curated by After Party Collective (Vidisha-Fadescha and Shaunak Mahbubani)

Will Fredo and LoMaasBello, A Skip of the Beat A Change of the Heart, 2020, (still)
  • This information will be updated.
  • Artists:
    7thGrl a.k.a. Liniya Lanvin
    Grace Banu
    Jonathan Eden
    Jasmine Infiniti
    LoMaasBello & Will Fredo
    Bhenji Ra

In recent decades, the queer movement has globally taken large strides forward. However, the political, civic, and cultural spaces opened up by this struggle have primarily affirmed white and culturally-dominant cis-bodied queers. We, as trans and intersex folx, as well as those marginalised by race, caste, class, ethnicity, and ability, continue to be left on the periphery. We have learnt to not expect acknowledgement from institutions of colonial violence such as the senate, museum, and academy. So, we look instead to subjugated histories from Tawaifkhanas in South Asia, to San Basilio de Palenque, the first free town in the Americas, to the balls of New York, to the black techno clubs of Detroit, as sites of subverting colonial power and positioning agency within 'deviant' bodies. We claim this site of the party with origins in anti-systemic acts as a space where we have power to imagine our collective futures.

The curatorial research is anchored in practices of devising spaces that not only reduce the threat of violence for marginalised bodies, but also produce moments that affirm our maligned cultural lineages, and generate imperative employment within our communities. This exhibition invites trans, intersex, and non-binary artists with heritages from the global South who are immersed in these explorations of affirmative spaces, through creating and critiquing the party as a political act. Building upon textual references such as Sara Ahmed's 'Queer Phenomenology', the experiential display will bring together artistic inputs through objects, music, lighting, and contact zones that orient the trans body towards affects of familiarity, avoiding disorientation.

In this exhibition, as on our dancefloors, the stylized adorned body takes centrestage, not as supplementary to our politics, but rather as the very embodiment of our co-visioned new world (dys)order.

*The text above was submitted to apexart's 2021-22 NYC Open Call, and rated by over 400 jurors. Any specific artists mentioned are unconfirmed and subject to change.
After Party Collective, formed by artist-curator duo Vidisha-Fadescha and Shaunak Mahbubani, acts in the intersections between curatorial and performance practices. Expanding the Party as a site for critical praxis they produce spaces of embodied thinking to create momentum towards affirmation of trans*, intersex, non-binary, gnc, and poly-gendered bodies. Through recent projects — Queer Futures Potluck Party held at Goethe-Institute/ Max Mueller Bhavan New Delhi, Queer Futures Archive exhibited in Parramatta NSW, video work Some Dance to Remember, Some Dance to Forget screened at Nottingham Arts Mela, and upcoming publication co-curated with Party Office Consent of the Governed: Kink, Constitution and Race — they are energizing choreographies of collectivity, agency, legality, and pleasure.

apexart’s program supporters past and present include the Milton and Sally Avery Arts Foundation, the Buhl Foundation, Bloomberg Philanthropies, Spencer Brownstone, the Kenneth A. Cowin Foundation, Epstein Teicher Philanthropies, The Greenwich Collection Ltd., William Talbott Hillman Foundation/Affirmation Arts Fund, the Fifth Floor Foundation, the Consulate General of Israel in New York, The Puffin Foundation, the Trust for Mutual Understanding, The Andy Warhol Foundation for the Visual Arts, and public funds from the New York City Department of Cultural Affairs in partnership with the City Council, public funds from Creative Engagement, supported by the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC, funds from NYSCA Electronic Media/Film in Partnership with Wave Farm: Media Arts Assistance Fund, with the support of Governor Andrew Cuomo and the New York State Legislature, as well as the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.