The Juror List
INTL Open Call 2023-24 Winning Proposals and Proposal Ranking
The four highest ranking proposals were submitted by:
Marian Casey (Death Rights), San Antonio, Texas, United States
Farida Youssef (The Valley of Walls), Cairo, Egypt
Fatma Hendawy (As we move away from the sun), Toronto, Canada
and Amaechina David Snipes (ASHAWO : Who says you're a hoe??), Lagos, Nigeria
The International Open Call accepts ideas for group exhibitions to be presented in any city on earth outside New York. The organizers of the four highest-ranked proposals will receive curatorial honorariums, funding for their exhibitions, and funding for exhibition-related public programming. Dates will be posted as they are determined.
Thank you for submitting a proposal this round. We hope that you will consider doing so again in the future as the jury changes every time and many winners have submitted multiple times.
Death Rights
Dates TBD
submitted by: Marian Casey
In San Antonio, Texas, United States
Presents artists engaging with loss, remembrance, and the afterlife by radically reclaiming death as political tool.
The Valley of Walls
Dates TBD
submitted by: Farida Youssef
In Cairo, Egypt
Engages with the archive as an artistic and ecological intervention through site-specific installations in the abandoned apartment of Egypt’s former Minister of Water Resources and Irrigation.
As we move away from the sun
Dates TBD
submitted by: Fatma Hendawy
In Toronto, Canada
Invites audiences to engage with topics of migration, displacement, and adaptation with a focus on the inextricable connections between human and plant migration.
ASHAWO : Who says you're a hoe??
Dates TBD
submitted by: Amaechina David SNIPES
In Lagos, Nigeria
Challenges prejudice against the Nigerian women through fashion, performance, spiritualism, visual art, and activism.
| Rank | ID | Score | Title | Country |
|---|---|---|---|---|
| 1 | 290 | 4.1231 | Death Rights | United States |
| 2 | 293 | 4.0606 | The Valley of Walls | Egypt |
| 3 | 304 | 4.0572 | As we move away from the sun | Canada |
| 4 | 107 | 4.0462 | ASHAWO : Who says you're a hoe?? | Nigeria |
| 5 | 166 | 3.9848 | Amazonia: The Sapara Universe. | Ecuador |
| 6 | 238 | 3.9697 | Zen, Zendegi, Azadî (ژن، ژیان، ئازادی) / Kadın, Yaşam, Özgürlük | Turkey |
| 7 | 412 | 3.9394 | Femme Maison | France |
| 8 | 463 | 3.9394 | Ground Heritage: Ethnomycological Encounters | Chile |
| 9 | 474 | 3.9394 | Reza, Give Us A Beat! | United Kingdom |
| 10 | 481 | 3.9394 | Our city is fighting not to be eaten by the jungle | Venezuela |
| 11 | 498 | 3.9375 | Hydrospheric Memory | United States |
| 12 | 402 | 3.9091 | Arrows of Laughter and Truth into the Cold Heart of Power: Nigerian Editorial Cartoons (2015-2023) | Nigeria |
| 13 | 356 | 3.9077 | White Doesn't Mean Silence | Japan |
| 14 | 167 | 3.8939 | Articulations: Listening to African Art | South Africa |
| 15 | 119 | 3.8906 | Our Bodies | Ireland |
| 16 | 496 | 3.8906 | Only I can make my tomorrow. Weaving stories of Honduran women artists. | Honduras |
| 17 | 200 | 3.875 | Access as Aesthetic | United States |
