Images for Decolonized Skies
organized by High&Low Bureau (Yael Messer and Gilad Reich)
in New York, NY
September 11 – October 25, 2014
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| INSTALLATION IMAGES |
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| Forensic Architecture, Eyal Weizman (Principal Investigator), Susan Schuppli (research & coordination), Jacob Burns (research), Steffen Krämer (video compositing & editing), Reiner Beelitz (architectural modeling), Samir Harb (architectural modeling), Zahra Hussain (research assistance), Francesco Sebregondi (research assistance), Blake Fisher (research assistance), Drone Strikes, Threshold of Detectability, 2014, Images and text on light table, in collaboration with HKW, Berlin (Anselm Franke and Eyal Weizman); Bik Van der Pol, Elements of Composition (As Above, So Below), 2011
Color photograph on vinyl, publications, and sound piece, Variable dimensions, the sound-piece was recorded during the daily walking tours around Essex Street Market, held as part of Bik van der Pol's Elements of Composition (As Above, So Below) project, on the occasion of Living as Form exhibition, September 24 October 16, 2011; Ruben Pater, Drone Survival Guide, 2013, Offset printed on Chromolux ALU-E mirrored paper, 19 x 13 inches; George R. Lawrence, San Francisco earthquake ruins, 1906, B&W reproduction of photographic print, 42 ¾ x 15 ½ inches, image courtesy of Chicago History Museum |
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Forensic Architecture, Drone Strikes, Case study no. 2: Mir Ali, North Waziristan, October 4, 2010, 2010; Forensic Architecture, Drone Strikes, Case study no. 3: Miranshah, North Waziristan, March 30, 2012, 2013; Forensic Architecture, Drone Strikes, Threshold of Detectability, 2014; Bik Van der Pol, Elements of Composition (As Above, So Below), 2011; Ruben Pater, Drone Survival Guide, 2013; George R. Lawrence, San Francisco earthquake ruins, 1906 |
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Forensic Architecture, Drone Strikes, Case study no. 2: Mir Ali, North Waziristan, October 4, 2010, 2010; Forensic Architecture, Drone Strikes, Case study no. 3: Miranshah, North Waziristan, March 30, 2012, 2013; Forensic Architecture, Drone Strikes, Threshold of Detectability, 2014; Bik Van der Pol, Elements of Composition (As Above, So Below), 2011; Ruben Pater, Drone Survival Guide, 2013; George R. Lawrence, San Francisco earthquake ruins, 1906 |
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| Forensic Architecture, Drone Strikes, Case study no. 2: Mir Ali, North Waziristan, October 4, 2010, 2010; Forensic Architecture, Drone Strikes, Case study no. 3: Miranshah, North Waziristan, March 30, 2012, 2013; Forensic Architecture, Drone Strikes, Threshold of Detectability, 2014 |
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Forensic Architecture, Drone Strikes, Case study no. 2: Mir Ali, North Waziristan, October 4, 2010, 2010; Forensic Architecture, Drone Strikes, Case study no. 3: Miranshah, North Waziristan, March 30, 2012, 2012; Forensic Architecture, Drone Strikes, Threshold of Detectability, 2014; Bik Van der Pol, Elements of Composition (As Above, So Below), 2011; Ruben Pater, Drone Survival Guide, 2013; George R. Lawrence, San Francisco earthquake ruins, 1906; Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012, Collage (color laserjet copies, b/w laserjet copies, magazine pages, maps), colored pencil, ink and architectural tape on paper, 38 x 50 inches; Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012, Collage (color laserjet copies, b/w laserjet copies, magazine pages, maps), colored pencil, ink and architectural tape on paper, 38 x 50 inches; Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012, Collage (color laserjet copies, b/w laserjet copies, magazine pages, maps), colored pencil, ink and architectural tape on paper, 38 x 50 inches |
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Forensic Architecture, Drone Strikes, Threshold of Detectability, 2014 |
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| Bik Van der Pol, Elements of Composition (As Above, So Below), 2011, Color photograph on vinyl, publications, and sound piece, Variable dimensions, the sound-piece was recorded during the daily walking tours around Essex Street Market, held as part of Bik van der Pol's Elements of Composition (As Above, So Below) project, on the occasion of Living as Form exhibition, September 24 - October 16, 2011 |
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Bik Van der Pol, Elements of Composition (As Above, So Below), 2011; George R. Lawrence, San Francisco earthquake ruins, 1906 |
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Ruben Pater, Drone Survival Guide, 2013, Offset printed on Chromolux ALU-E mirrored paper, 19 x 13 inches |
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| Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012; Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012; Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012; Ruben Pater, Drone Survival Guide, 2013; Forensic Architecture, Drone Strikes, Case study no. 3: Miranshah, North Waziristan, March 30, 2012, 2013; Forensic Architecture, Drone Strikes, Case study no. 2: Mir Ali, North Waziristan, October 4, 2010, 2010; Forensic Architecture, Drone Strikes, Threshold of Detectability, 2014; Bik Van der Pol, Elements of Composition (As Above, So Below), 2011 |
