or both? |
| 307 | 336 | 2.7593 | The Sanatorium or how to levitate over the cracks. Art is not a competition 2024 |
| 308 | 23 | 2.7407 | And Me: The American Girl |
| 309 | 100 | 2.7407 | TechVolution: An Art-Tech Fusion at Apexart |
| 310 | 164 | 2.7407 | My ancestors told me that spirits never die |
| 311 | 386 | 2.7407 | Advanced materials : Cyber counter narratives from the most mafia-ridden place in the world |
| 312 | 258 | 2.7321 | For Want of a Room |
| 313 | 201 | 2.7193 | Delinquency |
| 314 | 277 | 2.7193 | Are we our own Matrix? |
| 315 | 390 | 2.7143 | I love I get to exist with you |
| 316 | 472 | 2.6981 | Zauriak |
| 317 | 47 | 2.6964 | We Know Nothing About Everything |
| 318 | 362 | 2.6964 | Family |
| 319 | 204 | 2.6909 | Traces of other lives: Memory in the individual and the collective |
| 320 | 357 | 2.6852 | Speculative Now |
| 321 | 300 | 2.6792 | Blade Thin |
| 322 | 27 | 2.6727 | Your Gold is not Our Glory |
| 323 | 211 | 2.6727 | On the Verge |
| 324 | 200 | 2.6545 | A place I can't call home |
| 325 | 284 | 2.6545 | Earth Awaiting Humanity |
| 326 | 305 | 2.6545 | You Manejo, Dios Me GuÃa |
| 327 | 73 | 2.6481 | disorientation |
| 328 | 173 | 2.6481 | SILENT VOICES |
| 329 | 274 | 2.6471 | The Imaginarium: Universe of the Mind |
| 330 | 150 | 2.6429 | THE GREAT CIRCUS OF THE PATRIARCHY |
| 331 | 368 | 2.6296 | Protection, confrontation, freedom: cloaks and armor (working title) |
| 332 | 72 | 2.625 | The Whole Technoshamanism Catalogue |
| 333 | 388 | 2.6182 | SHORT STORIES OF EMERGING IDENTITIES |
| 334 | 355 | 2.6111 | Xeno: resilience |
| 335 | 182 | 2.6 | For Kappa |
| 336 | 93 | 2.5893 | Boundaries, Borders and Walls - Artists and Art: The Common Denominator |
| 337 | 208 | 2.5893 | Unknown, Unsung and Forgotten |
| 338 | 18 | 2.5741 | The Chemistry of a BLUEPRINT |
| 339 | 31 | 2.5614 | Legacy |
| 340 | 175 | 2.5536 | Birds Of A Feather |
| 341 | 286 | 2.5536 | Animated US |
| 342 | 281 | 2.537 | Archive As Organism |
| 343 | 375 | 2.5357 | Reclaiming the muses |
| 344 | 350 | 2.5273 | You don't look Brazilian |
| 345 | 87 | 2.5179 | Resilience Reflected: Echoes of Contemporary Pueblo Existence |
| 346 | 249 | 2.5088 | Mental Gardens |
| 347 | 51 | 2.5 | Hommage to Sarah G. |
| 348 | 56 | 2.4909 | INSOLENCE |
| 349 | 202 | 2.463 | Voyage through Virtual Vistas: Exploring AI Art with ChatGPT |
| 350 | 212 | 2.4561 | an art calligraphy " a crreative dialogue " divinely revealed scriptures |
| 351 | 109 | 2.4444 | A painted place |
| 352 | 255 | 2.4182 | LATINOAMERICA CONECTA - Photographic Narratives from an Entire Continent |
| 353 | 169 | 2.4151 | Other//Bodies |
| 354 | 234 | 2.3929 | RØMSKOG |
| 355 | 436 | 2.3818 | Grey Market: Normalize crime |
| 356 | 457 | 2.3684 | The Ultimate Sink |
| 357 | 192 | 2.3519 | Late Start For Mardis Gras |
| 358 | 108 | 2.3 | THE PICTURE YOU SEE IS NOT A PORTRAIT OF ME / A CONTEMPORARY PORTRAIT: ABSENT AND IMAGE |
| 359 | 360 | 2.2759 | Dispute Unresolution |
| 360 | 332 | 2.2667 | Connections: The Path to Interaction |
| 361 | 354 | 2.2667 | having a good time |
| 362 | 155 | 2.2364 | Unbinding Histories |
| 363 | 135 | 2.2333 | 'White Inferno'' |
| 364 | 230 | 2.2333 | VISION(A.I)RY |
| 365 | 78 | 2.2182 | The wounds we make |
| 366 | 422 | 2.2 | Even a worm will turn |
| 367 | 81 | 2.1818 | Women as We See Them |
| 368 | 147 | 2.1667 | The canvas as a fighting flag (Chile´s October Outbreak) |
| 369 | 452 | 2.1667 | People’s Pick |
| 370 | 97 | 2.1333 | Goliat |
| 371 | 20 | 2.1 | Not a Monolith |
| 372 | 121 | 2.1 | Popular Knowledge |
| 373 | 215 | 2.0667 | Filtered |
| 374 | 341 | 2.0667 | Sonic Agencies: triggering auditory resistances |
| 375 | 285 | 2.0645 | Traditions that should not be lost |
| 376 | 184 | 2.0333 | Dark Ecology |
| 377 | 143 | 2 | Silent Voices |
| 378 | 207 | 2 | Outer Layer |
| 379 | 356 | 2 | CINEMA 17 |
| 380 | 369 | 2 | mangment |
| 381 | 330 | 1.9355 | Football & Art (Soccer) |
| 382 | 57 | 1.9333 | Indian Art Fusion |
| 383 | 40 | 1.931 | Belonging, blinded choices |
| 384 | 310 | 1.8333 | Analogous Luddite: Slow Down |
| 385 | 113 | 1.8 | Art Politics ( A display of talent, and unotordoxed technics.) |
| 386 | 178 | 1.7 | Drawing you in |
| 387 | 177 | 1.6667 | illustration world |
| 388 | 246 | 1.6667 | Vice Versa |
| 389 | 2 | 1.6333 | African life |
| 390 | 34 | 1.5 | Moment |
| 391 | 462 | 1.4667 | AVALANCHE |
| 392 | 161 | 1.3333 | Art Everywhere |
| 393 | 312 | 1.3333 | your rock, my volcano |