| 18 | 315 | 3.8636 | Ground Truth: The Omniscient Eye of AI | Singapore |
| 19 | 334 | 3.8636 | Sound inequality: | Korea, Republic of |
| 20 | 95 | 3.8485 | Mansa Musow | Mali |
| 21 | 159 | 3.8485 | A Gray Sorrow in Between | Canada |
| 22 | 399 | 3.8462 | Desert Veil | Israel |
| 23 | 157 | 3.8333 | Feel(in) the Gaps | Austria |
| 24 | 234 | 3.8333 | Rotten: the beauty of decaying | Brazil |
| 25 | 467 | 3.8308 | Crafting Futures: Young Female Art from Saudi Arabia | Saudi Arabia |
| 26 | 278 | 3.8182 | Too Young To Be a Museum | Austria |
| 27 | 260 | 3.803 | "On the shore of the Caspian Sea" | Azerbaijan |
| 28 | 488 | 3.803 | Abortion Stories: Oral and Material Histories | United States |
| 29 | 79 | 3.8 | Ngā Uri o Te Tai | New Zealand |
| 30 | 308 | 3.7879 | The Imaginary Amazon | United States |
| 31 | 319 | 3.7727 | The Power of the Image | Pakistan |
| 32 | 349 | 3.7727 | Decolonizing History: The African Narrative | United Kingdom |
| 33 | 215 | 3.7576 | Love for Sale | Mexico |
| 34 | 295 | 3.7538 | Memory as Medium: Archetypes for the Next 10,000 Years | Jordan |
| 35 | 413 | 3.75 | Dream With Me ! | Turkey |
| 36 | 427 | 3.75 | The depth and possibility of a voice. (Nesta/FREE/ art village) | Ethiopia |
| 37 | 7 | 3.7424 | Agri Culture | Philippines |
| 38 | 401 | 3.7424 | SISI KWA SISI : A SEASON OF JOY | Kenya |
| 39 | 4 | 3.7385 | Everything is (star) Dust | India |
| 40 | 387 | 3.7385 | Bio-Luminescence. Life forms | Mexico |
| 41 | 333 | 3.7344 | Seeing Lithium Extraction: Countering the Myth of 'Green' Transition through Contemporary Art | Sweden |
| 42 | 358 | 3.7273 | Weaving art into city | Japan |
| 43 | 130 | 3.7273 | Phantom Museum | Iraq |
| 44 | 501 | 3.7273 | In Flow with Vjosa, the Last Wild River In Europe | Albania |
| 45 | 29 | 3.7121 | Not Another Coconut Tree | Trinidad and Tobago |
| 46 | 327 | 3.7121 | The Latinas Granmas Oracle : a feminist and decolonial experiment | Brazil |
| 47 | 279 | 3.697 | THE HEALING CAPSULE | Austria |
| 48 | 344 | 3.697 | This is not the __________ we dreamed of | South Africa |
| 49 | 430 | 3.697 | Seismographs of an entranced earth / Sismografias de uma terra em transe | Brazil |
| 50 | 462 | 3.697 | Whatever happened to the TV remote ? | Brazil |
| 51 | 48 | 3.6923 | Sleeping Under The Banyan Tree | Netherlands |
| 52 | 323 | 3.6923 | In Gentle Life_ The reinvention of masculinities | South Africa |
| 53 | 294 | 3.6818 | Mexicanisms: Mexican Art in the Age of Globalization | Mexico |
| 54 | 316 | 3.6818 | Ukrainian Futurism now | Poland |
| 55 | 353 | 3.6818 | Things We Found In Stillness | Myanmar |
| 56 | 469 | 3.6818 | Lakay | France |
| 57 | 192 | 3.6769 | Arcadia | Germany |
| 58 | 388 | 3.6667 | WE ARE ALL MADE OF EACH OTHER | Greece |
| 59 | 433 | 3.6667 | Bad Colors Combo | Turkey |
| 60 | 184 | 3.6667 | Slippery Silver Shoes | United Kingdom |
| 61 | 244 | 3.6563 | JAPA? My Migration Story | Nigeria |
| 62 | 283 | 3.6515 | Body of Nobodies | Germany |
| 63 | 389 | 3.6515 | No Country For EVE | Georgia |