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Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012, Collage (color laserjet copies, b/w laserjet copies, magazine pages, maps), colored pencil, ink and architectural tape on paper, 38 x 50 inches; Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012, Collage (color laserjet copies, b/w laserjet copies, magazine pages, maps), colored pencil, ink and architectural tape on paper, 38 x 50 inches; Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012, Collage (color laserjet copies, b/w laserjet copies, magazine pages, maps), colored pencil, ink and architectural tape on paper, 38 x 50 inches. |
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Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012, Collage (color laserjet copies, b/w laserjet copies, magazine pages, maps), colored pencil, ink and architectural tape on paper, 38 x 50 inches; Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012, Collage (color laserjet copies, b/w laserjet copies, magazine pages, maps), colored pencil, ink and architectural tape on paper, 38 x 50 inches; Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012, Collage (color laserjet copies, b/w laserjet copies, magazine pages, maps), colored pencil, ink and architectural tape on paper, 38 x 50 inches. |
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| George R. Lawrence, Kites used to support George R. Lawrence camera equipment, 1900-1910, Reproduction of photographic print, 8 ¼ x 11 ¾ inches, image courtesy of Chicago History Museum; George R. Lawrence, George R. Lawrence camera equipment in the sky, 1900-1910, Reproduction of photographic print, 8 ¼ x 11 ¾ inches, Image courtesy of Chicago History Museum. |
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Effi & Amir, The Vanishing Vanishing-Point, 2014, HD Video, Stereo, 28 minutes, In collaboration with the Ostrovsky Family Fund. |
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| INDIVIDUAL WORKS |
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George R. Lawrence, Kites used to support George R. Lawrence camera equipment, 1900-1910, Reproduction of photographic print, 8 ¼ x 11 ¾ inches
image courtesy of Chicago History Museum |
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George R. Lawrence, George R. Lawrence camera equipment in the sky, 1900-1910, Reproduction of photographic print, 8 ¼ x 11 ¾ inches
image courtesy of Chicago History Museum |
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Bik Van der Pol, Elements of Composition (As Above, So Below), 2011, Site specific text piece, Images, publication, and sound |
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Effi and Amir, The Vanishing Vanishing-Point, 2014, Video, 27:42 mins (video still) |
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Effi and Amir, The Vanishing Vanishing-Point, 2014, Video, 27:42 mins (video still) |
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Bik Van der Pol, Elements of Composition (As Above, So Below), 2011, Site specific text piece, Images, publication, and sound |
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Forensic Architecture: Eyal Weizman (Principal Investigator), Susan Schuppli (research & coordination), Jacob Burns (research), Steffen Krämer (video compositing & editing), Reiner Beelitz (architectural modeling), Samir Harb (architectural modeling), Zahra Hussain (research assistance), Francesco Sebregondi (research assistance), Blake Fisher (research assistance)
LEFT: Drone Strikes, Threshold of Detectability, 2014,
Images and text on light table. In collaboration with HKW, Berlin (Anselm Franke and Eyal Weizman).
RIGHT: Forensic Architecture in collaboration with Situ Research (Bradley Samuels and Charles Perrault), Drone Strikes, Case study no. 3: Miranshah, North Waziristan, March 30, 2012, 2013, Video, 9:20 min. |
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Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012, Collage (color laserjet copies, b/w laserjet copies, magazine pages, maps), colored pencil, ink and architectural tape on paper, 50 x 38 inches |
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| Ruben Pater, Drone Survival Guide, 2013, Offset printed on Chromolux ALU-E mirrored paper 19 x 13 inches
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Ruben Pater, Drone Survival Guide, 2013, Offset printed on Chromolux ALU-E mirrored paper 19 x 13 inches |
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Peter Fend, Über die Grenze: May Not Be Seen Or Read Or Done (Excerpt), 2012, Collage (color laserjet copies, b/w laserjet copies, magazine pages, maps), colored pencil, ink and architectural tape on paper, 50 x 38 inches |
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| George R. Lawrence, San Francisco earthquake ruins, 1906, B&W reproduction of photographic print, 42 ¾ x 15 ½ inches, image courtesy of Chicago History Museum |
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