RESIDENT LECTURE SERIES | |||
Wednesday,
July 29, 6:30 pm
It's Not a Lie if You Believe It
Current apexart resident British artist KELLY WARMAN, and MATTHEW LYONS,
curator for the Kitchen, discuss the translation of the
written word into performative, mediated and cinematic space, focusing
on contemporary literature and film that has evolved from the novel
form. In addition, Kelly Warman will read excerpts from her residency
diary. |
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Kelly Warman is a British born artist based
in Rotterdam, The Netherlands. Before completing her MFA at the
Piet Zwart Institute, Rotterdam, Kelly graduated with a BA (Hons)
from Dartington College of Arts, Dartington and a diploma from
Chelsea College of Art, London, UK. Kelly's formation is
related to a larger understanding of a culture that evolves around
self-performance, she is particularly interested in the translation
of the interior monologue into the cinematic space. Warman's
work investigates the idea of a commodity-person through staged
performance and cinematic video works. Kelly Warman was recommended
by Anselm Franke, curator and writer, Artistic Director of Extra
City Center for Contemporary Art in Antwerp, Belgium.
Matthew Lyons is Curator at The Kitchen, NY, where he has organized solo exhibitions by Sara Greenberger Rafferty, Glen Fogel, Vlatka Horvat, Jenny Perlin, and Mika Tajima as well as performances by Final Fantasy, Jutta Koether, Aki Onda, and robbinschilds, among others. His writing has appeared in ASPECT, Flash Art, Movement Research Performance Journal, and he was a contributing author for WORK THE ROOM: A Handbook of Performance Strategies. |
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Please
join us. All events are free and open to the public. apexart Directions: A, C, E, N, R, W, Q, J, M, Z, 6 to Canal or 1 to Franklin. apexart's residency program is supported in part by the Milton and Sally Avery Arts Foundation. apexart's Resident Lecture Series is supported in part by the National Endowment for the Arts. apexart's exhibitions and public programs are supported in part by the Andy Warhol Foundation for the Visual Arts, Carnegie Corporation of New York, Edith C. Blum Foundation, Mary Duke Biddle Foundation, The Greenwich Collection Ltd., The William Talbott Hillman Foundation, and with public funds from the New York City Department of Cultural Affairs and the New York State Council on the Arts. |