| 64 | 390 | 3.6515 | The Lesser Known Diaspora: "Africanity" and "Hybridity" in the Indian Ocean World | United Kingdom |
| 65 | 148 | 3.6515 | Stitching Solidarity | Japan |
| 66 | 168 | 3.6515 | Demonstration for All Senses | Germany |
| 67 | 239 | 3.6515 | Here. I am | United Arab Emirates |
| 68 | 10 | 3.6462 | El Contrato Natural | Puerto Rico |
| 69 | 352 | 3.6364 | DEFRAG THE ARCHIVE: Exploring Georgian Queer internet | Georgia |
| 70 | 376 | 3.6364 | The first language | United Kingdom |
| 71 | 432 | 3.6364 | Flowing Homes: Stories of Migration Along the Yangtze River | China |
| 72 | 97 | 3.6349 | Argentina | |
| 73 | 364 | 3.6308 | REASSEMBLING THE BODY | Spain |
| 74 | 373 | 3.6308 | Of uncertain monsoonal geographies: Assembling architectural compositions | India |
| 75 | 298 | 3.6212 | Chat GPT: being a human b <e> ing? | Italy |
| 76 | 229 | 3.6212 | Exercises to repair time | Argentina |
| 77 | 51 | 3.6154 | Neurodiversity: A Journey Through the Mind | United States |
| 78 | 367 | 3.6154 | Retracing, Retrieving, and Revitalizing: From Yurakucho to Yangon | Japan |
| 79 | 252 | 3.6154 | Luckily ghosts never die | Germany |
| 80 | 158 | 3.6094 | Hoa Tay | United States |
| 81 | 47 | 3.6061 | Sound on Paper (Le bruit, sur le papier) | France |
| 82 | 321 | 3.6061 | Dreaming in Small Print | Germany |
| 83 | 78 | 3.6061 | Stimuli | United Kingdom |
| 84 | 407 | 3.6061 | PinkPunk | Italy |
| 85 | 408 | 3.6061 | MBARI FAMILY ALBUM | Nigeria |
| 86 | 108 | 3.6 | Sorry, Shame it On Me | Poland |
| 87 | 137 | 3.6 | Minimal Gesture: Imbalance and Black Resistance | France |
| 88 | 265 | 3.5909 | Rethinking Agave: Planta, Alimento, Bebida, Arte y Objeto | United States |
| 89 | 235 | 3.5909 | AFRO-GENDERBEAMS (THEY/WE/US) | United States |
| 90 | 236 | 3.5846 | Artention! | Cuba |
| 91 | 43 | 3.5692 | ellipsis: folds of memory | Bosnia and Herzegowina |
| 92 | 231 | 3.5692 | You Thought This Was Just A Whisper | United States |
| 93 | 276 | 3.5606 | Consumerism got us here (working title) | United Kingdom |
| 94 | 468 | 3.5538 | The Mythical Creatures of the Anthropocene | Czech Republic |
| 95 | 16 | 3.5455 | STUFFED | United States |
| 96 | 21 | 3.5455 | Visibility is Killing Us | USA |
| 97 | 285 | 3.5455 | If walls could talk | Mexico |
| 98 | 38 | 3.5455 | How to put a pig on the tracks | Belgium |
| 99 | 188 | 3.5455 | Paper Trails between Swan and Lion | Singapore |
| 100 | 17 | 3.5303 | Black Lives Matter Memorial Project | USA |
| 101 | 207 | 3.5303 | Where Is Your Home? | Poland |
| 102 | 69 | 3.5231 | Sacred Machinations | Philippines |
| 103 | 111 | 3.5231 | WHEN IT HURTS... WAR... | Ukraine |
| 104 | 164 | 3.5231 | At the end of endless traffic (Sa dulo ng walang hanggang trapik) | Philippines |
| 105 | 300 | 3.5152 | Between a Rock and a Hard Place | United States |
| 106 | 221 | 3.5152 | In Search of a Darkness Lost | Germany |
| 107 | 396 | 3.5079 | Xeno.... The Roving Foreign | South Africa |
| 108 | 292 | 3.5077 | Radiant City | United Kingdom |
| 109 | 275 | 3.5 | Crushed Scale | Canada |
| 110 | 309 | 3.5 | Unlearning the alphabets of consumerism | Ethiopia |
