Install Images
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Curator Shaunak Mahbubani at the exhibition entrance.
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Installation view.
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Smita Rajmane, Swachh Vision Mission, 2018, Installation view.
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Smita Rajmane, Swachh Vision Mission, 2018, Installation view.
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Smita Rajmane, Swachh Vision Mission, 2018, Installation view.
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Smita Rajmane, Swachh Vision Mission, 2018, Installation view.
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Zine: Medium as Message, Installation view detail.
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Asim Waqif, FACT=FICTION, 2017, Installation View.
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Arko Datto, WILL MY MANNEQUIN BE HOME WHEN I RETURN series, 2016, Installation view.
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Arko Datto, WILL MY MANNEQUIN BE HOME WHEN I RETURN series, 2016, Installation view.
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Vishal Kumaraswamy, Bhoolna Mat (Don't Forget), 2018, Installation view.
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Vidisha Saini, DIY DIAL VIKAS, 2018, Installation view.
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Vidisha Saini, DIAL VIKAS, 2018, Installation view.
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Vidisha Saini, Now You Do Not, 2018, Installation view.
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Vidisha Saini, WAVING HAND BY THE WINDOW, 2018, Installation view.
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"Reading Writing History," collected textbooks, 2018, with Arko Datto, WILL MY MANNEQUIN BE HOME WHEN I RETURN series, 2016, Installation view. | 
Payal Arya, Except for the fact that the war was still going on, it was a perfect
Morning, 2018, Installation view. | 
Payal Arya, Except for the fact that the war was still going on, it was a perfect
Morning, 2018, Installation view. | 
Sanket Jadia, Residual Gaze, 2018, Installation view.
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Sanket Jadia, Residual Gaze, 2018, Installation view.
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Sanket Jadia, Residual Gaze, 2018, Installation view.
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Sarah Naqvi, Bashaoor, 2018, Installation view.
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Sarah Naqvi, Bashaoor, 2018, Installation view.
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Johar Jhargram, Women's Day Program, 2018, Installation view.
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Smita Rajmane, Swachh Vision Mission, 2018, Installation view.
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Zine: Medium as Message, 2018, organized by Karan Kaul, Installation view.
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Zine: Medium as Message, 2018, organized by Karan Kaul, Installation view.
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Zine: Medium as Message, 2018, organized by Karan Kaul, Installation view.
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Installation view.
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Installation view.
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Installation view.
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The Wire.in, Archive of most shared articles in English, Hindi, and Urdu; Chart of funds received, 2018, Installation view. | 
Arko Datto, Arms of the Panopticon, 2018, Installation view.
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AltNews archive presentation, 2018, Installation view.
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The Dalit Panther Archive, Installation view.
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Video Volunteers, documentation from Community Training in West Bengal, 2016, Installation view.
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Video Volunteers, documentation from Community Training in West Bengal, 2016, Installation view.
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Opening Images
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Saavdhaan: The Regimes of Truth, Installation view.
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Saavdhaan: The Regimes of Truth, Installation view (outside venue).
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Arko Datto, Installation view.
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Saavdhaan: The Regimes of Truth, Installation view.
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Arms of the Panopticon, Installation view.
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Asim Waqif, Installation view.
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Saavdhaan: The Regimes of Truth, Installation view.
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Arko Datto, Installation view.
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Vishal Kumaraswamy, Steal from the Country, 2017, Installation view.
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Sanket Jadia, Installation view
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Payal Arya, Untitled, 2018, Installation view.
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Smita Rajmane, Installation view.
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Smita Rajmane, Installation view.
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Saavdhaan: The Regimes of Truth, Installation view.
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Video Volunteers, Installation view.
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The Dalit Panther Archive, Installation view.
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The Dalit Panther Archive, Installation view.
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Sarah Naqvi, Bashaoor, 2018, Installation view.
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Vishal Kumaraswamy, Steal from the Country, 2017, Installation view, and Mandeep Raikhy, Attention!, 2018, Performance still. | 
Vidisha Saini, Installation view.
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Vidisha Saini, Installation view.
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Brochure Images
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Payal Arya, Deficiency or absence of light; darkness. 2. a. The quality or condition of being unknown, 2018, Installation and single channel video, Dimensions variable. | 
Arko Datto, Acche Din (Panopticams), 2015, Photographic print on archival paper, 3 x 3 ft.
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Vishal Kumaraswamy, Steal from the Country, 2017, Single channel video, 11:36 min. (still).
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Mandeep Raikhy, Attention, 2017, Performance, 58:00 min. (still).
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Video Volunteers Archive, Community Training in West Bengal, 2016, Digital documentation photo, Dimensions variable.
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