| 111 | 325 | 3.5 | Welcome to Your World | Philippines |
| 112 | 454 | 3.5 | the landscape of our deserts, graveyards of fashion. | Mexico |
| 113 | 206 | 3.5 | Public Manifestations | United Kingdom |
| 114 | 269 | 3.4923 | Karibesh/Disguise - A Queer Art Exhibation | Bangladesh |
| 115 | 284 | 3.4923 | There are other routes than ours | Mexico |
| 116 | 297 | 3.4923 | Gestures make memories | United Kingdom |
| 117 | 445 | 3.4923 | Who Made the Baklava? | Greece |
| 118 | 60 | 3.4848 | Monstrum, -i | Italy |
| 119 | 357 | 3.4848 | LIVING ROOM | Netherlands |
| 120 | 267 | 3.4697 | POETICS OF THE END | United States |
| 121 | 312 | 3.4697 | Un vacío se instaló en mi pecho: gravitando hacia la incompletitud / A void settled in my chest: g | Mexico |
| 122 | 369 | 3.4697 | Alone Again, Natura-Diddily | Ireland |
| 123 | 409 | 3.4697 | Dystopic Melancholy | Switzerland |
| 124 | 40 | 3.4688 | Ash, Ochre, Medicine | United States |
| 125 | 11 | 3.4545 | Cuban Architectures: the Third Space | Italy |
| 126 | 307 | 3.4545 | Las que despiertan | Colombia |
| 127 | 386 | 3.4545 | Black Biennial: Fabulations | United States |
| 128 | 140 | 3.4545 | Always coming home â an archeology of the future | Sweden |
| 129 | 400 | 3.4545 | On the border-Borderlands | United States |
| 130 | 149 | 3.4545 | Inhabiting the land? | Colombia |
| 131 | 183 | 3.4545 | Fragments: Art of our siblings | United Kingdom |
| 132 | 262 | 3.4394 | Seating Arrangement | Austria |
| 133 | 287 | 3.4394 | Flawed and Fearless: Celebrating Vulnerability | Poland |
| 134 | 118 | 3.4394 | I didn't think it would turn out this way ¦ On Intimacy and Publicness | Denmark |
| 135 | 9 | 3.4375 | Let's Stay in Touch | Germany |
| 136 | 210 | 3.4375 | Resisting Fragments. Memories of the past in Chilean contemporary art since 1990 | Chile |
| 137 | 361 | 3.4308 | Home, Sweet Home | Austria |
| 138 | 423 | 3.4308 | The Big Other's Gaze | China |
| 139 | 452 | 3.4308 | A pinch of salt | United Kingdom |
| 140 | 248 | 3.4286 | Reframing the atmosphere | Croatia (local name: Hrvatska) |
| 141 | 330 | 3.4154 | Parorion | Greece |
| 142 | 282 | 3.4091 | A box full of darkness | Netherlands |
| 143 | 336 | 3.4091 | Who are we now? | India |
| 144 | 339 | 3.4091 | Convergence | Nigeria |
| 145 | 91 | 3.4091 | Evanescence | France |
| 146 | 152 | 3.4063 | Buddha Head: Lost and Found | United Kingdom |
| 147 | 346 | 3.4 | Devolver a Terra à Terra (To Return the Land to the Land) | Germany |
| 148 | 456 | 3.4 | Death of Mediocrity | United Kingdom |
| 149 | 448 | 3.3939 | A Body of Water: Weaving stories around the Mediterranean Sea | Greece |
| 150 | 211 | 3.3939 | Going Under | Georgia |
| 151 | 187 | 3.3906 | The Ghost in the machine: an exhibition | Germany |
| 152 | 415 | 3.3846 | Worthless Things | Germany |
| 153 | 182 | 3.3846 | In or Out? Border walls and consequences | United States |
| 154 | 465 | 3.3846 | The Entropy Arch | Portugal |
| 155 | 291 | 3.3788 | DEPARTURES | United Kingdom |
| 156 | 80 | 3.3788 | Weeds, Hands and Forest | France |
| 157 | 360 | 3.3788 | Under Other Names | Puerto Rico |
| 158 | 398 | 3.3788 | Alpha Omega and everything in Between | South Africa |
| 159 | 6 | 3.375 | Same Loss Twice | Pakistan |
| 160 | 378 | 3.375 | Mountains Invasion | Argentina |
| 161 | 320 | 3.3692 | Always the Sky | Greece |
| 162 | 329 | 3.3692 | ...that creeps from the earth | Greece |
| 163 | 380 | 3.3692 | Hear and Now | Thailand |
| 164 | 473 | 3.3692 | Between the Lines: Celebrating the Book as Art & Muse | United States |
| 165 | 241 | 3.3692 | Volcanic Migrations | Mexico |
| 166 | 156 | 3.3651 | Echoes of Yesterday: An Exploration of Memory and Identity | United States |
| 167 | 305 | 3.3636 | My Perfect Family | Indonesia |
| Rank | ID | Score | Title | Country |
|---|---|---|---|---|
| 168 | 70 | 3.3636 | Viewing, wake, coins in my pocket | Germany |
| 169 | 233 | 3.3636 | 4891; Heterotopia | Greece |
| 170 | 217 | 3.3594 | Now I Lay me Down to Sleep: Afro-Queer Dwellings | United States |
| 171 | 46 | 3.3538 | Fragile Nest | Italy |
| 172 | 447 | 3.3438 | Fake it till you make it | Italy |
| 173 | 405 | 3.3385 | SENSORY PARTY | Ecuador |
| 174 | 189 | 3.3385 | Totalitarian Props | United Kingdom |
| 175 | 179 | 3.3333 | Like Sister | Israel |
| 176 | 484 | 3.3333 | A Baltic Sea-through | Latvia |
| 177 | 191 | 3.3281 | LET ME COME HOME | Philippines |
| 178 | 370 | 3.3231 | Female Indigenous (Ancestral) Futures | Germany |
| 179 | 268 | 3.3182 | Under the skin | Serbia |
| 180 | 271 | 3.3182 | Mine! Mine! Mine! Extractivism and the Politics of Individualism | Germany |
| 181 | 208 | 3.3182 | White Flag | Egypt |
| 182 | 250 | 3.3182 | Sound & Colour | Uganda |
| 183 | 261 | 3.303 | Totally Open | United Kingdom |
| 184 | 115 | 3.303 | Error Coded | South Africa |
| 185 | 242 | 3.303 | I build my language with rocks | Italy |
| 186 | 216 | 3.2969 | Carpe diem because memento mori | Mexico |
| 187 | 129 | 3.2923 | SOMETHING ELSE IN ITS PLACE, NATURE AS CONNECTION | Colombia |
| 188 | 404 | 3.2923 | Gravitational Pull | Germany |
| 189 | 486 | 3.2923 | OrÃgenes mutantes: Cumbias Des-bordantes | Sweden |
| 190 | 232 | 3.2923 | Lifting half the sky | Indonesia |
| 191 | 317 | 3.2879 | Portraits of Departure | Netherlands |
| 192 | 64 | 3.2879 | Self-healing | Italy |
| 193 | 186 | 3.2879 | EXHUMATION. Vestiges of a non-conscious civilization | Colombia |
| 194 | 494 | 3.2879 | Fabulating Futures and Reimagining Existence | Colombia |
| 195 | 480 | 3.2813 | Proposals for a Memorial to Partition | United States |
| 196 | 313 | 3.2769 | ART IN QUANTUM STATE | Colombia |
| 197 | 73 | 3.2769 | The Seven Kingdoms | Ecuador |
| 198 | 372 | 3.2769 | Sweet Dreams Form a Shade | Italy |
| 199 | 383 | 3.2727 | Angular Caribbean | Colombia |
| 200 | 136 | 3.2576 | Women in Art | Nigeria |
| 201 | 414 | 3.2576 | Temporally Collected, Gathered Expectantly | Switzerland |
| 202 | 171 | 3.2576 | Azaadi or Consider This Before You Steal Our Futures | United Kingdom |
| 203 | 114 | 3.254 | Not to burn the ships / No quemar las naves | Mexico |
| 204 | 272 | 3.2462 | Intersections | Ireland |
| 205 | 296 | 3.2424 | FRACTAL MEETING GROUNDS | Mexico |
| 206 | 209 | 3.2424 | Cardiac Arrest, Arrest Cardiac | United Kingdom |
| 207 | 374 | 3.2344 | Panoptifashion: A Countersurveillance Aesthetic | Italy |
| 208 | 12 | 3.2308 | human-alike | United Kingdom |
| 209 | 23 | 3.2308 | Black Comic Book Arts Exhibition: A Celebration of Black Narratives in the Comic Book World | United Kingdom |
| 210 | 366 | 3.2308 | The Politics of Survival: Wave, Stability and The Vicious Circle | Turkey |
| 211 | 37 | 3.2273 | Wai MÄori: MÄori Interests in Freshwater Governance | New Zealand |
| 212 | 86 | 3.2273 | Your Gold Is Not Our Glory | Netherlands |
| 213 | 135 | 3.2273 | Game of War | Egypt |
| 214 | 403 | 3.2273 | Only light moves at the speed of light | Chile |
| 215 | 457 | 3.2188 | El fin de la inmobilización (Stillness' end) | Peru |
| 216 | 299 | 3.2154 | Reshaped | United States |
| 217 | 110 | 3.2 | How to Explain Art to an Alive Dog | Israel |
| 218 | 264 | 3.197 | "Returning Spatial Quality to Daily Life in Iran" | Iran (Islamic Republic of) |
| 218 | 342 | 3.197 | edge effect | Greece |
| 219 | 63 | 3.1875 | Cornucopia | Greece |
| 220 | 397 | 3.1818 | uninterrupted us | India |
| 221 | 422 | 3.1818 | Celestial Meanderings Across Time and Space | France |
| 222 | 199 | 3.1818 | Congruencias | Argentina |
| 223 | 263 | 3.1719 | Honey, Beta World Is Over Soon | Germany |
| 224 | 331 | 3.1667 | WHAT FOLLOWS AFTER DREAM?: A Response To transportation issues in Bandung | Indonesia |
| 225 | 371 | 3.1667 | The Earth Curves | India |
| 226 | 479 | 3.1667 | Perspectives on Utopia and Dystopia: Asian Women Artists in Western Society | United Kingdom |
| 227 | 464 | 3.1515 | The Paradox of Power: Transcending the Pandemic, Navigating the New Abnormal | United Kingdom |
| 228 | 500 | 3.1385 | Turbulence | China |
| 229 | 504 | 3.1385 | Hidden Surfaces | United Kingdom |
| 230 | 87 | 3.1364 | SINTETIS - Audio-Visual and light Exibition | Indonesia |
| 231 | 377 | 3.1364 | TRIANGLE NYC - Turin - Munich | Germany |
| 232 | 431 | 3.1364 | The Techno-Vernacular Wave: Reassessing vernacular practices in a digital era | France |
| 233 | 337 | 3.1212 | Emergence: Organizational Artworks in Southeast Asia | Philippines |
| 234 | 165 | 3.1212 | Future Memories from the volcano | Italy |
| 235 | 177 | 3.1212 | Sorry, the Hardest Word | Slovenia |
| 236 | 359 | 3.1077 | the earth is cracked yet the water stays still | Australia |
| 237 | 181 | 3.1077 | Non Human Animal | Poland |
| 238 | 328 | 3.1061 | Seeds for an imaginary of resistance | Spain |
| 239 | 354 | 3.1061 | FOYER(s). | Italy |
| 240 | 424 | 3.0923 | The imagined World | China |
| 241 | 5 | 3.0909 | Stone Fruits | Zimbabwe |
| 242 | 45 | 3.0909 | WORLDLY DIS-POSITIONS | Singapore |
| 243 | 82 | 3.0909 | A(I) Brighter Tomorrow: Cancer & Beyond | Austria |
| 244 | 417 | 3.0769 | Connecting Dots ! | United Kingdom |
| 245 | 27 | 3.0758 | DÃnamicas Sur/Sur; Dynamics South/South | Costa Rica |
| 246 | 306 | 3.0758 | Invisible | Trinidad and Tobago |
| 247 | 228 | 3.0758 | Galaxy of Arts | Brazil |
| 248 | 138 | 3.0625 | This is a fancy door stopper | Germany |
| 249 | 429 | 3.0615 | TU MI CHIAMI A COMPIERE UN ATTO D'AMORE (YOU CALL ME TO PERFORM AN ACT OF LOVE) | Italy |
| 250 | 257 | 3.0606 | Queering the Landscape: Poetic Ruminations by the Contemporary Urban Gay Flaneur | United Kingdom |
| 251 | 288 | 3.0606 | Il s'agit de Conscience (It's about consciousness) | Congo |
| 252 | 302 | 3.0606 | United Kingdom | |
| 253 | 123 | 3.0606 | The Consumer Society: a paradox of popular collective memory | Venezuela |
| 254 | 143 | 3.0606 | It may contain soil | Tunisia |
| 255 | 218 | 3.0462 | Narcisstan | Azerbaijan |
| 256 | 139 | 3.0455 | I'm not dead | Brazil |
| 257 | 81 | 3.0308 | DREAMING OF US | Turkey |
| 258 | 277 | 3.0303 | Where's the scene: Locating the nativity of hiphop as performance | India |
| 259 | 214 | 3.0303 | Universo Occhi (Eyes Universe) | Italy |
| 260 | 240 | 3.0303 | Competition for Culture | Bahrain |
| 261 | 65 | 3.0156 | Entangled Matter: More-than-human coexistence | Canada |
| 262 | 170 | 3.0154 | Andean biodiversity | Colombia |
| 263 | 499 | 3.0154 | What Color Should the Moon Be? | Latvia |
| 264 | 144 | 3.0152 | Plastik Nature - The Harmony of Disagreeing Things | United Kingdom |
| 265 | 395 | 3 | Utopia of Social Equality (Dystopia of Social Reality) | Viet Nam |
| 266 | 324 | 2.9848 | Not Your Steppe's Stone | United States |
| 267 | 411 | 2.9848 | OI Outsourcing | Indonesia |
| 268 | 418 | 2.9848 | DISCONECROPOLITICS & SONIC COMMONS | Greece |
| 269 | 455 | 2.9697 | Poetics of proximity | Ecuador |
| 270 | 416 | 2.9692 | Before the last leaf falls | Romania |
| 271 | 443 | 2.9692 | We were not the first ones | Mexico |
| 272 | 392 | 2.9688 | Luanda Express | Angola |
| 273 | 8 | 2.9365 | Willing to unviel | Romania |
| 274 | 57 | 2.9242 | I'm just happy to be here | United States |
| 275 | 505 | 2.9242 | Art Exhibition "CANCELLED" The history of Russian Art from 1917 - 2022 | United Arab Emirates |
| 276 | 347 | 2.9231 | Love to a monster | Brazil |
| 277 | 497 | 2.9091 | Mirage in Oracle | United States |
| 278 | 68 | 2.9077 | RESILENCIAS | Spain |
| 279 | 203 | 2.8939 | When shut eyes look onto you | Austria |
| 280 | 343 | 2.8788 | A Future on Fire | United Kingdom |
| 281 | 345 | 2.8636 | LOST FOUND' | Turkey |
| 282 | 67 | 2.8594 | I am an artist. I am a woman. I am a wife. I am a mother (random order). | Belgium |
| 283 | 178 | 2.8485 | Relational Explorations | Austria |
| 284 | 88 | 2.8462 | Elpidofóra Topía (Hopeful Landscapes) | United States |
| 285 | 213 | 2.8462 | in cars | Germany |
| 286 | 15 | 2.8333 | Healing (the) bodies | Italy |
| 287 | 442 | 2.8182 | Digital Decolonial Portals | Germany |
| 288 | 406 | 2.8154 | (un)love | Italy |
| 289 | 39 | 2.8095 | A dream about wishing to loose control from the start | Germany |
| 290 | 338 | 2.803 | SPEAKING IN TONGUES: arousing Planetary hallucinations | Germany |
| 291 | 384 | 2.803 | Transience and Materiality: Deceiving Time | India |
| 292 | 322 | 2.7879 | FLAGS (A and S are flipped) | United Kingdom |
| 293 | 428 | 2.7692 | The Necessary Persistence of Gay Minimalism | United States |
| 294 | 434 | 2.7692 | Human, Machine, and the space in-Between | Portugal |
| 295 | 98 | 2.7656 | Face to Face | United States |
| 296 | 125 | 2.7576 | Appreciate Cultures | Reuel Machaliwa |
| 297 | 226 | 2.7385 | The Chaos Inside | Catherine Sweet |
| 298 | 410 | 2.7121 | accumulation | Gabriel Bogossian |
| 299 | 145 | 2.697 | Visionary Portable Art | Margarita Madariaga, Lina Salebe, Shirley Diaz |
| 300 | 13 | 2.6667 | We Were All A Dandelion | EEKIE/Megan Watson |
| 301 | 74 | 2.6515 | Cosmo-Oneirian Existentialism | Ricardo Cabrera |
| 302 | 385 | 2.6508 | How to Make Up for Our Lost Time | Dian Arumningtyas |
| 303 | 147 | 2.6462 | SOLO AGUANTA POR EL SILENCIO | José Caerols Lecaros |
| 304 | 379 | 2.6364 | mark marking mem | CLAUDIA SOHRENS |
| 305 | 146 | 2.6212 | Exploring Our Deepest Fears, Regrets, and Desires | Leina Marie Dueck |
| 306 | 201 | 2.6061 | personification of motivation | Kanchan karjee |
| 307 | 175 | 2.5846 | Black Agava | Nata Korneyeva |
| 308 | 227 | 2.5846 | Ominous Idols | Jessica Duby |
| 309 | 444 | 2.5692 | Else-Scene | Noha Essam |
| 310 | 495 | 2.5692 | We run out of Oil, speculations on the disappearnce of oil in the middle east (working title) | Ali Hussein AlAdawy |
| 311 | 483 | 2.5313 | Nourishment (Os Alimentos) | Diller Reis dos Santos |
| 312 | 311 | 2.5152 | REvision | Jackie Krovblit (Representing David Krovblit) |
| 313 | 485 | 2.5077 | Another decade together. For what and for whom? | YEI |
| 314 | 162 | 2.4923 | EPISODES | Ananké Asseff |
| 315 | 502 | 2.4923 | Inevitable? Collaging Public Policy | Hanna Negusie |
| 316 | 391 | 2.4844 | WYSIWYG - what you see is what you get | Clare Mary Puyfoulhoux |
| 317 | 310 | 2.4394 | Cuerpxs: A Survey of Latin American Performance Art | Jose Villanueva |
| 318 | 96 | 2.4308 | Rest in Paper | Shreya Sharma |
| 319 | 461 | 2.4308 | Imaginaries about the indecipherable. An approach to inhospitable languages | Guadalupe Ãlvarez, Micaela Paz and Daniela Moita |
| 320 | 72 | 2.4091 | Stream | Roberta Silveira Rech |
| 321 | 246 | 2.4091 | vanishing structures - politics of disappearance | Vincent Schier |
| 322 | 237 | 2.3636 | Things in their elements, not in their relations | Showna Kim Gustav Hellberg Yongdo Jeong |
| 323 | 259 | 2.3485 | how time flies - new Societally theories | Fabian Kühfuà |
| 324 | 251 | 2.3485 | How is the Children's Book born? | Alexandra Fedchenko |
| 325 | 75 | 2.2154 | Sublimated Spaces | Yoon Suok Won |
| 326 | 180 | 2.2154 | Advising _____: The Art Advisor's Exhibition | Abby Kane |
| 327 | 335 | 2.1818 | HANDICAP - Perspectives on difference | Agathe Anglionin and Stephane Pennec |
| 328 | 280 | 2.0606 | Future Music .:. Arabia | Maram Abdulaal |
| 329 | 28 | 2.0462 | Reclaimers | Gugulethu Ndlalani and Mpumelelo Buthelezi |
| 330 | 375 | 2 | Flash Studio | Mostafa Abdel Aty |
| 331 | 122 | 1.8594 | Musica Picta | Mikaya Petros |
| 332 | 437 | 1.8594 | Kabelsalat | Marina Pugina |
| 333 | 230 | 1.697 | Days of Happiness | Alex Sandulescu |